Igor Stravinsky – The New Stravinsky Complete Edition
Label: | Deutsche Grammophon – 00289 483 9962 |
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Format: | 30 x CD, Compilation Box Set, Reissue |
Country: | Worldwide |
Released: | |
Genre: | Classical, Stage & Screen |
Style: | Modern, Neo-Classical, Opera, Twelve-tone |
Tracklist
Stage Works | |||
The Firebird (1909/10) = L'Oiseau de Feu = Der Feuerwogel: Fairy-Tale Ballet In 2 Scenes | |||
1-1 | Introduction | 2:32 | |
1-2 | Scene 1 | Kashchei's Magic Garden | 1:47 | |
1-3 | Appearance Of The Firebird, Pursued By Ivan Tsarevich | 2:26 | |
1-4 | Dance Of The Firebird | 1:22 | |
1-5 | Ivan Tsarevich Captures The Firebird | 0:53 | |
1-6 | The Firebird's Entreaties – Appearance Of The Thirteen Enchanted Princesses | 8:14 | |
1-7 | The Princesses' Game With The Golden Apples (Scherzo) | 2:25 | |
1-8 | Sudden Appearance Of Ivan-Tsarevich | 1:37 | |
1-9 | The Princesses' Round Dance (Khorovod) | 3:43 | |
1-10 | Daybreak – Ivan Tsarevich Enters Kashchei's Palace | 1:32 | |
1-11 | Magic Carillion, Appearance Of Kashchei's Guardian Monsters And The Capture Of Ivan Tsarevich – Arrival Of Kashchei The Immortal – Kashchei's Dialogue With Ivan Tsarevich – Intercession Of The Princesses – Appearance Of The Firebird | 5:41 | |
1-12 | Dance Of The Kashchei's Retinue, Under The Firebird's Spell | 0:45 | |
1-13 | Infernal Dance Of All Of Kashchei's Subjects | 4:43 | |
1-14 | Lullaby (The Firebird) – Kashchei Wakes Up – Death Of Kashchei – Deep Shadows | 5:17 | |
1-15 | Scene 2 | Disappearance Of The Palace And Dissolution Of Kashchei's Enchantments; Animation Of The Petrified Knights; General Rejoicing | 3:13 | |
Petrushka (1910/1): Burlesque In 4 Scenes | |||
2-1 | Scene 1: The Shrovetide Fair – Legerdemain Scene – Russian Dance | 9:57 | |
2-2 | Scene 2: Petrushka's Room | 4:30 | |
2-3 | Scene 3: The Moor's Room – Dance Of The Ballerina – Waltz: The Ballerina And The Moor – Petrushka | 7:02 | |
2-4 | Scene 4: The Shrovetide Fair – Dance Of The Nursemaids – The Peasant And The Bear – The Jovial Merchant With Two Gypsy Girls - Dance Of The Coachmen And Grooms - The Masqueraders - The Fight: The Moor And Petrushka – Death Of Petrushka | 13:29 | |
The Rite Of Spring (1911-13) = Le Sacre Du Printemps = Die Frühlingsweihe: Scenes Of Pagan Russia In 2 Parts | |||
2-5 | Part 1: The Adoration Of The Earth: Introduction – The Augurs Of Spring (Dances Of The Young Girls) – Game Of Abduction – Spring Rounds – Games Of The Rival Tribes – Procession Of The Sage – Adoration Of The Earth – The Sage – Dance Of The Earth | 15:55 | |
2-6 | Part 2: The Sacrifice: Introduction – Mystic Circles Of The Young Girls – Glorification Of The Chosen One – Evocation Of The Ancestors – Ritual Action Of The Ancestors – Sacrificial Dance (The Chosen One) | 17:27 | |
Le Rossignol - Lyric Tale In 3 Acts (1908-14) | |||
3-1 | Act I | Introduction | 3:24 | |
3-2 | "Nevod Brosal Nebesnyy Dukh" (Fisherman) | 4:22 | |
3-3 | "Akh! S Neba Vysoty Blesnuv" (Nightingale, Fisherman) | 2:28 | |
