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Deadline at Dawn (An American Mystery Classic) Paperback – June 28, 2022
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In this thrilling mystery from “the Hitchcock of the written word,” two lovers rush to solve a murder before the end of a New York night (Believer)
When Quinn first meets Bricky, she’s working as a partner-for-hire at a dancehall and he’s struggling to shake the anxiety of his guilty conscience. Earlier that day, the young man took advantage of a found key and used it to rob a stranger’s home. Now, with the purloined money in his pocket, Quinn is unable to escape the memory of his wrongdoing―and not even a night spent dancing is enough to silence his nagging thoughts.
When the dancehall closes, he and Bricky―linked, after many intimate hours, by a budding romance―return to the scene of the crime intending to restore the stolen fortune and begin a new life together, only to discover, upon arrival, that the owner of the property has been murdered. There’s evidence present that easily links Quinn to the crime, and he expects that, as soon as day breaks and the authorities learn of the gruesome scene, he will be arrested straight away. Which means that he and Bricky have only a few short hours to find the true killer and clear Quinn’s name for good.
What begins as a romance soon turns into a nightmare, as this young couple trek through the dark underbelly of old New York in a desperate race for salvation. Twisty, turny, and breathlessly told, Deadline at Dawn is an exemplary tale from the “supreme master of suspense” (New York Times).
- Print length288 pages
- LanguageEnglish
- PublisherAmerican Mystery Classics
- Publication dateJune 28, 2022
- Dimensions5.3 x 0.8 x 8 inches
- ISBN-101613163266
- ISBN-13978-1613163269
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- Lowest Pricein this set of productsThis item:Deadline at Dawn (An American Mystery Classic)Paperback
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Editorial Reviews
Review
― Believer Magazine
"The writing of Cornell Woolrich goes through you like a shriek in the night."
― Dorothy Salisbury Davis, MWA Grandmaster
"One of the great masters."
― Ellery Queen
About the Author
David Gordon was born in New York City. His first novel, "The Serialist," won the VCU/Cabell First Novel Award and was a finalist for an Edgar Award. It was also made into a major motion picture in Japan. His work has also appeared in The Paris Review, The New York Times, Purple, and Fence, among other publications.
Product details
- Publisher : American Mystery Classics (June 28, 2022)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1613163266
- ISBN-13 : 978-1613163269
- Item Weight : 11 ounces
- Dimensions : 5.3 x 0.8 x 8 inches
- Best Sellers Rank: #582,024 in Books (See Top 100 in Books)
- #4,822 in Traditional Detective Mysteries (Books)
- #8,898 in Murder Thrillers
- #30,326 in Suspense Thrillers
- Customer Reviews:
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About the author
George Hopley-Woolrich (4 December 1903 – 25 September 1968) is one of America’s best crime and noir writers who sometimes wrote under the pseudonyms William Irish and George Hopley. He’s often compared to other celebrated crime writers of his day, Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.
Born in New York City, his parents separated when he was young and he lived in Mexico for nearly a decade with his father before returning to New York City to live with his mother, Claire Attalie Woolrich.
He attended New York’s Columbia University but left school in 1926 without graduating when his first novel, “Cover Charge”, was published. “Cover Charge” was one of six of his novels that he credits as inspired by the work of F. Scott Fitzgerald. Woolrich soon turned to pulp and detective fiction, often published under his pseudonyms. His best known story today is his 1942 “It Had to be Murder” for the simple reason that it was adapted into the 1954 Alfred Hitchcock movie “Rear Window” starring James Stewart and Grace Kelly. It was remade as a television film by Christopher Reeve in 1998.
Woolrich was a homosexual but in 1930, while working as a screenwriter in Los Angeles, he married Violet Virginia Blackton (1910-65), daughter of silent film producer J. Stuart Blackton. They separated after three months and the marriage was annulled in 1933.
