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The Art of Avatar: James Cameron's Epic Adventure Hardcover – November 30, 2009
- Print length108 pages
- LanguageEnglish
- PublisherHarry N. Abrams
- Publication dateNovember 30, 2009
- Grade level8 and up
- Reading age13 years and up
- Dimensions12.25 x 0.63 x 10.38 inches
- ISBN-109780810982864
- ISBN-13978-0810982864
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Product details
- ASIN : 0810982862
- Publisher : Harry N. Abrams; First Edition (November 30, 2009)
- Language : English
- Hardcover : 108 pages
- ISBN-10 : 9780810982864
- ISBN-13 : 978-0810982864
- Reading age : 13 years and up
- Grade level : 8 and up
- Item Weight : 2.03 pounds
- Dimensions : 12.25 x 0.63 x 10.38 inches
- Best Sellers Rank: #316,898 in Books (See Top 100 in Books)
- #364 in Art of Film & Video
- #2,074 in Performing Arts (Books)
- #4,074 in Movies (Books)
- Customer Reviews:
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About the author
Author (AVATAR, MIB), co-writer, and book publishing veteran, Lisa Fitzpatrick has developed hundreds of nonfiction titles for film studios, production companies and book publishers as writer, ghostwriter, editor, book packager (Clint Eastwood: Master Filmmaker at Work) and brand copywriter (AVATAR2+ film series Bible).
As an art book editor, brand manager and licensing executive, a selection of Lisa’s titles includes: The Art of George Miller’s MAD MAX: Fury Road (on behalf of Warner Bros Global Publishing) and Mad Max: Inspired Deluxe Edition (DC’s Vertigo Comics); GODFATHER Treasures: The Official Motion Picture Archive; SHREK: The Art of the Quest; The Complete X-FILES; The Art of KUNG FU PANDA; The Art & Making of DreamWorks’s MADAGASCAR; 24: Behind the Scenes; a university package entitled Reality Ends Here: 80 Years of USC Cinema and Sharon Salzberg's Insight Meditation: A 12-Month Correspondence Course. A member of the Author’s Guild and veteran of both Stanford’s Publishing Course for Professionals and the University of Chicago (Editing Certificate), her focus is in long form prescriptive and narrative non-fiction.
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I am a screenwriting student and film student and I was amazed at every page, every idea that is needed to put an idea for a motion picture to life. And it is mindboggling.
Cameron had to wait for the technology to catch up to his ideas, and that took almost a decade.
Peter Jackson's preface uses the phrase 'Suspension of Disbelief' as the world between the filmmaker and the audience. You as a member of the audience are watching a film in its real time. The world you are in is the world you see onscreen.
And to do that properly is the magic of film.
The Art of Avatar shows the people, the animals, the humans, the natives of the moon Pandora, in magnificent detail is worth purchasing the book. The process of the evolution of how a character or beast is created in amazing.
I cannot wait to see this film and given the taste of its beauty and plotting, am amazed this technology exists to give this to us.
The only negative I can give and it is nothing really, but the middle page of my book was not connected, and I don't think that was on purpose. There are fold-out pages that blow your mind in the book, but the middle photo encompased just the 2 middle pages.
If that is the worst criticism I can give to a book, fuggetaboutit! I did and carefully fitted the page back.
The Art of Avatar is a wonderful art showing unto itself, but if you are at all interested in seeing the movie, or are a film maker, you will appreciate this gorgeous book.
If you're blown away by the visual quality of the Pandora, as shown in the trailers, you'll be glad to see that majority of the art in this book are on the environments. There are also designs for the plants, animals, vehicles and the Pandora inhabitants, the Na'vi. Weta Workshop is also roped in to provide some models and help in designing the Na'vi. The creativity behind the design and the scale of work is of course amazing.
The downside is there are only 108 pages, which is underwhelming considering that every set and prop in the movie is made totally from imagination. They certainly could have packed more pages but the price is also lower for that matter.
This book didn't include as much preliminary designs as I hoped, like the iterations they had to do to get to the final designs. The only area where there are iterations are the character designs for the Na'vi. The rest, like the flora, fauna, vehicles and sets look pretty close to the finalized designs.
Most of the art in this book look computer generated (not that it's a bad thing) and there are very few pencil sketches. Quite a few pieces created with mixed medium are a bit jarring to me, like mixing photos with digital painting for backgrounds. Again, nothing wrong with mixing medium but some of the styles just clash and calls for attention in the wrong way.
The writeup talks mainly about the design concepts and very little on the production. Stereocopy, which James Cameron is an advocate of, is used, but it's only briefly mentioned.
I'm intrigued that James Cameron actually wrote the script in 1995. But he had to wait until 2006 before technology was (deemed) advanced enough (for him) to make the film. I thought technology was already available when Final Fantasy: The Spirits Within was released in 2001. So what technology are we really talking about here? It's not mentioned but, well, this isn't a making-of book. I'll definitely be getting the disc when it comes out.
Overall, this book looks like a rush job. Page 82-83 has an image of the flying Ikrans printed upside down. I can't imagine how it's possible to place a picture on a page (on the software) without looking at the picture. There are very slight pixelation with the really big pictures, something I don't normally see with other movie books.
It's a nice book but more for Avatar fans. But be prepared to be underwhelmed, especially after you've watched the movie.
3.5 out of 5 stars
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
What you do see in the book are endless photo-manipulated Photoshoped imagery which is a great ad for Photoshop as an illustration tool. One image that somewhat irritated me was a two-page spread of the blue aliens having hunted a larger creature while they were cutting up the hunt. Well, the image looked familiar to me then I realized that it was actually a well known National Geographics photograph of Pygmies hunting and cutting up an elephant. The aritst seems to have simply manipulated the photo to create the piece. All fine if just used to show the director ideas, but to give the picture a two-page spread didn't sit well with me.
If you love Art of books, then by all means pick this up. But this book is certainly not the most awe-inspiring of the bunch.