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Endangered Species

Jimmy Herring; Lavitz; Hayward; Gradney (Artista) Formato: CD de audio

4,6 37 valoraciones

73,00€

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Endangered Species

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Nuevo desde

Usado desde

Música MP3, 9 Oct 2001

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7,99 €

—

CD de audio , CD, CD+DVD, 3 abril 2009

"Vuelva a intentarlo"

25,99 €

23,76 €

25,34 €

CD de audio , Audiolibro, CD, 16 julio 2002

73,00 €

25,18 €

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Listas de canciones

1	Headstrong
2	The New Berkley Park
3	Slowlo
4	Pickled Hearing
5	Lockwood Folley
6	Justice
7	Cats Out Da Bag
8	Camel Lope
9	The Gospel Truth

Descripción del producto

Brand New

Detalles del producto

Descatalogado por el fabricante ‏ : ‎ No
Dimensiones del producto ‏ : ‎ 14,17 x 12,88 x 0,97 cm; 90,72 gramos
Fabricante ‏ : ‎ Shrapnel Records
Sello ‏ : ‎ Shrapnel Records
ASIN ‏ : ‎ B00005PJ98
Referencia del fabricante ‏ : ‎ 2848371
País de origen ‏ : ‎ Reino Unido
Número de discos ‏ : ‎ 1

Opiniones de los clientes:
4,6 37 valoraciones

Opiniones de clientes

4,6 de 5

37 valoraciones globales

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Principal reseña de España

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Enrique Bernabe Platero

UN BUEN PRODUCTO

Revisado en España el 17 de marzo de 2013

Compra verificada

AQUÍ SE PRODUCE UNA CONJUNCIÓN PERFECTA: BUENO, BONITO Y BARATO. TONY ASHTON NUNCA DEFRAUDA Y ESTÁ ARROPADO POR ESTUPENDOS MÚSICOS. SI ADEMÁS HAY UN DVD, ESTUPENDO.

Útil

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Chris Poustie

Superb Tribute to the Late Great Tony Ashton

Revisado en Reino Unido el 3 de junio de 2009

Compra verificada

This CD/DVD combo far exceeded my expectations, which were pretty high given that I had waited 9 years for its release since being at the gig in 2000. The packaging is very classy, wonderful multi-panel digipak with superb design, very attractive and very modern. Nothing like the "budget" packaging you often get on the more obscure releases...and which you might expect given the incredible value for money of this Double-CD and DVD combo. The whole production is real quality.

The DVD is a revelation. Having been at the gig, I was hardly aware that the concert was being professionally filmed. I had noticed a guy at the side of the stage with a camera, and what I assumed to be a fan in the crowd with another camera, but for those two cameras alone to capture not only the spirit of the gig so perfectly, but also capture pretty much everything going on onstage, was quite a pleasant suprise. Perhaps less is more camera-wise, because some big budget concert DVDs (Whitesnake?) with a multitude of cameras, are sometimes nauseating to watch with the constant flicking between camera angle.

As you might expect given that it was recorded at Abbey Road, the sound quality (I was listening in 5.1) is absolutely first rate. The picture quality is also of a very high quality, shot using state of the art equipment for the time, by film director Mike Figgis. Most of the show is shown in crisp colour, but there are also artsy black'n'white "atmospheric" shots interspersed.

The concert itself was a magical event and the DVD captures the vibe perfectly. The first few opening acts were an enjoyable aperitif, but for me, it all starts in earnest when Ewan McGregor introduces the main man himself and Tony and his band perform their set. The three-song set is highly enjoyable, showcasing Tony's wonderful talents as pianist/vocalist and showman and also featuring some lengthy jamming and great improvised interplay between Tony and his excellent guitarist (Laurie Wisefield). Tony is in fine form and seems to be enjoying the occasion. The audience, which at this point had just filled out, comes alive and the atmosphere rises up a few obvious notches.

