OUTSIDE INSIDE
仕様 | 価格 | 新品 | 中古品 |
CD, 限定版, リミックス含む, 2020/12/18
"もう一度試してください。" | 生産限定盤 1枚組 | ¥1,056 | ¥1,000 |
CD, 2011/11/10
"もう一度試してください。" | 1枚組 |
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| ¥7,500 | ¥1,860 |
CD, CD, インポート, 1998/6/30
"もう一度試してください。" | CD, インポート |
—
| — | ¥630 |
CD, リミックス含む, インポート, 2012/5/15
"もう一度試してください。" | インポート, リミックス含む |
—
| — | ¥14,495 |
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曲目リスト
1 | She's a Beauty |
2 | No Not Again |
3 | Out of the Business |
4 | Monkey Time |
5 | Glass House |
6 | Wild Women of Wongo |
7 | Tip of My Tongue |
8 | Fantastic Delusion |
9 | Drums |
10 | Theme Park |
11 | Outside Lookin' Inside |
商品の説明
The Tubes' 1983 top 20 album that spawned the top 10 hit 'She's a Beauty' & made the group (at least for a while) the darlings of MTV. Also features the Curtis Mayfield standard 'Money Time', plus 'Outside Lookin' Inside', 'No Not Again' & seven more.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 12.4 x 14.2 x 1.19 cm; 85.9 g
- メーカー : BGO
- EAN : 0796028218205, 5017261201331
- 商品モデル番号 : 4319
- オリジナル盤発売日 : 1998
- 時間 : 37 分
- レーベル : BGO
- ASIN : B0000074L8
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 438,443位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 32,901位ポップス (ミュージック)
- - 94,210位ロック (ミュージック)
- - 136,408位輸入盤
- カスタマーレビュー:
カスタマーレビュー
5つ星のうち4.5
4.5/5
112 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2021年2月5日に日本でレビュー済み
Amazonで購入
David Foster監修の第二弾。この作品はもちろん「売れ線サウンド」ではあるのですが、前作と聴き比べると中心であるThe Tubes側が率直に音作りの希望を具体的にDavid Fosterへ互角に申し出られた結果の音ではないかと感じます。6曲目の「Wild Women Of Wongo」は「待ってました!」的味わいがありますし、前作には聴かれる事のなかった変拍子も登場です。それとThe Tubes味付けのキレキレファンクロックも散りばめれています。かっこいいけど音作りが固かった前作「The Completion Backward Principle」と比較すると、この妙な?アルバムジャケットの本作の方が味わい深いな、と思います。
2012年5月16日に日本でレビュー済み
Amazonで購入
'83年にリリースされ全米18位、全英77位をマークしたアルバムに4曲のボートラを追加したリマスター仕様で再発!
デヴィッド・フォスターがプロデュース。
モーテルズのマーサ・デイビス(#4で参加)、スティーヴ・ルカサー、ボビー・キンボール、スティーヴ・ポーカロ、ビル・チャンプリン、パティ・オースチン、モーリス・ホワイトといったアーティストが参加している。
1.She’s a Beauty('83年全米10位、全英79位)
2.No Not Again
3.Out of the Business
4.The Monkey Time('83年全米68位)
5.Glass House
6.Wild Women of Wongo
7.Tip of My Tongue('83年全米52位)
8.Fantastic Delusion
9.Drums
10.Theme Park
11.Outside Lookin’ Inside
ボートラ
12.When You’re Ready to Come (She’s a BeautyのB面)
13.Keyboard Kids (Tip of My TongueのB面)
14.Satellite
15.The Monkey Time (Single Version 1983)
シングル・カットされた曲以外にも#2、#3、#8も気に入っています☆
リマスター効果も良く、音圧が格段に上がったというよりは、音がクリアーになっています。
最大のヒットとなり、今聴いても決して色あせない「She’s a Beauty」を含むROCK系AORサウンドが満載の好盤!