3-4 | "Vot I Dostigli My Opushki Lesa" (Cook, Chorus, Chamberlain, Bonze, Nightingale) | 4:15 | |
3-5 | "Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'" (Nightingale, Chorus, Bonze, Chamberlain, Fisherman) | 2:52 | |
3-6 | Act II | Entr'acte (Courants D'Air) – "Ognya, Ognya" (Chorus, Cook, Chamberlain) | 2:15 | |
3-7 | Marche Chinoise – "Velikiy Imperator" (Chamberlain) | 3:36 | |
3-8 | Chant Du Rossignol – "Akh! Serdtse Dobroye" (Nightingale, Emperor, Chorus, Chamberlain, Japanese Envoys) | 5:37 | |
3-9 | Jeu Du Rossignol Mécanique – "Tsk, Tsk, Tsk, Tsk..." (Chorus, Emperor, Chamberlain, Fisherman's Voice) | 3:47 | |
3-10 | Act III | Introduction – "My Vse Pred Toboy" (Chorus, Emperor, Nightingale) | 6:17 | |
3-11 | "Mne Slushat' Nravitsya" (Death, Nightingale, Emperor) | 4:52 | |
3-12 | Cortège Solennel – "Zdravstvuyte" (Emperor, Fisherman's Voice) | 2:21 | |
Le Chant Du Rossignol – Symphonic Poem (1917) | |||
3-13 | Introduction | 2:25 | |
3-14 | Marche Chinoise | 3:29 | |
3-15 | Chant Du Rossignol | 3:32 | |
3-16 | Jeu Du Rossignol Mécanique | 11:20 | |
4-1 | Renard (1915/6): A Burlesque In Song And Dance | 16:15 | |
The Soldier's Tale (1918) = Histoire Du Soldat = Die Geschichte Vom Soldaten: To Be Read, Played And Danced In 2 Parts | |||
4-2 | Part 1 |The Soldier's March – "Down A Hot And Dusty Road" (Narrator) | 1:47 | |
4-3 | "Phew, This Isn't A Bad Sort Of Spot" (Narrator, Soldier) | 0:58 | |
4-4 | Music For Scene 1: Airs By A Stream | 2:27 | |
4-5 | "Enter The Devil" (Narrator, Devil, Soldier) | 4:01 | |
4-6 | The Soldier's March – "Down A Hot And Dusty Road" (Narrator) | 1:33 | |
4-7 | "Hurray, Here We Are! We're Home At Last!" (Narrator) | 2:40 | |
4-8 | Music For Scene 2: Pastorale | 4:07 | |
4-9 | "The Devil Is Standing There" (Narrator, Soldier, Devil) | 1:48 | |
4-10 | Music For The End Of Scene 2 | 0:55 | |
4-11 | "He Took Up The Book" (Narrator) | 2:24 | |
4-12 | Airs By A Stream – "Just To Stretch Out On The Grass" (Narrator) | 2:28 | |
4-13 | "They Have Nothing – And Yet They Have It All" (Narrator, Soldier, Devil) | 3:09 | |
4-14 | Music For Scene 3: Airs By A Stream – "The Devil Has Disappeared" (Narrator) | 1:01 | |
4-15 | Part 2 | The Soldier's March – "Down A Hot And Dusty Road" (Narrator) | 1:39 | |
4-16 | "Now He Comes To Another Land" (Narrator) | 2:12 | |
4-17 | The Royal March | 2:30 | |
4-18 | "They Gave The Word For The Band To Play" (Narrator, Soldier, Devil) | 4:11 | |
4-19 | The Little Concert – "Princess, Now We Can Safely Say" (Narrator) | 3:04 | |
4-20 | Part 2 / 3 Dances | 1. Tango | 2:23 | |
4-21 | 2. Valse | 1:52 | |
4-22 | 3. Ragtime - "The Soldier Holds The Princess Close" (Narrator) | 2:19 | |
4-23 | Part 2 | The Devil's Dance – "The Devil's Exhausted" (Narrator) | 1:23 | |
4-24 | Little Chorale | 0:47 | |
4-25 | The Devil's Song – "All Right! I Shall Have To Wait" (Devil) | 0:45 | |
4-26 | Great Chorale – "You Must Not Seek To Add" (Narrator) | 3:40 | |
4-27 | "I Have Everything, He Thinks" (Narrator) | 1:58 | |
4-28 | Triumphal March Of The Devil | 2:00 | |
