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Back to Back

Imported ed.

Live

Booker T. & The MG's Mar-Keys Format: Audio CD

4.2 11 ratings

$14.98

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Audio CD, Live, June 11, 1991

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Track Listings

1	Introduction - Announcer - Announcer
2	Green Onions
3	Red Beans and Rice
4	Tic-Tac-Toe
5	Hip Hug-Her
6	Introduction - Announcer - Announcer
7	Philly Dog - the Mar-Keys - The Mar-Keys
8	Grab This Thing - the Mar-Keys - The Mar-Keys
9	Last Night - the Mar-Keys - The Mar-Keys
10	Gimme Some Lovin'
11	Booker-Loo
12	Outrage

Editorial Reviews

[Note: This product is an authorized CD-R and is manufactured on demand]

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 5.6 x 0.4 x 4.9 inches; 4 ounces
Manufacturer ‏ : ‎ Atlantic Atco Masters
Original Release Date ‏ : ‎ 1991
Date First Available ‏ : ‎ February 10, 2007
Label ‏ : ‎ Atlantic Atco Masters
ASIN ‏ : ‎ B000002JKU
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #102,482 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,016 in Pop Oldies
- #3,739 in Soul (CDs & Vinyl)
- #45,921 in Rock (CDs & Vinyl)

Customer Reviews:
4.2 11 ratings

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4.2 out of 5

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chorizo

I began to like Green Onions when my kids now in their 20s ...

Reviewed in the United States on November 13, 2015

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I was a little young when this band was popular. I began to like Green Onions when my kids now in their 20s watched the movie Sandlot over and over again. Anyway the song grew on me and I bought the MP3 on a whim when I heard it on the radio. Man this album is really, really great. Good R&B classic sound. Good music to work or relax by. And yes my 20 somethings dig it too.

One person found this helpful

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thestaxman

Not perfect, but that's the way I like it

Reviewed in the United States on September 20, 2002

I have become very fond of this album, which just simmers with raw energy from the start. There's a fun introduction that leads into one of the most smoking versions of "Green Onions" I've heard. Duck Dunn's impact is felt immediately. He thumps his bass a little louder and digs into the groove a little deeper than his predecessor, Lewie Steinberg, who played on the Green Onions and Soul Dressing albums. Granted, this is a live recording and Steinberg would have probably been more aggressive live, but nobody can groove like Dunn. He rips through "Red Beans and Rice" and the rest of the set with swinging authority. This was recorded live in 1967, not 1997, but the sound is really good. Booker T. Jones played superbly on this night. His B-3 sounds amazing. The album's energy dips somewhat when The Mar-Keys come on. Except for Steve Cropper, Dunn, and trumpeter Wayne Jackson, the original Mar-Keys basically ceased to exist after their 1961 hit "Last Night". What they became, in fact, was Booker T. & the MGs plus The Memphis Horns, the heart of soul music in the '60s. The material and sound of The Mar-Keys is similar to high school R & B bands and fraternity circuit bands of the late '50s and early '60s, and thus, is just not as creative or as exciting as the MGs'. It's good, solid dance music of that period. The horn section leaves Booker T. and company to finish things off. After Cropper's soulfully sly guitar solo on "Booker Loo", the group, led by Al Jackson's get out your seat drumming, hits a groove so strong, if you can't shake your backside to it, you've got a hole in your soul. The first time I heard this album, I wasn't overly impressed. I had silly thoughts like, hey, that's not how Cropper played on the original "Hip Hug-Her". But, this album is deceptively addicting. Seems the longer I own it, the more often I play it. Just as almost anything from the MGs' catalogue, or all of Stax Records, for that matter, it gets better with every listen.

15 people found this helpful

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Larry Wood

memoirs of an aging `soul brother

Reviewed in the United States on February 12, 2000

Ì bought this album on vinyl when it was first released about a gazillion years ago. I played it until it was useless. Booker T. and the M.G.s, the Mar-Keys and the late members of the Bar-Kays formed all the the musical accompaniment of those great 60`s soul hits from Memphis (Otis Redding, Sam & Dave, Carla Thomas, Eddie Floyd to name a few). The quality of this recording is of the `60`s live variety so don`t expect it to contain the perfection of current such presentations. Sometimes the crowd noise is more than you would like, for example. Might as well lace up your boogie-in`shoes before you listen, because their ain`t no way you`re gona sit down when it`s on. Final hint: Make sure the shingles on your roof are nailed right down and then crank up the music. I`m not certain but I think I read somwhere that it`s a sin to play this CD softly.

12 people found this helpful

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BluesDuke

The Sound Isn't The Best - But It's Worth The Annoyance

Reviewed in the United States on January 2, 2001

Live recordings of soul and rock not yet having reached a modicum of sophistication, you can forgive the rather dulled sound of this recording. Forget that - and that Booker and the boys are keeping it close enough to the original cuts - and just be happy with the way they manage regardless to dig in just a little bit harder in front of an audience. Especially since a) there's just a little more blood being shed when the Mar-Keys horns (known soon enough as the Memphis Horns) join up for their turns, particularly "Last Night"; and, b) at this writing, it is the only known live recording available (under their own name, of course; that was them backing Otis Redding at Monterey) of the greatest backing band in the history of classic deep Southern soul.

7 people found this helpful

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Siriam

A fair record of its period

Reviewed in the United Kingdom on October 5, 2013

Verified Purchase

As another reviewer comments given a concert recording in the mid 60s, the sound quality is not great but certainly acceptable. What the concert recording does convey is how the Stax Revue sounded live instrumentally on their raptly received concert tour in Europe backing other Stax and Atlantic vocalists versus the more normal and limited fare most concert packages offered at that time. As the separately available Otis Redding live show recordings from this period show it was definitely about the excitement not the audio and note perfect performances. One also is hearing a rare outing by studio hardened backing musicians in performing extended instrumental live sets, which was pretty unique whether UK or USA then and even now.

The album also shows how adaptable the MGs with Booker T were and so there is little surprise that in later years they rose to be a quality stand alone act in their own right both in studio recordings and live concerts.

One person found this helpful

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