From mimicry artist to Amaran, why Sivakarthikeyan’s journey is as rare as hen’s teeth in Tamil cinema | Tamil News - The Indian Express
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From mimicry artist to Amaran, why Sivakarthikeyan’s journey is as rare as hen’s teeth in Tamil cinema

Starting as a television mimicry artist and stand-up comedian on the small screen, Sivakarthikeyan's ascent to stardom is the stuff of impossible dreams. 

Sivakarthikeyan celebrates his birthday todaySivakarthikeyan in Amaran.

Sivakarthikeyan has a lot of new fans, especially among youngsters and children. The young fanbase might have seen him as the lazy, good-for-nothing youngster with a heart of gold in films like Remo and Varuthapadatha Valibar Sangam. They might have also seen him in this new avatar of a mass hero. However, many young fans might be unaware of his past as a mimicry artist, an image Siva has carefully shed for good. And that is why Siva is extremely conscious about his image and he has been vocal about not taking up films that are not cut for him. What’s so impressive about Siva is that despite being an out-and-out entertainer, known for his comedy dramas, the actor has efficiently buried the image of a comedian. He is still entertaining with comedy, but has made sure that the joke is not on him. It is a fine balance, inarguably an impressive achievement in an industry, which is quick to box anyone.

Over the years, many comedians have tried their hand at becoming a hero, with middling and underwhelming results. A great example would be Vadivelu. The king of Tamil comedy and pop culture tried to evolve as a full-fledged hero. While his initial attempt, Imsai Arasan 23am Pulikeci, was an instant success, he couldn’t emulate the same with his subsequent attempt at being the lead. Indra Logathil Naa Azhagappan, Tenali and Ezhi are some of the bad apples in his filmography. Another example is the late actor Vivekh, who also took a stab at it, even before Vadivelu. He acted in the lead role back in 1991 in a film titled Sendhoora Devi, a flop. Vivekh then was part of multi-starrers like Kandha Kadamba Kadhirvela, Viralukaetha Veekam, and many such family dramas that were in vogue in the early 2000s. Yet, these were, in essence, full-fledged comedy roles with actors like Livingston and Pandiyaraj playing the lead. Maganae Marumagane, Naan Thaan Bala, and Ezhumeen are the films which finally had Vivekh as the leading man, but even an ardent fan of the comedian might not have seen them. Vivekh had his moment as a hero with Vellaipookal. As a retired police officer inspecting a crime in the US, the actor finally got his due. Perhaps, if he had been around, we would have gotten more of it.

 

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Invariably, although comedy actors in Tamil have acted as heroes, they could never evolve into a star like Sivakarthikeyan. It is hard to imagine Vadivelu or Vivekh starring in a police action drama like Kaaki Sattai or even a silly comedy-drama like Varuthapadatha Vaalibar Sangam. Even Santhanam, who has had hits as a hero, is still struggling to break out of his image as a comedian. His recent films, featuring him as lead actor, are comedies, and any attempt of the actor to become an action hero is immediately punished by the audience. Sakka Podu Podu Raja is one great example where Santhanam tried to be the quintessential mass hero, and the film bit the dust within days of its release. However, when Santhanam stays in his zone with borderline parody films like A1, Dhilluku Dhuddu, and Dikkiloona, he gets his reward. There’s a dedicated fanbase for such Santhanam films among Tamil audiences. 

In such an industry, which doesn’t let an actor break away from his mould, Sivakarthikeyan, who had his initial breakthrough as a mimicry artist on Tamil television, has managed to become a star. The evolution has been possible because the comedians before Sivakarthikeyan had one major trait that put them at a disadvantage–their body language. Throughout Tamil cinema history, when it comes to comedy, ‘slapstick’ ruled the roost. Starting from Chandra Babu to Nagesh to Vaidivelu, every comedy actor in Tamil developed a distinct body language that became the person’s style. This extended beyond their onscreen roles. Their movements, walk, and mannerisms became part of their real-life existence. And that’s why even Vadivelu’s speech at events are as riotous as his comedy films. Siva ducked this phenomenon because he made a living by mocking such mannerisms. He was a mimicry artist who could emulate Vadivelu’s body language and steal some laughs, but he never had to come up with one of his own. YouTube is still full of his videos from the period where he was a mimicry artist. From emulating Sivaji Ganesan to Goundamani to Vijayakanth, Siva, in a sense, has adopted the mannerisms of many distinct personalities for a living. Perhaps, that is the reason, he was able to come up with something unique for himself. After all, jack of-all-trades can be master of one.

First uploaded on: 17-02-2024 at 11:44 IST
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