Following on from the Ashton set we get the reformed version of the classic late 70's / early-80's formation of Whitesnake (Jon Lord, Ian Paice, Bernie Marsden, Micky Moody, Neil Murray, and some other chap handling Coverdale's duties). Much as I love DC, this band is a zillion times better than the current US version calling themselves "Whitesnake" and in my mind is a much truer version of the band. Not surprising really given that this is made up of five/sixths Whitesnake veterans whereas Coverdale's band is really just one/sixth. Anyway, griping aside, these guys dish up a set of crowd-pleasing favourites from yesteryear that really give the old afficianado's in the audience exactly what the doctor ordered. It is sing-along galore during the likes of Ready'n'Willing, Aint No Love and Here I Go Again. My only disappointment perhaps, and it is very small, is why did Lord play Here I Go Again on the piano when he had the Hammond by his side?

Well up to this point we'd had the aperitif of opening acts, we'd warmed up with the brilliantly entertaining Ashton jazz set, and we'd enjoyed the nostalgic Whitesnake reunion sing-along. But what happened next would turn an otherwise brilliant night into legend!

Since childhood my all time favourite album has been Paice Ashton Lord's one and only release: Malice In Wonderland - released in 1977. The idea of this doomed band ever getting back and reforming, even for a one-off, had never even entered the realms of possibility - not even in our wildest dreams. But when this gig was announced, this was what I, and many others there that night, had been daring to hope for.

And dreams do come true. Opening with the classic "Ghost Story" and continuing into "Sneaky Private Lee", the band, featuring Howie Casey in the Brass section and the original Backing girl vocalists, do a fantastic job of belting out the songs, true to the original, albeit with Bernie Marsden handling the vocals, with Ashton unaware that the reunion would take place. When Resurrection Shuffle, Ashton's signature hit from the seventies cranks up and Ashton takes over vocals, the party well and truly begins with the band and audience celebrating what had been a really fantastic evening. Ashton decides to launch into "Why Don't You Stay", which seemingly had not been rehearsed, and proceeds to shout out the chords to the band, which pick it up instantly and put in a stellar performance. It really is a lovely and emotional ending...with Ashton signing-off in style.

I would highly recommend this CD/DVD to all Tony Ashton fans (obviously), as well as any fans of the original Whitesnake and Paice Ashton Lord. Fans of Deep Purple should enjoy this and general fans of British rock/jazz/blues should appreciate it. List of featured artists are below;

Pete York
Eddie Hardin
Zoot Money
Jaz Lochrie
Johnnie Johnson
Dave Williams
John Entwistle
Zak Starkey
Gary Nuttal
John Bundrick
Tony Ashton
Len Skeet
Laurie Wisefield
Nigel Portman Smith
Chris Barber
Ian Paice
Jon Lord
Bernie Marsden
Micky Moody
Neil Murray
Robert Hart
Howie Casey
Geoff Whitehorn
Jeanette McKinley
Sheila McKinley

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Casanova Claude

Petit chef d'oeuvre entre amis ...

Revisado en Francia el 30 de julio de 2014

Compra verificada

Concert donné en hommage à Tony ASHTON (artiste peu reconnu malgré une carte de visite intéressante) qui devait mourir quelques mois plus tard, en cette soirée dont le livret du DVD mentionne qu'elle n'a pas donné lieu à beaucoup de répétitions .
On y retrouve beaucoup de gloires mineures (?) ou non de cette époque bénie du "British Blues" . Ainsi, la cheville ouvrière de son organisation, Pete YORK, ex-batteur du mythique SPENCER DAVIS GROUP qui nous régale au passage d'un solo"jazzy" . "Gentleman" Chris BARBER, père fondateur du "British Jazz" (si j'ose dire) et introducteur en Europe de gens comme Muddy WATERS, Sonny Boy WILLIAMSON ou Otis SPANN . Le méconnu Zoot MONEY, (ex-collègue de Peter GREEN et Eric BURDON) qui "casse la baraque" aux claviers . Une réincarnation fugace mais brillante de WHITESNAKE (sans David COVERDALE mais avec les excellents Bernie MARSDEN et Micky MOODY) . Réincarnation non moins brillante de PAICE (très en forme), ASHTON et LORD .Ils sont trop nombreux pour les citer tous .
Au programme : reprises de rock, de blues et de soul et parmi les meilleurs originaux des "réincarnations" citées et bien sûr le seul succès de Tony ASHTON avec GARDNER et DYKE : "Resurrection Shuffle interprétée sur le mode "cool" mais rempli de feeling .
Un seul bemol : le film du concert (Mike FIGGIS pourtant) est salement interrompu à deux reprises nous privant d'un piano ou d'une guitare qui auraient avantageusement remplacé l'intervention "m'as-tu-vu" de Ewan Mc GREGOR .
Un grand moment de nostalgie, d'amitié et de musique . Comme l'aurait dit Tony : "Cheers and bollox"!

