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Knife: Meditations After an Attempted Murder Hardcover – April 16, 2024
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On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are.
What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide.
Knife is Rushdie at the peak of his powers, writing with urgency, with gravity, with unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.
- Print length224 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateApril 16, 2024
- Dimensions5.73 x 0.91 x 8.53 inches
- ISBN-100593730240
- ISBN-13978-0593730249
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Editorial Reviews
Review
“Knife isn’t so much about pondering imminent death than it is an affirmation—an insistence—on returning to life.”—San Francisco Chronicle
“The subject—the idea for which Rushdie nearly died—is the freedom to say what he wants . . . Rushdie survived, but he has too many scars to be certain that the idea will. This book is his way of fighting back.”—The Atlantic
“A brave and beautiful book that tells his story with a cathartic relish, no gruesome detail spared . . . this book is as much a love letter to his wife—the poet Rachel Eliza Griffiths—as it is a punch-back at his assailant.”—The Wall Street Journal
Salman Rushdie’s memoir is horrific, upsetting—and a masterpiece . . . Knife is a tour-de-force, in which the great novelist takes his brutal near-murder and spins it into a majestic essay on art, pain and love . . . full of Rushdie’s wit, his wisdom, his stoicism, his optimism, his love of all culture.”—Daily Telegraph
“Knife is in part about—and in some sense itself is—a battle between the two most prominent Rushdies: Great Writer and Great Man, artist and advocate, private person and public figure . . . Contains some of the most precise, chilling prose of his career.”—Vulture
“Not just a candid and fearless book but—against all odds—a defiantly witty one . . . A ‘reckoning’, if not quite a catharsis, Rushdie’s invigorating dispatch from (almost) the far side of death’s door names and limits the attack as ‘a large red ink blot.’”—The Financial Times
“Rushdie’s triumph is not to be other: despite his terrible injuries and the threat he still lives under, he remains incorrigibly himself, as passionate as ever about art and free speech.”—The Guardian
“Knife is testament to Rushdie’s convictions and to the sustaining power of love as he focuses on the suffering and support of his family and his wife, writer and artist Rachel Eliza Griffiths, during this ordeal . . . every electrifying page elicits tears and awe.”—Booklist
“A graceful meditation on life and death that captures Rushdie at his most observant and lyrical.”—Kirkus
About the Author
Product details
- Publisher : Random House (April 16, 2024)
- Language : English
- Hardcover : 224 pages
- ISBN-10 : 0593730240
- ISBN-13 : 978-0593730249
- Item Weight : 13.2 ounces
- Dimensions : 5.73 x 0.91 x 8.53 inches
- Best Sellers Rank: #2,494 in Books (See Top 100 in Books)
- #2 in Censorship & Politics
- #13 in Author Biographies
- #119 in Memoirs (Books)
- Customer Reviews:
About the author
Sir Salman Rushdie is the author of many novels including Grimus, Midnight's Children, Shame, The Satanic Verses, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury and Shalimar the Clown. He has also published works of non-fiction including The Jaguar Smile, Imaginary Homelands, The Wizard of Oz and, as co-editor, The Vintage Book of Short Stories.
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Top reviews
Top reviews from the United States
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I also agree with other reviewers about Rushdie's constant literary references (most of which add little to the story) and his need to point out how accomplished and connected he is. We know, Salman. We know.
Salman Rushdie’s "KNIFE" emerges not merely as a memoir following a profound personal crisis but as a meditative, philosophical exploration of violence, survival, and the indomitable spirit of the word against the sword. With "KNIFE," Rushdie again demonstrates why he remains one of our most crucial voices against the fascism of certainty.
Rushdie’s self-reflections are neither deep nor profound. He is a much better writer than he is a thinker. His orthodox critical theory genuflections grow tiresome. But as a survivor on the front lines in the battle for free minds, he’s a hero.
The book’s 224 pages are not just a recounting of the horrific attack on Rushdie but introspection and interrogation of the forces that continue to shape our discourse around freedom of speech and extremism.
