A Wolf at the Door by Radiohead Lyrics Meaning - Unraveling Thom Yorke's Lyrical Labyrinth - Song Meanings and Facts

A Wolf at the Door by Radiohead Lyrics Meaning – Unraveling Thom Yorke’s Lyrical Labyrinth


You can view the lyrics, alternate interprations and sheet music for Radiohead's A Wolf at the Door at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Drag him out your window
Dragging out the dead
Singing I miss you
Snakes and ladders flip the lid
Out pops the cracker
Smacks you in the head
Knives you in the neck
Kicks you in the teeth
Steel toe caps
Takes all your credit cards
Get up get the gunge
Get the eggs
Get the flan in the face
The flan in the face
The flan in the face
Dance you fucker dance you fucker
Don’t you dare
Don’t you dare
Don’t you flan in the face
Take it with the love its given
Take it with a pinch of salt
Take it to the tax man
Let me back
Let me back
I promise to be good
Don’t look in the mirror at the face you don’t recognize
Help me, call the doctor, put me inside
Put me inside
Put me inside
Put me inside
Put me inside

I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he’s gonna mess me up
Steal all my children if I don’t pay the ransom
And I’ll never see them again if I squeal to the cops

Walking like giant cranes
And with my X-ray eyes I strip you naked
In a tight little world
And are you on the list?
Stepford wives who are we to complain?
Investments and dealers
Investments and dealers
Cold wives and mistresses
Cold wives and Sunday papers city
Boys in first class don’t know we’re born just know
Someone else is gonna come and clean it up
Born and raised for the job
Someone always does
I wish you’d get up get over
Get up get over and turn the tape off

I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he’s gonna mess me up
Steal all my children if I don’t pay the ransom
And I’ll never see them again if I squeal to the cops

So I’m just gonna

Full Lyrics

Radiohead’s ‘A Wolf at the Door,’ the climactic finale of 2003’s ‘Hail to the Thief,’ is a haunting mélange of dread and distortion, wrapped in Thom Yorke’s signature cryptic lyricism. The track melds the electric energy of discontent with a brooding narrative, painting a landscape of societal and personal disarray that resonates with the anxious heartbeat of the early 21st century.

The song’s intense delivery and the collage of images ebb and flow with a certain unnerving elegance, intricately weaving dark humor with political and psychological themes. Sowing a seed of unease as it progresses, ‘A Wolf at the Door’ blends the personal with the universal, questioning our place in a world that’s increasingly disorienting and hostile.

The Chaotic Crescendo of ‘Hail to the Thief’

Buried at the end of Radiohead’s sixth studio album, ‘A Wolf at the Door’ stands as a forceful period punctuating a sentence rife with disruption and unease. Its frantic rhythm and aggressive tone mark a departure from the more minimalistic and electronic elements peppered throughout the album.

Through the lens of ‘Hail to the Thief’s’ political commentary, the song’s apparent chaos mirrors the state of the world—ravaged by the aftershocks of 9/11, the war on terror, and the existential crisis of the digital age. Each lyric punctures the listener’s consciousness, delivering jolts of discomfort and recognition.

The Menacing Metaphor: What Does the Wolf Symbolize?

Yorke’s ‘wolf’ is a specter of multiple meanings, a versatile symbol in the lexicon of the band’s storytelling arsenal. Is it the encroaching threat of societal collapse, personal demons, or perhaps the insidious nature of corporate and governmental misdeeds?

The persistent refrain, ‘I keep the wolf from the door, but he calls me up,’ insinuates a perpetual struggle against an inevitable force. The wolf is both aggressor and harbinger, a presence continually threatening to disrupt the veneer of security and normalcy.

Surreal Snapshots: Dissecting the Visceral Imagery

Yorke’s verses are a series of vignettes swaying between the real and the hyperbolic. The mention of ‘snakes and ladders,’ ‘steel toe caps,’ and ‘Stepford wives’ paint a scene blending the monotony of the everyday with sudden and violent upheavals.

This choice of imagery evokes a sense of life’s gamble—unpredictable and unfair, with society’s structure seemingly as arbitrary and cruel as a children’s board game where one wrong move can result in disaster.

Confronting the Mirror: Themes of Identity and Recognition

Amid the tapestry of allusions, the lyric, ‘Don’t look in the mirror at the face you don’t recognize,’ invites a profound introspection. Here, Yorke touches upon the alienation and self-estrangement wrought by fear and fatigue in the fight against the figurative wolves.

The erosion of identity in the face of relentless adversity is central to the song’s message, suggesting that the struggle to preserve oneself is as integral as the fight against outward threats.

Deciphering the Stream of Consciousness: The Song’s Hidden Meaning

While the lyrics function on the literal plane as a chaotic battle cry against external foes, a deeper psychological layer emerges upon closer examination. ‘A Wolf at the Door’ is in essence a dialogue between the conscious self and the intrusive thoughts that plague the subconscious.

The ‘wolf’ could therefore be the manifestation of anxiety and paranoia that knocks persistently on the door of our psyches. Yorke’s erratic delivery and disjointed thoughts give voice to the internal commotion that threatens to consume us, beckoning a deeper, universal empathy for the internal struggle against fear’s relentless barrage.

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