A continuación aparece una instantánea de la página web tal y como aparecía en 26/05/2024 (la última vez que nuestro rastreador la visitó). Esta es la versión de la página que se usó para la clasificación de los resultados de búsqueda. Puede que la página haya cambiado desde la última vez que la guardamos en caché. Para ver lo que puede haber cambiado (sin la información destacada), ve a la página actual.
Bing no se hace responsable del contenido de esta página.
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Incredible early work from Yusef Lateef – some of his best! On these early Savoy side, Lateef is drawing from the wealth of influences that were running through the Detroit jazz underground of the 50s that spawned him – and apart from a strongly-conceived bop-influenced sound, you'll ... CD
One of the greatest albums ever recorded by the mighty Yusef Lateef – and that's really saying a lot, given his fantastic legacy of albums! The set's a live one, which is a bit unusual in Lateef's catalog at this time – and the concert setting is perhaps a window onto some of his more ... CD
A heck of a great little record – one that shouldn't work so well, but it does! For the set, Sonny Stitt's blowing in front of a larger brass section – and while the prospect of a Sonny Stitt big band record might not sound that great at first, this one really kicks, largely because of ... CD
A great set that features Abdullah Ibrahim's soundtrack music for the 1988 Clair Denis film Chocolat – some of his best group recordings of the 80s! The feel here is a bit more African-styled than usual – even for Ibrahim – with strong use of reeds to inflect the tunes with the ... CD
Sweet electric funk from Robin Kenyatta – but a set with some slightly complicated moments too! The album's a bit like some of Yusef Lateef's more electric moments on Atlantic, although probably not as cerebral overall – and Robin plays a range of reeds, including alto, flute, and ... CD
Titles include "Portrait Of Mahalia Jackson", "Bourbon Street Jingling Jollies", "Second Line", "Portrait Of Wellman Bruad", and "Thanks For The Beautiful Land On The Delta". CD
Reissue of two of Art Farmer's beautiful albums for Atlantic from the mid 60s! Both records have Farmer playing with modernist-oriented backing – one group is Jim Hall, Steve Swallow, and Walter Perkins; the other is Swallow, Steve Kuhn, and Pete LaRoca. As could be expected, these players ... CD
Great early genius from the Clarke Boland Big Band – proof that Kenny and Francy were onto something great, right from the start! The album really has the group hitting the heights of their MPS years – stretching out way past earlier big band modes, into the hip mix of rhythms and ... CD
Shelly Manne scored big with a jazz version of the Peter Gunn soundtrack in the 50s – and he does it again in this 60s version of Henry Mancini's music for the full-length Gunn movie! The style here is a bit more far-reaching and looser than before – showing not just Manne's ... CD
One of Shelly Manne's best records of the 60s – largely because the group's so great! Altoist Frank Strozier was playing with Shelly at the time, and his rich talents on the alto make the record almost worth seeking out for him alone – because here, Strozier's opening up his sound a ... CD
Features Russell Gunn on trumpet, flugelhorn, organ bass, and beatbox – plus Gregory Tardy and Bruce Williams on reeds, Andre Heyward on trombone, James Hurt on piano and organ, Rodney Jordan on bass, Woody Williams on drums, Khalil Kwame Bell on percussion, and DJ Apollo on turntables. CD
Incredible work from saxophonist John Handy – an extended performance from the Monterey Jazz Festival in 1965, and a set that shows that he's grown tremendously as an artist since his early recordings for Roulette! The tracks are quite long – with only 2 numbers overall, "Spanish ... CD