Pulcinella (1919/20): Ballet With Song In One Act, Based On Music By Giovanni Battista Pergolesi, Domenico Gallo, Fortunato Chelleri, Alessandro Parisotti | |||
5-1 | Overture (Gallo, Trio Sonata No. 1 In G Major, Movt. 1) | 1:57 | |
5-2 | Seranata: "Mentre L'Erbetta, Pasce L'Agnella" (Tenor) (Pergolesi, Il Flaminio, Act I, Polidoro's Pastorale) | 2:58 | |
5-3 | Scherzino (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 1) | 1:37 | |
5-4 | Più Vivo (Pergolesi, Il Flaminio, Act III, Checca's Canzona) | 0:12 | |
5-5 | Allegro (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 3) | 1:00 | |
5-6 | Andantino (Gallo, Trio Sonata No. 8 In E Flat Major, Movt. 1) | 1:12 | |
5-7 | Allegro (Pergolesi, Lo Frate 'nnamorato, Act I, Vanella's Aria) | 1:39 | |
5-8 | "Contento Forse Vivere" (Soprano) (Pergolesi, Luce Degli Occhi Miei (Cantata)) | 2:01 | |
5-9 | Allegro Assai (Gallo, Trio Sonata No. 3 In C Minor, Movt. 3) | 1:52 | |
5-10 | "Con Queste Paroline" (Bass) (Pergolesi, Il Flaminio, Act I, Vastiano's Aria) | 2:14 | |
5-11 | "Sento Dire: No'ncé Pace" (Soprano, Tenor, Bass) (Pergolesi, Lo Frate 'nnamorato, Act III, Ascanio's Arioso) - "Chi Disse Ca la Femmena" (Tenor, Soprano) (Pergolesi, Lo Frate 'nnamorato, Act II, Vanella's Canzona) | 6:31 | |
5-12 | Allegro (Alla Breve) (Gallo, Trio Sonata No. 7 In G Minor, Movt. 3) | 1:15 | |
5-13 | Tarantella (Chelleri (?), Concerto No. 6 In B Flat Major, Movt. 4) | 1:13 | |
5-14 | "Se Tu M'Ami" (Soprano) (Parisotti (?), Arie Antiche) | 2:16 | |
5-15 | Allegro (Anon., Suite For Harpsichord No. 1 In E Major, Rondò) | 0:56 | |
5-16 | Gavotta Con Due Variazioni (Anon., Suite For Harpsichord No. 3 In D Major) | 4:09 | |
5-17 | Vivo (Pergolesi, Sonata For Violoncello And B.c. In F Major, Movt. 4) | 1:30 | |
5-18 | "Pupillette, Fiammette D'Amore" (Soprano, Tenor, Bass) (Pergolesi, Lo Frate 'nnamorato, Act I, Don Pietro's Canzona) | 2:20 | |
5-19 | Allegro Assai (Gallo, Trio Sonata No. 12 In E Major, Movt. 3) | 2:01 | |
Mavra (1921/2): Opera Buffa In One Act | |||
5-20 | Overture | 2:38 | |
5-21 | "Drug Moy Milyy" (Parasha) | 1:45 | |
5-22 | "Kolokol'chiki Zvenyat" (Hussar) | 0:57 | |
5-23 | "U Pesen Vsekh Slova Odni" (Parasha, Hussar) | 1:34 | |
5-24 | "Moya Strast' Sil'neye Stanovitsya" (Parasha, Hussar) | 1:13 | |
5-25 | "Izbavi Bog Prislugu" (Mother, Parasha) | 0:49 | |
5-26 | "Net, Ne Zabyt' Vo Veki Mne Pokoynitsu" (Mother) | 2:36 | |
5-27 | "Zhelayu Zdravstvovat'!" (Neighbour, Mother) | 3:37 | |
5-28 | "Gde Tak Dolgo Ty Byla?" (Mother, Neighbour, Parasha, Cook) | 3:27 | |
5-29 | "Parasha!" / "Ya, Vasiliy Milyy!" (Parasha, Cook) | 0:35 | |
5-30 | "Ya Pamyat'yu Ne Izmenyu" (Parasha, Cook) | 4:53 | |
5-31 | "Parasha!" / "Slyshish'?" (Mother, Parasha, Cook) | 0:51 | |
5-32 | "Ya Zhdu, Ya Zhdu Pokorno" (Cook) | 3:07 | |
5-33 | "Pozhaluy Vremya Nastupilo Pobrit'sya" (Cook, Mother, Parasha, Neighbour) | 1:45 | |
Les Noces (Svadebka) (1914-23): Russian Choreographic Scenes With Song And Music | |||
6-1 | Part 1 | 1. At The Bride's House (The Tresses): "Kosa L' Moya Ko" | 5:18 | |