デヴィッド・フォスターがプロデュース。
モーテルズのマーサ・デイビス(#4で参加)、スティーヴ・ルカサー、ボビー・キンボール、スティーヴ・ポーカロ、ビル・チャンプリン、パティ・オースチン、モーリス・ホワイトといったアーティストが参加している。
1.She’s a Beauty('83年全米10位、全英79位)
2.No Not Again
3.Out of the Business
4.The Monkey Time('83年全米68位)
5.Glass House
6.Wild Women of Wongo
7.Tip of My Tongue('83年全米52位)
8.Fantastic Delusion
9.Drums
10.Theme Park
11.Outside Lookin’ Inside
ボートラ
12.When You’re Ready to Come (She’s a BeautyのB面)
13.Keyboard Kids (Tip of My TongueのB面)
14.Satellite
15.The Monkey Time (Single Version 1983)
シングル・カットされた曲以外にも#2、#3、#8も気に入っています☆
リマスター効果も良く、音圧が格段に上がったというよりは、音がクリアーになっています。
最大のヒットとなり、今聴いても決して色あせない「She’s a Beauty」を含むROCK系AORサウンドが満載の好盤!
2013年12月6日に日本でレビュー済み
Amazonで購入
スティーブ・ルカサーのサイトで、レコーディング参加リストで見つけて買いました。
前作Completion Backwards Principleは当時持っていて、それでは1曲目のTalk To Ya Laterがフックが効いていて私の心臓は鷲掴みにされたのですが、本作は全編にわたってシャレた感じです。
もはや、フィー・ウェイビルのソロというぐらいシャレています。
キーボードが前に出てギターが絞りぎみだったり、長いギターソロはないですが、スティーブ・ルカサーのギターはキーボードの向こうやバッキングで炸裂してくれています。
最近、ふたたびルカサーがマイブームなので満足です。
前作Completion Backwards Principleは当時持っていて、それでは1曲目のTalk To Ya Laterがフックが効いていて私の心臓は鷲掴みにされたのですが、本作は全編にわたってシャレた感じです。
もはや、フィー・ウェイビルのソロというぐらいシャレています。
キーボードが前に出てギターが絞りぎみだったり、長いギターソロはないですが、スティーブ・ルカサーのギターはキーボードの向こうやバッキングで炸裂してくれています。
最近、ふたたびルカサーがマイブームなので満足です。
VINEメンバー
と私は勝手に思っています。前作からのデビッド・フォスターとのコラボがうまく行っていて、曲の完成度がぐっと上がっているのと、多分彼が呼んで来たんでしょうが、ToToの連中がエッジの効いた演奏をしていて、サウンド面でもぐっと引き締まっています。非常にショーアップされたステージで有名な彼らですが、CDでも十分に聞けるグループであることを証明した1枚です。AirplayやToTo、マクサスなどのウェストコースト系のポップスが好きな人はもちろん、デビッド・フォスターをはじめとするAORフリークの方は、少しハードですが、ぜひ聞いてみて下さい。隠れた名盤です。
他の国からのトップレビュー
Elwood Conway
5つ星のうち5.0
The Tubes at their peak *(new 2012 update)*
2003年5月15日にアメリカ合衆国でレビュー済みAmazonで購入
I will start this review by saying that this is the Tubes at their most commercial...but that is not a fault. Yes they were more punk & alternative when they were a "San Francisco" rock band, but this music is so darned good that I defy anyone who appreciates good music to put it down. Each song is well crafted and a real gem...great writing & performances abound along with David Foster's superb production values. Fidelity is nice as well. The import CD restores all of the artwork. You have to get this one if you like really good popular music that is well played & well written.
May 2012 update, specifically regarding the Iconoclast CD reissue.
Iconoclast's CD brings us the Outside/Inside digitally remastered by Vic Anesini. So in a three way test against the BGO release and the original Capitol CD, sonically, here is the difference. Iconoclast's release is approximately 5db louder than the original Capitol and 3.25db louder than the BGO. To me, this is not a knock against this reissue. On the contrary, it is a testament to the original recording from 1983. I doubt if this recording could sound any better, unless an uncompressed version was to be made available (please...someone or some company do this). The bonus tracks are kinda nice. The original LP version of The Monkey Time was replaced by the single version on both the original Capitol and BGO CDs. You had to go to THE BEST OF THE TUBES CD from 1992 to get the original LP recording. Iconoclast gives you both. Also from the BEST OF CD comes two more bonus tracks (WHEN YOU'RE READY TO COME and KEYBOARD KIDS). There is also a new bonus track, SATELLITE. A missed opportunity was the exclusion of the 12" single versions of TIP OF MY TONGUE (which has completely different vocals) and DRUMS (which is a much longer and more elaborate version).