Was
In "KNIFE," Rushdie’s narrative weaves through the personal and the universal, tying his near-fatal encounter to the ongoing global struggle against authoritarianism and fanaticism. His prose, as ever, is sharp, incisive, and earnest. He doesn’t just recount the event but uses it as a lens to scrutinize the nature of hate, the burden of fear, and the courage it takes to speak one's truth in the face of potential annihilation.
Rushdie’s latest work is compelling in its refusal to concede to despair. His meditations on the knife, both as a physical object that nearly ended his life and as a symbol of broader cultural and religious conflicts, serve as a poignant reminder of the stakes involved in the battle for artistic and intellectual liberty.
Rushdie also addresses a particularly controversial aspect surrounding the aftermath of his attack— reactions like that of ex-President Jimmy Carter, whom Rushdie correctly notes offered an undue defense of his assailant.
Rushdie's engagement with Carter's stance is a rebuttal and a deeper inquiry into how narratives are shaped after violence against public figures. He questions the implications of empathizing with a perpetrator of violence and the danger of diminishing the severity of such acts through well-intended yet misdirected advocacy.
The irony of Rushdie, a member of the established woke literati, getting attacked by a terrorist and then having his fellow travelers defend them does not get a robust reflection. It does not prompt Rushdie to consider that his worldview has helped radicalize, not subvert, the attacker.
In conclusion, "KNIFE" is a significant cultural and literary contribution that deserves a place on the bookshelf of anyone who values the power of the written word to challenge, transform, and transcend even the most dire circumstances.
Reviewed in the United States on May 9, 2024
Salman Rushdie’s "KNIFE" emerges not merely as a memoir following a profound personal crisis but as a meditative, philosophical exploration of violence, survival, and the indomitable spirit of the word against the sword. With "KNIFE," Rushdie again demonstrates why he remains one of our most crucial voices against the fascism of certainty.
Rushdie’s self-reflections are neither deep nor profound. He is a much better writer than he is a thinker. His orthodox critical theory genuflections grow tiresome. But as a survivor on the front lines in the battle for free minds, he’s a hero.
The book’s 224 pages are not just a recounting of the horrific attack on Rushdie but introspection and interrogation of the forces that continue to shape our discourse around freedom of speech and extremism.
Was
In "KNIFE," Rushdie’s narrative weaves through the personal and the universal, tying his near-fatal encounter to the ongoing global struggle against authoritarianism and fanaticism. His prose, as ever, is sharp, incisive, and earnest. He doesn’t just recount the event but uses it as a lens to scrutinize the nature of hate, the burden of fear, and the courage it takes to speak one's truth in the face of potential annihilation.
Rushdie’s latest work is compelling in its refusal to concede to despair. His meditations on the knife, both as a physical object that nearly ended his life and as a symbol of broader cultural and religious conflicts, serve as a poignant reminder of the stakes involved in the battle for artistic and intellectual liberty.
Rushdie also addresses a particularly controversial aspect surrounding the aftermath of his attack— reactions like that of ex-President Jimmy Carter, whom Rushdie correctly notes offered an undue defense of his assailant.
Rushdie's engagement with Carter's stance is a rebuttal and a deeper inquiry into how narratives are shaped after violence against public figures. He questions the implications of empathizing with a perpetrator of violence and the danger of diminishing the severity of such acts through well-intended yet misdirected advocacy.
The irony of Rushdie, a member of the established woke literati, getting attacked by a terrorist and then having his fellow travelers defend them does not get a robust reflection. It does not prompt Rushdie to consider that his worldview has helped radicalize, not subvert, the attacker.
In conclusion, "KNIFE" is a significant cultural and literary contribution that deserves a place on the bookshelf of anyone who values the power of the written word to challenge, transform, and transcend even the most dire circumstances.
Top reviews from other countries
"Knife" è un inno alla vita e a quell'amore che, nonostante tutto, "omnia vincit": qui incarnato dall'incantevole e provvida moglie poetessa.