6-2 | 2. At The Bridegroom's House: "Prechistaya Mat', Khodi" | 5:38 | |
6-3 | 3. The Departure Of The Bride: "Blagoslavlyalsya Svetyël Mesyats" | 2:57 | |
6-4 | Part 2 I 4. The Wedding Feast: "Yagoda S Yagodoy Sokatilasya" | 9:55 | |
Oedipus Rex (1926/7): Opera-Oratorio In 2 Acts | |||
6-5 | Act I |"Spectateurs, Vous Allez Entendre" (Narrator) – "Caedit Nos Pestis" (Chorus, Oedipus) | 8:09 | |
6-6 | "Voici Créon, Beau-Frère D'Œdipe" (Narrator) – "Respondit Deus" (Creon) | 3:34 | |
6-7 | "Non Reperias Vetus Scelus" (Oedipus, Chorus) | 3:33 | |
6-8 | "Œdipe Interroge La Fontaine De Vérité" (Narrator) – "Delie Exspectamus" (Chorus) | 2:32 | |
6-9 | "Dicere Non Possum" (Tiresias, Oedipus) | 2:42 | |
6-10 | "Invidia Fortunam Odit" (Oedipus) | 2:40 | |
6-11 | "Gloria! Laudibus Regina Jocasta" (Chorus) | 1:03 | |
6-12 | Act II | "La Dispute Des Princes Attire Jocaste" (Narrator) | 1:13 | |
6-13 | "Gloria! Laudibus Regina Jocasta" (Chorus) | 1:04 | |
6-14 | "Nonn' Erubescite, Reges" (Jocasta, Chorus, Oedipus) | 7:04 | |
6-15 | "Ego Senem Cecidi" (Oedipus) | 2:19 | |
6-16 | Le Témoin Du Meurtre Sort De L'Ombre" (Narrator) – "Adest Omniscius Pastor" (Chorus, Messenger, Shepherd) | 3:08 | |
6-17 | "Oportebat Tacere, Nunquam Loqui" (Shepherd) | 1:40 | |
6-18 | "Nonne Monstrum Rescituri" (Oedipus) | 1:20 | |
6-19 | "In Monte Reppertus Est" (Shepherd, Chorus, Oedipus) – "Et Maintenant, Vous Allez Entendre" (Narrator) | 3:36 | |
6-20 | "Divum Jocastae Caput Mortuum" (Messenger, Chorus) | 0:40 | |
6-21 | Act II: "Divum Jocastae Caput Mortuum" (Messenger, Chorus) | 2:15 | |
6-22 | "Divum Jocastae Caput Mortuum" (Messenger, Chorus) | 2:54 | |
Apollon Musagète (1927/8): Ballet In 2 Scenes | |||
7-1 | Scene 1 | Naissance D'Apollon | 4:33 | |
7-2 | Scene 2 | Variation D'Apollon. Apollon Et Les Muses | 3:10 | |
7-3 | Pas D'Action. Apollon Et Les Trois Muses, Calliope, Polymnie Et Terpsichore | 4:32 | |
7-4 | Variation De Calliope (L'Alexandrin) | 1:26 | |
7-5 | Variation De Polymnie | 1:18 | |
7-6 | Variation De Terpsichore | 1:36 | |
7-7 | Variation D'Apollon | 2:16 | |
7-8 | Pas De Deux. Apollon Et Terpsichore | 3:57 | |
7-9 | Coda. Apollon Et Les Muses | 3:21 | |
7-10 | Apothéose | 3:38 | |
The Fairy's Kiss (1928) = Le Baiser de la Fée = Der Kuss Der Fee: Ballet In 4 Scenes | |||
7-11 | Scene 1 The Lullaby In The Storm | Andante | 2:40 | |
7-12 | Allegro Sostenuto | 2:00 | |
7-13 | (Fig. 27) | 2:03 | |
7-14 | Andante – Vivace Agitato | 1:34 | |
7-15 | Scene 2: A Village Fete | Tempo Giusto | 4:13 | |
7-16 | Valse | 2:44 | |
7-17 | Doppio Movimento – Più Mosso – Tempo Agitato Ma Giusto | 4:01 | |
7-18 | Scene 3: At The Mill | Moderato | 3:14 | |
7-19 | Allegretto Grazioso | 3:05 | |
7-20 | Scene 3: At The Mill / Pas De Deux | A. Entrée. Moderato | 1:31 | |
7-21 | B. Adagio | 3:14 | |
7-22 | C. Variation. Allegretto Grazioso | 1:13 | |
7-23 | D. Coda. Presto | 2:04 | |
7-24 | Scene 3: At The Mill | Scène. Andante Non Tanto | 4:53 | |
7-25 | Scene 4: Berceuse Of The Eternal Dwellings: L'Istesso Tempo (Più Lento) | 5:08 | |