As for the artwork, it is nice that we nearly have the original cover replicated in the insert. The BGO and Capitol CD covers mimic the promotional LP covers issued to radio stations which did not have the hole cut in the center of the jacket for the "iris" record label to show through and had colored letters instead of embossed lettering). I guess we will have to wait for a mini LP release from Japan (if ever) to get those. The original credits are included (as they were on the BGO edition, but not Capitol) but again they are on the inside, not on the rear cover as the original LP (yes, I know, they would most likely be impossible to read) There are also new notes and photos as well...very nice.
Bottom line: If you do not have this recording in any form, the Iconoclast edition is the one to get since it has the extra tracks. If you already have the other CDs mentioned here and don't care about the SATELLITE track (I was unimpressed), then a pass may be warranted.
May 2012 update, specifically regarding the Iconoclast CD reissue.
Iconoclast's CD brings us the Outside/Inside digitally remastered by Vic Anesini. So in a three way test against the BGO release and the original Capitol CD, sonically, here is the difference. Iconoclast's release is approximately 5db louder than the original Capitol and 3.25db louder than the BGO. To me, this is not a knock against this reissue. On the contrary, it is a testament to the original recording from 1983. I doubt if this recording could sound any better, unless an uncompressed version was to be made available (please...someone or some company do this). The bonus tracks are kinda nice. The original LP version of The Monkey Time was replaced by the single version on both the original Capitol and BGO CDs. You had to go to THE BEST OF THE TUBES CD from 1992 to get the original LP recording. Iconoclast gives you both. Also from the BEST OF CD comes two more bonus tracks (WHEN YOU'RE READY TO COME and KEYBOARD KIDS). There is also a new bonus track, SATELLITE. A missed opportunity was the exclusion of the 12" single versions of TIP OF MY TONGUE (which has completely different vocals) and DRUMS (which is a much longer and more elaborate version).
As for the artwork, it is nice that we nearly have the original cover replicated in the insert. The BGO and Capitol CD covers mimic the promotional LP covers issued to radio stations which did not have the hole cut in the center of the jacket for the "iris" record label to show through and had colored letters instead of embossed lettering). I guess we will have to wait for a mini LP release from Japan (if ever) to get those. The original credits are included (as they were on the BGO edition, but not Capitol) but again they are on the inside, not on the rear cover as the original LP (yes, I know, they would most likely be impossible to read) There are also new notes and photos as well...very nice.
Bottom line: If you do not have this recording in any form, the Iconoclast edition is the one to get since it has the extra tracks. If you already have the other CDs mentioned here and don't care about the SATELLITE track (I was unimpressed), then a pass may be warranted.
Bay Area Conservative
5つ星のうち5.0
"Outside Inside" might be the title for a reason
2007年2月23日にアメリカ合衆国でレビュー済みAmazonで購入
When the predecessor of this album, "The Completion Backwards Principle" was released, I heard two reactions from my friends. From those who had never heard the Tubes before, their comments were along these lines: "Hey - there's a new band called the Tubes and they're great!" From those who had been long time fans of the group, their reactions were negative and they expressed disappointment that the Tubes had "sold out." I was alone in my reaction, for I had been a fan for a long time, and yet felt that they had delivered an excellent, albeit more commercial offering for the public to suck up (and for which the Tubes might actually make some well-deserved money, for a change!)
When I heard the cut, "Tip Of My Tongue" on San Francisco's "KSAN The Jive 95," I rushed to the music store to get my copy of "Outside Inside." I was so impressed with "Tip Of My Tongue," that even if it had been the only good tune on the tape, I would have counted it worth the cost.
This is why I'm so shocked to read other amazon reviewers writing that the only good tune is the first track, "She's A Beauty." I'm sorry, but that is just a false statement. I know people all have their own tastes, etc., but it's just untrue to say that all of the other tunes are just "filler."
My tastes in music have never been what anyone would call mainstream. There are no best of the 70s or best of the 80s or best of the 90s compilations out there that have even ONE tune on them that represents what I like. Therefore, I think I'm qualified to make the following statement: The Tubes DID present a more commercial type of music on "The Completion Backwards Principle," and "Outside Inside." However, just because it is more comercial doesn't mean it's not good. Those two albums are excellent - the songs show talent in all areas: Writing, singing, musicianship and recording technique.
Could it be that the reason they titled this album "Outside Inside" is because for YEARS they were thoroughly OUTside the mainstream in their approach to music, and then they put together two albums which were closer to being INside the mainstream? It's a thought. Even if this is true, there's STILL enough of the Tubes' own individualism and signature to keep these two albums very interesting. (You gotta love it when Martha sings, "You better keep that thing on a chain!" on "Monkey Time.")
