Betty Carter's Jazz Ahead | Kennedy Center

Betty Carter’s Jazz Ahead

Applications for 2024 cohort are currently under review.

Program Name

Under the direction of Jason Moran, Kennedy Center Artistic Director for Jazz, Betty Carter’s Jazz Ahead is an international two-week jazz residency performance and composition project discovering and presenting the next generation of jazz greats.

About the Program

Betty Carter’s Jazz Ahead identifies outstanding, emerging jazz artist-composers in their mid-teens to age twenty-five, and brings them together under the tutelage of experienced artist-instructors who coach and counsel them, helping to polish their performance, composing, and arranging skills.

The two-week residency program—for which there is no tuition or application fee—includes daily workshops and rehearsal with established jazz artists and culminates in three concerts in the Kennedy Center Justice Forum, which will be livestreamed. The Kennedy Center will provide participants with lodging at a local hotel and per diem to cover meal expenses.

Betty Carter, who possessed one of this era’s most extraordinary voices, was devoted to jazz education. Her Jazz Ahead program, which she brought to the Kennedy Center in 1998, has helped launch the careers of several of today’s stars, including Cyrus Chestnut, Kendrick Scott, Jason Moran, Jazzmeia Horn, Nate Smith, Arco Iris Sandoval, and Matthew Whitaker, among others.

Betty Carter’s Jazz Ahead

Betty Carter’s Jazz Ahead

Betty Carter’s Jazz Ahead is made possible through the generous support of The King-White Family Foundation and Dr. J. Douglas White and The Buffy and William Cafritz Family Foundation.

Betty Carter’s Jazz Ahead 2024

Applications for 2024 cohort are currently under review.

Workshop Dates: Tuesday, May 28, 2024 – Friday, June 7, 2024

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Kennedy Center Education

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; The Morris and Gwendolyn Cafritz Foundation; 

Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; and Volkswagen Group of America. Additional support is provided by the National Committee for the Performing Arts.

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.