Good Day for a Hanging (1959) - Turner Classic Movies

Good Day for a Hanging


1h 25m 1959
Good Day for a Hanging

Brief Synopsis

A reformed bank robber has to choose between his former gang and doing the right thing.

Film Details

Genre
Western
Release Date
Jan 1959
Premiere Information
not available
Production Company
Morningside Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the short story "The Reluctant Hangman," by John Reese in Texas Rangers (Mar 1956).

Technical Specs

Duration
1h 25m
Sound
Mono (RCA Sound System)
Color
Color (Eastmancolor)

Synopsis

On the outskirts of the town of Springdale, Nebraska, young renegade Eddie Campbell, a member of the Fletcher gang, watches the progress of a stagecoach carrying a mail delivery to the Springdale bank. As the stage nears Springdale, the outlaws drift into town, intending to rob the bank once the mail is delivered. On the street outside the bank, elderly Marshal Hiram Cain and his devoted wife Molly greet Ben Cutler, the owner of the stage line, and congratulate him on his upcoming marriage to Ruth Granger. While the outlaws infiltrate the bank, Eddie stands lookout outside. As Eddie fidgets with his horse, Ben's teenage daughter Laurie, who was once in love with the wayward Eddie, welcomes him back to town. When the robbers demand the money, one of the tellers pulls a gun, sparking a gunfight in which the teller is killed. As the robbers flee, Ben joins the marshal and others, who pursue them into the hills. From a ridge above the trail, Eddie shoots Ben's horse out from under him, then kills the marshal. Firing back, Ben hits Eddie in the face, knocking him off his horse, then brings the marshal's body and the wounded outlaw back to town. Laurie, upset that Eddie has been injured, refuses to believe that he could be guilty of murder. When several county commissioners ask Ben temporarily to assume the post of marshal, he reluctantly agrees. After treating Eddie, Paul Ridgely, the town doctor who has been courting Laurie, proposes to her, but she rejects his offer because she is still in love with Eddie. In a play for sympathy, Eddie tries to kill himself by ripping off his bandage. When he refuses to eat, Laurie solicitously brings a basket of food and assures him that she believes in his innocence. Soon after, attorney William Selby comes to town to defend Eddie, hoping to capitalize on the notoriety of the case. Ben objects to the lawyer's presence, but Ruth argues that Eddie is "just a good boy gone bad" and deserves an adequate defense. To win the townspeople over to his cause, Selby plies them with alcohol then solicits stories about Eddie's "unfortunate childhood." When Ben criticizes Selby's tactics, the attorney accuses him of wanting Eddie to hang because he defiled Laurie. Angered, Ben challenges Selby to a fistfight and thrashes him. Tallant Joslin, the State's Attorney, comes to town to prosecute Eddie soon after, and Ben asks that he not be called to testify against Eddie to spare Laurie. At the trial, Selby manipulates the witnesses to recant their testimony that they saw Eddie shoot the marshal, thus forcing Tallant to call Ben to the stand. Although Selby tries to discredit Ben's account of witnessing Eddie murder the marshal, Ben stands by his testimony. After the jury delivers a guilty verdict, Eddie breaks into tears and swears he is innocent, then feigning remorse, begs the judge to give him a second chance because "he never had a first one." That night, a drunken Tallant, filled with regret over his role in sentencing a man to die, gives Ben the official measurements with which he must build the gallows. When Ruth begs Ben to find someone else to conduct the hanging, Ben replies that he has a responsibility to justice and to the law. Ruth accuses Ben of wanting Eddie dead, then bitterly observes that the day of the hanging was to be their wedding day. Now beginning to doubt his own integrity, Ben returns home to hear Laurie announce that she is moving in with Ruth. As the gallows are erected across from his jail cell, Laurie visits Eddie. After proclaiming his love for Laurie, the conniving Eddie asks her to pack a gun in her picnic basket when she visits that night. In the shadow of the gallows, a crowd gathers and begins to question Ben's motives, suggesting that he might deliberately have framed Eddie to protect Laurie. Later, when Laurie comes to deliver Eddie's dinner, Ben inspects her basket and seizes the pistol he finds hidden inside. Later, as Ben eats his dinner at the saloon, Ruth comes to apologize for her harsh words. Their conversation is interrupted by the commissioners, who show Ben a petition requesting clemency for Eddie and ask him to deliver it to the governor at the state capitol. While Ben is away, Paul comes to the jailhouse and discovers that the deputies are drunk. Hearing noises coming from the corral in back of the jail, Paul goes to investigate and is knocked out by two members of Eddie's gang who have come to break him out of jail. As the outlaws overpower the drunken deputies and free Eddie, Ben returns to town with the signed petition, which he hands over to the commissioners, along with his badge. Upon learning that Eddie's death sentence has been commuted, Laurie runs to see him. The outlaws pull her inside the jailhouse, and when she protests, Eddie slugs her and flees. Paul, regaining consciousness, sees the outlaws mount their horses and fires his gun as a warning. Drawn by the sound of gunfire, Ben, aided by several townsmen, gun down two of the outlaws, but Eddie escapes and takes cover in the stable. As Eddie is about to shoot Ben in the back, Laurie spots him and warns her father. Eddie then climbs onto the gallows scaffold and is about to shoot Ben when Paul calls out, alerting Ben, who fires first and kills Eddie. The commissioners then approach Ben and offer to return his badge. Ruth takes the badge, then walks off arm in arm with Ben as Laurie runs to Paul's side.