If you are an 80s music fan, these two albums are mandatory to your collection.
When I heard the cut, "Tip Of My Tongue" on San Francisco's "KSAN The Jive 95," I rushed to the music store to get my copy of "Outside Inside." I was so impressed with "Tip Of My Tongue," that even if it had been the only good tune on the tape, I would have counted it worth the cost.
This is why I'm so shocked to read other amazon reviewers writing that the only good tune is the first track, "She's A Beauty." I'm sorry, but that is just a false statement. I know people all have their own tastes, etc., but it's just untrue to say that all of the other tunes are just "filler."
My tastes in music have never been what anyone would call mainstream. There are no best of the 70s or best of the 80s or best of the 90s compilations out there that have even ONE tune on them that represents what I like. Therefore, I think I'm qualified to make the following statement: The Tubes DID present a more commercial type of music on "The Completion Backwards Principle," and "Outside Inside." However, just because it is more comercial doesn't mean it's not good. Those two albums are excellent - the songs show talent in all areas: Writing, singing, musicianship and recording technique.
Could it be that the reason they titled this album "Outside Inside" is because for YEARS they were thoroughly OUTside the mainstream in their approach to music, and then they put together two albums which were closer to being INside the mainstream? It's a thought. Even if this is true, there's STILL enough of the Tubes' own individualism and signature to keep these two albums very interesting. (You gotta love it when Martha sings, "You better keep that thing on a chain!" on "Monkey Time.")
If you are an 80s music fan, these two albums are mandatory to your collection.
Jacob Koehler
5つ星のうち4.0
The Big Business
2015年3月9日にアメリカ合衆国でレビュー済みAmazonで購入
At last, the big breakthrough. Chances are if you have a friend or family member who has even a brief passing recollection of this band then you could probably dig around their closet and find a copy of this album. It had THE single of their career, "She's A Beauty", which gets a few spins on the radio even now, but it's miles away from their 1975 debut. Not slagging it, but it does sound considerably more in step with the big hits of the day, as it should since this was the second album they did with uber-producer David Foster who love 'him or hate him, knows how to make a "hit" record. Still, this record sounds completely dated in the best way possible. Also of note, this edition re-instates the original version of "The Monkey Time" with Martha Davis that was left off the first CD release. This one actually has both versions. Hell, even Maurice White of Earth, Wind and Fire shows up for "Tip Of My Tongue" but some of the weirdness does creep back in, namely with "Wild Women of Wongo" and the driving "Out of the Business" which I think is my favorite cut on the record. This along with "The Completion Backwards Principle" would be great for your 80's Dance party so grab this and hopefully you'll be picking up their earlier stuff before you know it.
Marco Antonio Valadez Sandoval
5つ星のうち4.0
Buen álbum
2022年12月9日にメキシコでレビュー済みAmazonで購入
Buen álbum trae las letras de las canciones, edición japonesa con muy buen audio, llego en tiempo, la parte trasera con daño
Marco Antonio Valadez Sandoval
2022年12月9日にメキシコでレビュー済み
このレビューの画像
John S Harris
5つ星のうち5.0
Finally, The Tubes get radio airplay!!
2001年9月21日にアメリカ合衆国でレビュー済みAmazonで購入
This CD does not reflect the wild comic fun of a live Tubes show, nor does it reflect their quirky songwriting ability of their 70's heyday (the CD "Dawn of the Tubes", which is becoming increasingly harder to find, does accomplish those feats, however). But O/I has some really good near-metal rock and roll. In particular, "Out of the Business", "No, Not Again", and the Earth, Wind, and Fire -flavored "Tip Of My Tongue" (with the song's chorus written chiefly by a member of EW&F - because The Tubes just couldn't find a chorus that worked) are stand-outs. Of course, everyone remembers the CD's opening track "She's A Beauty". Not my favorite Tubes song, but I'm grateful it got them some airplay and increased record sales. But to really appreciate The Tubes (short of travelling back in time to see them perform in concert in 1976) one must listen to their 1970's catalog. Their first two LPs of the 80's (1981's The Completion Backward Principle and Outside/Inside two years later) have some good rock and roll, but the earlier stuff showcases their creative songwriting that helped build their reputation and cult following.