“Of the Highest Good”: Joachim’s Relationship to Mendelssohn (Chapter 1) - The Creative Worlds of Joseph Joachim
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1 - “Of the Highest Good”: Joachim’s Relationship to Mendelssohn

Published online by Cambridge University Press:  07 October 2022

Valerie Woodring Goertzen
Affiliation:
Loyola University, New Orleans
Robert Whitehouse Eshbach
Affiliation:
University of New Hampshire
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Summary

In a short memoir appearing in The Musical Times in 1898, Joseph Joachim reminisced fondly about his relationship with Mendelssohn, who, the violinist recalled,

unceasingly looked after me with fatherly care. I had to go to him regularly to “report progress” upon my studies, and his influence over me was of the highest good. I wanted to enter the Leipzig Conservatorium, but Mendelssohn said this was unnecessary as I had already studied at that in Vienna. He advised me to take private lessons—of Ferdinand David for violin and Hauptmann for composition— in order that I should be able to give ample time to my general education.

Mendelssohn had met the twelve-year-old violin prodigy around the middle of 1843, and promptly began addressing him alternatim as “Posaunenengel” (trombone cherub) and “Teufelsbraten” (devil's brat). For the next four years until Mendelssohn's death in 1847, the composer mentored the young musician, introducing him to Leipzig and Berlin audiences, as well as taking Joachim under his wing in England (where a special dispensation allowed the child prodigy to perform Beethoven's Violin Concerto at the Philharmonic Concerts in London in 1844) and encouraging him to compose.

Available now for the first time in a comprehensive twelve-volume edition, Mendelssohn's correspondence points to approximately post-June 1843 as the time when he first met the young prodigy, though another source from 1856 advances that event to the later months of 1842. In Beth-El: Ehrentempel verdienter ungarischer Israeliten, released by Ignaz Reich, we read of the eleven-year-old Joachim's participation in a musical Fest in Leipzig, organized by Mendelssohn, in which he kissed the boy on his forehead, a Weihekuss seemingly recalling a similar occasion when, a few decades earlier, Beethoven had reportedly encountered the young Franz Liszt in Vienna. Here we quote from Reich's account of Mendelssohn's introduction to Joachim:

Toward the end of 1842, at age eleven, [Joachim] left Vienna at the instigation of his relatives and went to Leipzig with the intention of attending the conservatory there. He soon found occasion to participate in a musical party at the residence of Mendelssohn Bartholdy, which this man gave for the benefit of his friends in the arts… .

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Publisher: Boydell & Brewer
Print publication year: 2021

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