Film Details

Genre
Western
Release Date
Jan 1959
Premiere Information
not available
Production Company
Morningside Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the short story "The Reluctant Hangman," by John Reese in Texas Rangers (Mar 1956).

Technical Specs

Duration
1h 25m
Sound
Mono (RCA Sound System)
Color
Color (Eastmancolor)

Articles

Good Day For a Hanging - Good Day for a Hanging


The offbeat Good Day for a Hanging (1959) is one of eight westerns Fred MacMurray made between 1955 and 1959. Like several other leading men of the '30s and '40s - such as James Stewart, Clark Gable, Joel McCrea and Robert Taylor - MacMurray entered a western phase late in his career. Western roles suited these actors who were getting grayer, harder, and more grizzled-looking. Cheaply and efficiently made, MacMurray's westerns weren't on the level of some of the others (mainly because his weren't directed by the likes of Anthony Mann, Budd Boetticher or Andre De Toth) but they're better than average efforts nonetheless.

In this one, MacMurray captures a sheriff's killer (Robert Vaughn) and brings him into town for trial, only to discover that the townsfolk don't believe him to be guilty and don't want him punished; Vaughn successfully seduces them with his debonair charm. Variety said of the film that "MacMurray has a rather solid role but invests it with authority and interest... Not altogether successful, but it is several notches above its modest budget class."

While making his westerns, MacMurray also had the opportunity to co-star with Barbara Stanwyck for a fourth and final time in Douglas Sirk's There's Always Tomorrow (1956). At the end of the cycle, he acted in two wildly different but important films: The Shaggy Dog (1959), one of the biggest hits of his career, and The Apartment (1960), one of the best movies of his career.

Co-star Robert Vaughn, at 26 years old, was on the verge of very big things himself at this point. He had been appearing in all sorts of television shows and had only a handful of big-screen outings under his belt. His next two features, however, would be major: for The Young Philadelphians (1959), he received an Oscar® nomination for Best Supporting Actor, and a year later he played one of The Magnificent Seven (1960). Not bad! Not long after that, Vaughn would land a huge television role on The Man from U.N.C.L.E.

Variety had praise for the rising star: "The audience will spot Vaughn as a psychopath the first time he twitches across the screen, but it is easy to see how he could confuse those in the [film]. There is 'Method' in his madness, too, which makes him an unusually interesting young actor."

Incidentally, the trade paper also commented critically on the use of color in this picture: "The 'Columbia Color,' as it's billed, has a tendency to be rather over-rouged, reducing the impact of what is essentially a realistic melodrama. Black-and-white would have suited this picture better."

Director Nathan Juran started his career as an art director. As such, he won an Oscar® for How Green Was My Valley (1941) and worked on several great Anthony Mann pictures. As a director, he was best known for fantasy films such as The 7th Voyage of Sinbad (1958) and Jack the Giant Killer (1962).

Co-star Bing Russell, who plays a character named George Fletcher, was the father of Kurt Russell.

