bookshelf
A TREE OF NIGHT and Other Stories
Doubtful- yes- for the critical reception accorded Truman Capote last year- and the sensational success of his first book will establish acceptance, in many quarters, for this, his second. As in Other Voices, Other Rooms, Mr. Capote still concerns himself with dark corners and perversions. However, in using the short story rather than the novel form to play around these inverted folk, A Tree of Night avoids the rambling vagaries that characterized Other Voices. These stories are bold, even crystalline, showing a remarkable beauty of language and a variation of setting that eliminates the hot house, overgrown plant atmosphere of Capote's novel. There is the story of Miriam, a lonely New Yorker in her sixties who finds herself suddenly aware that she is schizophrenic, and faced with her image in the shape of a persistent, evil little girl of ten... The title story, which takes place on a hot, stale train going to Atlanta, deals with the sophomore Kay and her encounters with two passengers, — a drunken fat woman, and a deaf, salacious old man, these two representing a kind of tenacious insanity... Master Misery, another New York City story, tells of Sylvia who sells her dreams, and in the process, her soul, to a gentleman who types them up and files them away.....The already known The Headless Hawk goes into subterranean twisted-mind territory and the strange goings on between a homosexual- heterosexual art dealer and his equally homosexual-heterosexual love.....There are others, like Shut a Final Door, in which a man is pursued by his own private demons, and like Children on their Birthdays, which presents an overly mature and frustrated child — all sensitive and creative, with their own special type of brilliance. Mr. Capote sets up struggles between his characters and then places them in environments that waver from the psychotic to the supernatural... Not palatable reading for the conservative, the tender skinned. The market is obvious, from his first.
Pub Date: Feb. 28, 1949
ISBN: N/A
Page Count: -
Publisher: Random House
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Feb. 1, 1949
-
-
-
BOOK REVIEW
-
-
-
-
BOOK REVIEW
-
-
-
-
BOOK REVIEW
-
DEVOLUTION
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
-
-
-
BOOK REVIEW
-
-
-
-
BOOK TO SCREEN
-
IT ENDS WITH US
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
-
-
-
SEEN & HEARD
-
-
-
-
SEEN & HEARD
-
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
Please sign up to continue.
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
Sign in using your Kirkus account
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.