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E-Max

Mit Sternen nicht bewertbar...

Revisado en Alemania el 12 de febrero de 2014

Compra verificada

...ist dieser Mitschnitt eines Benefizkonzertes für Tony Ashton. Der britische Keyboarder, Sänger, Clown, Künstler und Trinker Ashton war an Krebs erkrankt, befreundete Musiker, allen voran Jon Lord, spielten in Abbey Road noch einmal für ihn und mit ihm. Der Abend wurde gefilmt. Weder die Musik noch der Mitschnitt wirken professionell, denn vieles war offensichtlich ungeprobt und nicht zur Veröffentlichung vorgesehen. So kommt es (angesichts der anwesenden Musiker war es möglich) u.a. zu einer Art Whitesnake-Reunion - ohne Coverdale freilich - und zu einem Auftritt von PAL, wobei Ashton schon nicht mehr selbst zu singen in der Lage zu sein scheint. Er ist mehr anwesend als aktiv. Schaut man die DVD an, so ist das rührend bis hin zum Tränenfluss. Auf CD wirkt es etwas...nun, eben holprig. Dies ist eine Erinnerung an Tony Ashton - und inzwischen leider auch an Jon Lord - die einem sowohl ein Lächeln auf die Lippen wie auch einen Kloß in den Hals zaubern kann. Sehr schön und bewegend ist übrigens die mit Piano und Gitarre vorgetragene Version von "Here I go again" von Bernie Marsden und Jon Lord.

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Walter who fled the country

tasteful fusion, southern-fried

Revisado en los Estados Unidos el 30 de enero de 2002

Compra verificada

I would have to disagree with the previous review in the sense that I wouldn't call this jam band music at all. Instead, it seems to me to fall into the jazz fusion arena a'la Jeff Beck "Wired" and "Blow By Blow," with a southern flavor that reflects the previous bands these players have been in. There are many Little Feat moments that arise from the rhythm section, but remember that Little Feat were very tight ensemble players. There are also quite a few Dixie Dregs moments in here, too--at times making you think that Steve Morse has snuck up and grabbed the guitar.
This is highly-arranged music, but doesn't come off overly structured because truly great musicians can always find ways to mix in soloing to sound spontaneous yet tight. If you love great playing, stop-on-a-dime instrumental arrangements, and a hint of southern greasiness, you'll love this record.

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Dante

You can't go wrong with a group of musicians this good.

Revisado en los Estados Unidos el 31 de agosto de 2018

Compra verificada

Fantastic fusion here! This is a talented tight group of musicians. All these guys are superstars in my eyes. Jimmy Herring is one of the best guitarists out there and the other three are equally adept. This recording stands up well against anyone else in the fusion genre. The interplay between Jimmy and T Lavitz on "Slowlo" is downright magical, and on "Lockwood Folley" Lavitz's keys are really impressive. Jimmy's acoustic is very nice on "Lockwood..." as well. Very tasty. The rhythm section keeps all this together very nicely. Glad to have purchased this at a lower price than it is currently. You can't go wrong with a group of musicians this good. Buy now!

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