Producer: Charles H. Schneer
Director: Nathan Juran
Screenplay: Daniel B. Ullman, Maurice Zimm; John Reese (story)
Cinematography: Henry Freulich
Art Direction: Robert Peterson
Film Editing: Jerome Thoms
Cast: Fred MacMurray (Marshal Ben Cutler), Maggie Hayes (Ruth Granger), Robert Vaughn (Eddie 'the Kid' Campbell), Joan Blackman (Laurie Cutler), James Drury (Paul Ridgely), Wendell Holmes (Tallant Joslin), Edmon Ryan (William P. Selby), Stacy Harries (Coley), Kathryn Card (Mrs. Molly Cain), Emile Meyer (Marshal Hiram Cain).
BW-85m.

by Jeremy Arnold

Good Day For A Hanging - Good Day For A Hanging

Good Day For a Hanging - Good Day for a Hanging

The offbeat Good Day for a Hanging (1959) is one of eight westerns Fred MacMurray made between 1955 and 1959. Like several other leading men of the '30s and '40s - such as James Stewart, Clark Gable, Joel McCrea and Robert Taylor - MacMurray entered a western phase late in his career. Western roles suited these actors who were getting grayer, harder, and more grizzled-looking. Cheaply and efficiently made, MacMurray's westerns weren't on the level of some of the others (mainly because his weren't directed by the likes of Anthony Mann, Budd Boetticher or Andre De Toth) but they're better than average efforts nonetheless. In this one, MacMurray captures a sheriff's killer (Robert Vaughn) and brings him into town for trial, only to discover that the townsfolk don't believe him to be guilty and don't want him punished; Vaughn successfully seduces them with his debonair charm. Variety said of the film that "MacMurray has a rather solid role but invests it with authority and interest... Not altogether successful, but it is several notches above its modest budget class." While making his westerns, MacMurray also had the opportunity to co-star with Barbara Stanwyck for a fourth and final time in Douglas Sirk's There's Always Tomorrow (1956). At the end of the cycle, he acted in two wildly different but important films: The Shaggy Dog (1959), one of the biggest hits of his career, and The Apartment (1960), one of the best movies of his career. Co-star Robert Vaughn, at 26 years old, was on the verge of very big things himself at this point. He had been appearing in all sorts of television shows and had only a handful of big-screen outings under his belt. His next two features, however, would be major: for The Young Philadelphians (1959), he received an Oscar® nomination for Best Supporting Actor, and a year later he played one of The Magnificent Seven (1960). Not bad! Not long after that, Vaughn would land a huge television role on The Man from U.N.C.L.E. Variety had praise for the rising star: "The audience will spot Vaughn as a psychopath the first time he twitches across the screen, but it is easy to see how he could confuse those in the [film]. There is 'Method' in his madness, too, which makes him an unusually interesting young actor." Incidentally, the trade paper also commented critically on the use of color in this picture: "The 'Columbia Color,' as it's billed, has a tendency to be rather over-rouged, reducing the impact of what is essentially a realistic melodrama. Black-and-white would have suited this picture better." Director Nathan Juran started his career as an art director. As such, he won an Oscar® for How Green Was My Valley (1941) and worked on several great Anthony Mann pictures. As a director, he was best known for fantasy films such as The 7th Voyage of Sinbad (1958) and Jack the Giant Killer (1962). Co-star Bing Russell, who plays a character named George Fletcher, was the father of Kurt Russell. Producer: Charles H. Schneer Director: Nathan Juran Screenplay: Daniel B. Ullman, Maurice Zimm; John Reese (story) Cinematography: Henry Freulich Art Direction: Robert Peterson Film Editing: Jerome Thoms Cast: Fred MacMurray (Marshal Ben Cutler), Maggie Hayes (Ruth Granger), Robert Vaughn (Eddie 'the Kid' Campbell), Joan Blackman (Laurie Cutler), James Drury (Paul Ridgely), Wendell Holmes (Tallant Joslin), Edmon Ryan (William P. Selby), Stacy Harries (Coley), Kathryn Card (Mrs. Molly Cain), Emile Meyer (Marshal Hiram Cain). BW-85m. by Jeremy Arnold

Quotes

Eddie is just a boy. Tom was killed by a hardened criminal.
- Ruth Granger
Do you think this kid is any less hardened? Since when is a young rattlesnake any less poisonous then an old one?
- Ben Cutler

Trivia

Notes

"The Reluctant Hangman," the short story on which the film was based, first appeared in the March 1956 issue Texas Rangers. Although onscreen credits list the author's name as John Reese, the story was actually published under Reese's pseudonym, "John Jo Carpenter." A Variety review lists Robert Vaughn's character as "The Kid," but he is called Eddie Campbell throughout the film and is only referred to as "Kid" by the outlaws. Although a Hollywood Reporter production chart placed Keith Richards in the cast, his appearance in the released film has not been confirmed.

Miscellaneous Notes

Released in United States on Video July 9, 1996

Released in United States Winter December 1958

Released in United States on Video July 9, 1996

Released in United States Winter December 1958