Woolrich returned to new York where he and his mother moved into the Hotel Marseilles (Broadway and West 102nd Street). He lived there until her death on October 6, 1957, which prompted his move to the Hotel Franconia (20 West 72nd Street). In later years he socialized on occasion in Manhattan but alcoholism and an amputated leg, caused by an infection from wearing a shoe too tight which he left untreated, turned him into a recluse. Thus, he did not attend the New York premiere of Truffaut’s film based on his novel “The Bride Wore Black” in 1968 and, shortly thereafter, died weighing only 89 pounds. He is interred in the Ferncliff Cemetery in Hartsdale, New York.
Woolrich bequeathed his estate to Columbia University to endow scholarships in his mother’s memory for journalism students.
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In "Deadline at Dawn" Woolrich engages a small group of Manhattan losers and misfits as they rush to save themselves from The City, and from the cops. It starts around midnight with a young woman plying her trade of professional dance partner for ten cents a dance. She's come from a small town in Iowa to Manhattan to make the Big Time in the Big Apple, but wound up wearing out her feet for two and one-half cents, her cut of a dance ticket.
Nearing the end of her shift, she meets a young man of about her age who has a big fistful of dance tickets. He'd bought them without realizing the joint was closing, and the dances ending with it. As circumstances unfold, they discover they're both from the small town Iowa, but didn't know each other, there.
It's at this point that their adventure begins. I'm not going to give away the plot details, but Woolrich's story is told in real time, and our two protagonists have until dawn to solve a murder and catch the bus, together, home.
Woolrich is a great storyteller who crafts his storylines into believable tales with believable characters. The villains are villainous, and the heroes likeable, even though they aren't particularly virtuous. This is a great story, well told. The bottom line is that mystery lovers should read all of the Cornell Woolrich novels and stories we can find. Thank goodness for e-readers and electronic book stores.
Deadline at Dawn was written in the 1940s, during that incredible period when memorable novel after novel appeared. Some he wrote under the Woolrich name, others William Irish, still others George Hopely. He was so prolific he feared glutting the market. Woolrich was in essence a romantic, which is why he had originally — and with some success — set out to become the next Fitzgerald. His sense of romanticism, and wishing it could be a certain way, but knowing it often wasn’t, led to a theme running through his oeuvre. In many of Woolrich’s finest efforts, fate and destiny are forces which cannot be overcome, no matter how desperately we try. There is a rainbow at the end, but often the protagonist can’t reach it, because he or she can’t get out of the jam. Why? Because fate is laughing at him, dooming him. If Night Has a Thousand Eyes exemplified this sense of fatalism and life being out of our control, then Deadline at Dawn exemplifies the romanticism, the hope that somehow, once in a blue moon, a guy and a girl can beat the odds, fight fate and maybe win. Maybe.
Darkly romantic and deeply involving, New York City becomes a living thing, a Woolrich extension of fate working against two little people in a jam. To say that Deadline at Dawn is about a young man who has made a mistake and a cynical yet secretly soft-hearted dance hall girl who decides to help him try to fix it, is like saying Lonesome Dove is about a couple of old Texas Rangers making a cattle drive. Neither description can convey the tenderness, beauty, and heartfelt moments that stay with us long after the final page is turned. After finishing this novel, I had the same feeling as when finishing Remarque’s Three Comrades and The Night in Lisbon, that I had just read something wonderful. As in many Woolrich novels, everything takes place as a race against the clock, an effort to stave off doom for the protagonists. Also as in many Woolrich tales, we are drawn into their plight, and into their souls, so that we are aching for them to succeed, and give fate a kick in the pants.
First it’s trying to fix a moment of weakness, then get out from under a murder charge before anyone finds the body. But ultimately, it’s an exciting and moving story of two “little” people fighting a city that doesn’t care about them, has changed them in ways they don’t like, is laughing at them as they try to fix things and catch a bus back home before it’s too late. Woolrich once wrote that he didn’t think he was a very good writer, he just wrote the truth. While Night Has a Thousand Eyes is more heralded, and it is one of his brilliant works during that aforementioned stretch, I prefer to believe that it was in Deadline at Dawn that a writer who was more than just good, but great in fact, actually told the truth. A wonderful, involving read. Both a mystery and suspense story, it is about so much more. A masterpiece, from a guy who wrote a slew of them. A must read.
Top reviews from other countries
A story out of print for decades is as vivid and compelling as ever.
Highly recommended