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2023: A Trilogy Hardcover – August 23, 2017
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- Print length352 pages
- LanguageEnglish
- PublisherFaber & Faber Social
- Publication dateAugust 23, 2017
- Dimensions6.02 x 1.02 x 9.21 inches
- ISBN-100571338089
- ISBN-13978-0571338085
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Product details
- Publisher : Faber & Faber Social; Main edition (August 23, 2017)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0571338089
- ISBN-13 : 978-0571338085
- Item Weight : 1.4 pounds
- Dimensions : 6.02 x 1.02 x 9.21 inches
- Best Sellers Rank: #1,167,193 in Books (See Top 100 in Books)
- #7,063 in Dystopian Fiction (Books)
- #555,323 in Literature & Fiction (Books)
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Reviewed in the United States on September 27, 2017
This book is full of references, blatant and oblique: Robert Anton Wilson's Illumnatus! trilogy is there in big flashing lights, along with a few other books; tons of politicians and celebrities and companies, barely aliased; the authors themselves, or at least, alternate reality versions of them. I'm certain I missed a ton. As a conventional novel, it's unsatisfying... one of many similarities with the Illuminatus! trilogy. Every character is alternately sympathetic and terrible. Narrative arcs go unfinished or fizzle out. There is little insight, and no moral is handed to you on a silver platter.
But in the thrashing of the characters, their foolishness and fatalism and conceits, you're encouraged to ask (and answer) your own questions. The nature of "Art," transience, the human condition... even if you don't get the myriad references, there's enough here to get your brain working on some philosophical questions. Is that enough for you?
But the shape of the book jacket and the book itself was unbelievably AWFUL.
The book jacket is ripped in 4 or 5 different places.
The right side of the pages look like the book has been read by several people with large, very dirty hands.
I would readily accept (or purchase) another cover.
Love the KLF. Longtime fan of the music, the art, the mythology and the chaos they Kreate. That said, I couldn't make heads or tails of this and, frankly, gave up. I got the interweaving of old friends (Gimpo) and influences (Wilson) and all of that, but the gender swapping and time swapping and language swapping and geography swapping and on and on left my head reeling. I want to LOVE this, and I appreciate the craziness of it all (because that's what B&J do)... but measured as an entertaining read, I just couldn't keep up. Maybe I'll come back to it sometime when I'm willing to put more effort into it, vs. a casual read.
Top reviews from other countries
Set in the eponymous year, ‘2023’ looks back over recent future history, ie the next few years in real terms (something Ford Timelord might possibly describe as ‘timey wimey’). Within this parallel dimension history the exploits of Drummond and Cauty in the worlds of art and music are retold and re-envisioned multiple times, with many of their acts attributed to others such as The Beatles, the Utah Saints and former KLF collaborators Extreme Noise Terror. The inclusion of Discordianism and the recurring figure 23 are inevitably scattered about throughout the whole work as might be expected.
It is a mixed utopian dystopian ‘history’/account of the near future serving as treatise on the balance between order and chaos. In this way, it acts as a critique on the modern world/modern life; challenging what is happening in society in the present day.
This is an incredibly difficult novel to attempt to review. I certainly wouldn’t consider pretending to know what it is supposed to all mean or what its message is (and, I expect, nor could anyone, even Drummond and Cauty). The truth being (most likely) that there is no one message and meaning and no intention that there should be. But everyone should find at least something within its pages to make them think.
Aside from that it is written with great intelligence and wit, proving to be a highly entertaining read. Furthermore, it is not imperative that you need to be a fan of The KLF or the Justified Ancients of Mu Mu or any other personas of Drummond and Cauty to find this enjoyable or intellectually stimulating. Although obviously the more you know of the fascinating exploits of The KLF, the more in jokes and references you’ll find.
Hail Discordia.
perhaps the last thing you might expect after a 23 year moratorium would be a novel. however, if you were to guess the 23 year gap was ended with such, you would be odds on to predict that it would lean heavily on 'the illuminatus trilogy'. which it does muchly! it reads in very much the same way, but i would also say that it's not essential to have read it before 2023 - just helpful. of course there are stolen characters and themes, but the jams have been guilty of a little (a lot!) larceny in the past, so you'd expect it - what'll happen after copyright has wielded it's unforgiving sword? a book with great blank passages? i don't think so. (although it has happened before with '1987-the edits'!)
literal liberties are taken with time, characters and events are involved in twisting the story toward an apocalyptic christmas t.o.t.p. conclusion, most of the protagonists supplied with a copy of 'grapefruit are not the only bombs' by one of the yokos - no, i'm not going to try and unravel things here, why spoil your fun? and it is fun, not loud out laughing fun, but fun nonetheless - i was just going to review it thus - 'what a load of shight, i loved every word', and maybe should have! it's a gripping, compelling read full of imaginative twists and insertions, and considering the authors, balanced - it's a story! drummond and cauty flit in and out of things (as characters) without any great effect on the plot, but it's comforting that they are (fnord) there! look elsewhere for facts!
suffice to say they've produced a work fitting to the hype, and an entirely appropriate end to the moratorium! maybe this is it? who knows?
The book is bursting with ideas, and gives a fascinating glimpse into the cultural influences, ideas and mythology that run through the duo’s work. In terms of storytelling, it’s not great and leaves you wanting more. But the shear volume of ideas going on still makes it an entertaining read. For anyone who wants to delve further into the thinking behind this legendary band this is a perfect insight into the minds of Bill Drummond and Jimmy Cauty (with a lot of references to them collaborating with Alan Moore, did he help them write it?). It’s an ideal companion piece to John Higgs’s fantastic biography which gives Bill and Jimmy their own pleasingly weird voice in the KLF legend.