THIRTEEN UNCOLLECTED STORIES | Kirkus Reviews

THIRTEEN UNCOLLECTED STORIES

After years of litigation between the publisher and Cheever's estate, this collection of 13 stories now in the public domain proves something of a disappointment. While Cheever fans will be grateful for a sampling of his juvenilia, others should be warned that these pieces are hardly typical of his best work. Most first appeared in the 30's and bear the marks of their time as well as the influence of Hemingway, Fitzgerald, and Depression fiction. The earliest stories, from small avant-garde magazines, stress atmosphere over character; they're bleak, abstract expressions of social jitters during an anxious era of poverty and decline. When Cheever begins to find a voice, his fictions become more convincing. A pre-Miller, post-Dreiser traveling shoe-salesman ("The Autobiography of a Drummer") laments his once thriving business. "In Passing" records Cheever's dissatisfaction with left-wing ideology as his young protagonist drifts through lean times. A number of stories deal with working women at turning points: a waitress who suddenly realizes how empty her routine is ("Bayonne"); a hard-working dancer, hired to lend legitimacy to a strip show, who loses herself in her stage persona ("The Princess"); a 52-year-old stripper who, with great dignity, shows she hasn't lost it ("The Teaser"); and a young nanny who reveals a surprisingly refined aesthetic sense ("The Opportunity"). Equally clever and in the same commercial vein are three stories from Collier's, all set on the fringes of high society in the world of horse-racing. With an O. Henryish twist, "His Young Wife" pits an older man against his wife's infatuation with a gambler her own age; "Saratoga" also testifies to the gambler's insatiable habits; and in "The Man She Loved," a socially ambitious dowager manque is determined that her daughter marry well. Cruel fate, not dysfunction, reigns in these clever narratives. At best, middle-brow fiction in the O'Hara-Cozzens mold.

Pub Date: March 1, 1994

ISBN: 0-89733-405-1

Page Count: 240

Publisher: Academy Chicago

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

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EXHALATION

Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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