Il libro merita senz'altro di essere letto, in lingua originale e ad alta voce, per la qualità della scrittura: altissima, come ben sanno i lettori di "Midnight's Children", "The Enchantress of Florence", "Quichotte" e l'ultimo -per ora: fortunatamente- romanzo: "Victory City".
"Knife" è anche e forse soprattutto un inno alla libertà dell'Arte e alla creatività dell'Artista: quella che dovrebbe essere inviolabile per statuto eppure, ahimé, è ancora ben lontana dall'essere ritenuta sacra e inoppugnabile.
Rushdie stesso ricorda come Stalin abbia assassinato Mandel'štam, Francisco Franco il poeta andaluso García Lorca, Cesare Augusto esiliato lo sfortunato Ovidio...
Il Potere tirannico non potrà mai tollerare la libertà di pensiero, di parola, di creatività artistica.
L'Artista è destinato/condannato ad essere sempre un camusiano "homme révolté".
Ich versteh das Buch als eine Art Tagebuch ohne Zeitangaben für die Eintragungen, in dem Herr Rushdie seine Erlebnisse verarbeitet und den Weg in seine neue Lebensrealität findet. Es lässt sich leicht lesen und man kann den Gedanken sehr gut folgen, auch wenn es einige Gedankensprünge gibt, die zu der Erfassung des Gesamtbildes beitragen.
Es ist mein erstes Buch von Herrn Rushdie und läd dazu ein auch mehr von ihm zu lesen.
Ich kann das Buch eigentlich allen empfehlen, aber vor allem für Leser, die einen schwierigen Lebensweg durchlaufen oder durchgemacht haben, ist es sicherlich eine Bereicherung.
Die Lieferung erfolgte schneller als angekündigt und das Exemplar ist im tadellosem Zustand.
Reviewed in Germany on April 30, 2024
Ich versteh das Buch als eine Art Tagebuch ohne Zeitangaben für die Eintragungen, in dem Herr Rushdie seine Erlebnisse verarbeitet und den Weg in seine neue Lebensrealität findet. Es lässt sich leicht lesen und man kann den Gedanken sehr gut folgen, auch wenn es einige Gedankensprünge gibt, die zu der Erfassung des Gesamtbildes beitragen.
Es ist mein erstes Buch von Herrn Rushdie und läd dazu ein auch mehr von ihm zu lesen.
Ich kann das Buch eigentlich allen empfehlen, aber vor allem für Leser, die einen schwierigen Lebensweg durchlaufen oder durchgemacht haben, ist es sicherlich eine Bereicherung.
Die Lieferung erfolgte schneller als angekündigt und das Exemplar ist im tadellosem Zustand.
It’s also a testament to the power of love.
A power much reciprocated towards Salman by the recipients of his love.
It’s obvious (to me at least) that the author struggles to reconcile any forgiveness towards his attacker, and rightly so, yet he somehow manages to conjure up some kind of understanding of why it happened.
Chapter 6, The A. is an insight into the wonderful mind of Salman.
His description of imaginary meetings with his would be murderer, and what he would say to him, is a leap of literary genius.
This chapter did indeed become a metaphorical Knife for me.
Salman’s attacker ultimately failed.
Every blow delivered by Salman in Chapter 6 struck home.
Confirming so eloquently that the pen is indeed mightier than a bag of metal (could even have been plastic, perhaps even serrated ) sharp pointed instruments of death delivering tools, are instantly blunted when Salman brings his all seeing intellect to bear upon them.
Maybe there was a sword within the smuggled bag.
Salman deals with the difference between a utility tool and a gun.
Again with beautiful insightful words of wisdom.
The love between Salman and his wife Eliza and his sons is something palpable throughout the book.
I just wish his gaze upon them hadn’t been reduced by 50%.
More power to your hand Salman. Your mind is already self sufficient in power.
You were born with that.
Great book.