David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Genre: | Rock |
---|---|
Style: | Glam, Rock & Roll |
Year: |
Tracklist
Five Years | 4:42 | ||
Soul Love | 3:34 | ||
Moonage Daydream | 4:40 | ||
Starman | 4:10 | ||
It Ain't Easy | 2:58 | ||
Lady Stardust | 3:22 | ||
Star | 2:47 | ||
Hang On To Yourself | 2:40 | ||
Ziggy Stardust | 3:13 | ||
Suffragette City | 3:25 | ||
Rock 'N' Roll Suicide | 2:58 |
Credits (12)
- David BowieArranged By [Arrangements]
- Mick RonsonArranged By [Arrangements]
- Terry PastorArtwork
- Trevor BolderBass
- Mick WoodmanseyDrums
- Mick RonsonGuitar, Piano, Vocals
Notes
From 1967 to 2016 the English musician David Bowie released twenty-six studio albums.
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars:
First released in mid 1972 on RCA, throughout the RCA years there were two separate variants available (i.e. until about 1986) - the US version and the UK version. Two tracks differ.
Originally compiled and prepared in late 1971, RCA New York allocated matrix numbers for the two sides - APRS-6814 & APRS 6815, and used these 1971 numbers on release even though three new tracks were recorded in 1972 and eventually four different tracks from the 1971 master tape were included.
(The removed tracks - "Round and Round," "Amsterdam," "Holy Holy," and "Velvet Goldmine" - were all released as B-sides to singles between 1973 and 1975).
The last number to be recorded, "Starman," was remixed for single release. This single mix was also included on the UK album (rather than the album mix that appeared on the US version), and the UK album was given 1972 matrix numbers. These numbers also identified the matrices as originating in the UK. (BGBS 0864 & BGBS 0865).
The other track that differed was "Suffragette City" - the US version contains a noticeable momentary sound drop-out on one channel, the UK version does not.
Most RCA editions worldwide contain the US version (including all RCA CDs); a few contain the UK version.
Later reissues on other labels (RYKO, EMI, Parlophone) also use the original US version (and hence the album mix of "Starman"), though the dropout in "Suffragette City" has been 'attended to' on the most recent Parlophone issues.
The UK RCA version has never been available on CD.
A fuller discussion and explanation on these variations can be found on the website "Illustrated db Discography" under the forum topic "Ziggy Stardust, Starman and the missing master tape" - website address on David Bowie artist page. This topic also identifies which of the US & UK versions were used in other countries.
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars:
First released in mid 1972 on RCA, throughout the RCA years there were two separate variants available (i.e. until about 1986) - the US version and the UK version. Two tracks differ.
Originally compiled and prepared in late 1971, RCA New York allocated matrix numbers for the two sides - APRS-6814 & APRS 6815, and used these 1971 numbers on release even though three new tracks were recorded in 1972 and eventually four different tracks from the 1971 master tape were included.
(The removed tracks - "Round and Round," "Amsterdam," "Holy Holy," and "Velvet Goldmine" - were all released as B-sides to singles between 1973 and 1975).
The last number to be recorded, "Starman," was remixed for single release. This single mix was also included on the UK album (rather than the album mix that appeared on the US version), and the UK album was given 1972 matrix numbers. These numbers also identified the matrices as originating in the UK. (BGBS 0864 & BGBS 0865).
The other track that differed was "Suffragette City" - the US version contains a noticeable momentary sound drop-out on one channel, the UK version does not.
Most RCA editions worldwide contain the US version (including all RCA CDs); a few contain the UK version.
Later reissues on other labels (RYKO, EMI, Parlophone) also use the original US version (and hence the album mix of "Starman"), though the dropout in "Suffragette City" has been 'attended to' on the most recent Parlophone issues.
The UK RCA version has never been available on CD.
A fuller discussion and explanation on these variations can be found on the website "Illustrated db Discography" under the forum topic "Ziggy Stardust, Starman and the missing master tape" - website address on David Bowie artist page. This topic also identifies which of the US & UK versions were used in other countries.
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Recommendations
Reviews
- My copy is flat and quiet, and reveals details I don't remember ever hearing in the recording before. Bowie gets a little shrill on the inner grooves, but otherwise I have no complaints and this seems like an incredible bargain for $25. My 70s Dynaflex pressing is still a bit warmer sounding, but not by much.
- Got a NM copy recently, and really love the sound of it. The backing/overdub vocals sound so cool and whiny, pitched sort of lopsided in the stereo field. A great reminder of why this music thrilled me so much when I was first exposed. Last song on each side gets a little shrill with IGD, but not too bad.
- Bought brand new sealed from an independent seller for 36 CAD. Record is perfectly flat and well centered. Pressing quality is very good, apart for a very few of tiny clicks, the entire album is almost dead silent. Mixing is very good too, it sounds big, clear, with great separation. Jacket is good and the included original sleeve is a nice touch. A great reissue in my opinion. An easy recommendation. 4.8 / 5
- Pulled this out for spin and I have got to say, I have got no complaints. The wax is flat, no noise click/tick/whirl, and it sounds damn good/dynamic.
- Pretty exceptional. Question… does anyone’s volume seriously spike in the first chorus of soul love?
- Yes as per NZ to mean to print the lyric sheet with photos, this lp I would never call mellow to be played at maximum volume remember
- Presents on my system with a large, transparent soundstage, and super wide dynamic range. While I found the 2020 digital re a really lovely listen, this AAA pressing sounds warmer and the artists sound like they are in the room (the digital...more of a high end reproduction). My copy is flat, centered, and extremely quiet...bottomless noise floor...blown away every listen and look forward to affording a quality OG to compare (would love to see the dynamic ranges side by side).
Pro-Ject X1B + Sumiko Wellfleet / Schiit Mani 2 / Musical Fidelity M5si / Dali Oberon 7's - Such a great pressing of this album. Very well done Boys! A go-getter for all Bowie collectors out there.
- So there’s a massive difference in this record before an ultrasonic wash and after. Before the wash, it seemed ordinary and I was already looking for a first pressing online. After the wash, it was a game changer, the detailing, soundstage, warmth etc all increased so significantly that I have decided against purchasing a first pressing. It’s actually an excellent pressing!
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