A continuación aparece una instantánea de la página web tal y como aparecía en 9/21/2023 (la última vez que nuestro rastreador la visitó). Esta es la versión de la página que se usó para la clasificación de los resultados de búsqueda. Puede que la página haya cambiado desde la última vez que la guardamos en caché. Para ver lo que puede haber cambiado (sin la información destacada), ve a la página actual.
Bing no se hace responsable del contenido de esta página.
The “New” price refers to the current Featured Offer price for a NEW version of the item. You may see this displayed as a strike-through price for used offers. Learn more
A selection of tracks taken mainly from various solo albums spanning 13 years, with the exception of Lunette from the Liquid Glass album, a collaboration between Mick Karn and Japanese Drum and Bass artist Yoshihiro Hanno. It's a kind of best of from the former Japan bassist. The pieces illustrate Mick's unique style of bass playing and the diversity of his work. Recently referred to in the country of Japan as "the God of bass guitar", Mick's influence within music is undisputed, changing the way bass is heard as well as played for generations to come. Pete Townshend of the Who goes as far as rating him "the best bass player in the world". The majority of these albums have never been made available to stores and were only available from Mick's website.
Product details
Package Dimensions
:
5.55 x 4.97 x 0.54 inches; 2.83 Ounces
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
If you are familiar with his playing and want to hear him play bass, avoid this record. Maybe noticed a BIT of bass in the background every now and then...otherwise just noise over what sounds like a hip-hop beat with maybe a few fretless notes played on loop....BUY Polytown or Tooth Mother if you want to hear any bass...
Reviewed in the United States on November 10, 2010
Please do not let the aformentioned review sway your purchase of this amazing compilation of Mick's music. Starting in the group Japan in the early '70s, at age 16, Mick did not know how to play bass, horns, keyboards etc. and he has become one of the most admired players in progressive music. Mick is more than a bass machine, and this album is a good place to start to see the progression of his work as an artist playing often with other artists and and using his woodwind instruments to perfection. It will display the many beautiful styles of music he has recorded. His fretless style is unsurpassed, this record takes you on a journey of Mick's music up to this point. He is always moving in new directions and this album will demonstrate this. I do agree with the other review, in that you should buy the records he suggests to get even a fuller experience of Mick Karn's music.
Open Web Player