Persephone (1933/4): Melodrama In 3 Scenes | |||
8-1 | 1. The Abduction Of Persephone | 9:08 | |
8-2 | 2. Persephone In The Underworld | 22:42 | |
8-3 | 3. Persephone Reborn | 16:15 | |
Jeu de Cartes (1936): Ballet In 3 Deals | |||
9-1 | First Deal | 5:24 | |
9-2 | Second Deal | 9:22 | |
9-3 | Third Deal | 8:04 | |
Scènes De Ballet (1944) | |||
9-4 | Introduction. Andante | 1:00 | |
9-5 | Danses (Corps De Ballet). Moderato | 3:39 | |
9-6 | Variation (Ballerine). Con Moto | 1:06 | |
9-7 | Pantomime. Lento | 2:21 | |
9-8 | Pas De Deux. Adagio | 3:03 | |
9-9 | Pantomime. Agitato Ma Tempo Giusto | 0:44 | |
9-10 | Variation (Danseur). Risoluto | 1:25 | |
9-11 | Variation (Ballerine). Andantino | 1:16 | |
9-12 | Pantomime. Andantino | 0:33 | |
9-13 | Danses (Corps De Ballet). Con Moto | 1:13 | |
9-14 | Apothéose. Poco Meno Mosso | 2:17 | |
Orpheus (1947): Ballet In 3 Scenes | |||
9-15 | Scene 1 | Lento Sostenuto | 2:28 | |
9-16 | Air De Danse. Andante Con Moto | 3:18 | |
9-17 | L'Ange De La Mort Et Sa Danse. L'Istesso Tempo | 2:21 | |
9-18 | Interlude. L'Istesso Tempo | 1:44 | |
9-19 | Scene 2 | Pas Des Furies. Agitato In Piano | 2:53 | |
9-20 | Air De Danse (Orphée). Grave | 2:27 | |
9-21 | Interlude. L'Istesso Tempo | 0:24 | |
9-22 | Air De Danse (Conclusion). L'Istesso Tempo | 0:41 | |
9-23 | Pas D'Action. Andantino Leggiadro | 1:50 | |
9-24 | Pas De Deux. Andante Sostenuto | 5:15 | |
9-25 | Interlude. Moderato Assai | 1:10 | |
9-26 | Pas D'Action. Vivace | 2:22 | |
9-27 | Scene 3 | Apothéose D'Orphée. Lento Sostenuto | 2:46 | |
The Rake's Progress | |||
10-1 | Act I | Prelude | 0:32 | |
10-2 | Act I Scene 1 | Duet and Trio: "The Woods Are Green" (Anne, Rakewell, Trulove) | 3:28 | |
10-3 | Recitative: "Anne, My Dear" (Trulove) | 0:52 | |
10-4.1 | Recitative: "Here I Stand" (Rakewell) | 2:33 | |
10-4.2 | Aria: "Since It Is Not By Merit" (Rakewell) | ||
10-5 | Recitative: "Tom Rakewell?" (Shadow, Rakewell) | 1:15 | |
10-6.1 | Recitative: "Fair Lady, Gracious Gentlemen" (Shadow) | 5:00 | |
10-6.2 | Aria: "I Wished But Once" (Rakewell, Shadow, Anne, Trulove) | ||
10-7 | Recitative: "I'll Call The Coachman, Sir" (Shadow, Trulove) | 0:11 | |
10-8 | Duettino: "Farewell For Now" (Anne, Rakewell) | 1:14 | |
10-9 | Recitative: "All Is Ready, Sir" (Shadow, Rakewell) | 0:46 | |
10-10.1 | Arioso: "Dear Father Trulove" (Rakewell) | 2:54 | |
10-10.2 | Terzettino: "Laughter And Light" (Rakewell, Anne, Trulove, Shadow) | 2:30 | |
10-11 | Act I, Scene 2 | Chorus: "With Air Commanding And Weapon Handy" (Chorus) | 2:30 | |
10-12 | Recitative and Scene: "Come, Tom" (Shadow, Rakewell, Mother Goose) | 3:17 | |
10-13 | Chorus: "Soon Dawn Will Glitter" (Chorus) | 0:36 | |
10-14 | Recitative: "Sisters Of Venus, Brothers Of Mars" (Shadow) | 0:56 | |
10-15 | Cavatina: "Love, Too Frequently Betrayed" (Rakewell) | 2:44 | |
10-16 | Chorus: "How Sad A Song" (Chorus, Mother Goose) | 1:04 | |
10-17 | Chorus: "The Sun Is Bright, The Grass Is Green" (Chorus, Shadow) | 2:05 | |
10-18 | Act I Scene 3 | Recitative: "No Word From Tom" (Anne) | 1:56 | |
10-19 | Aria: "Quietly, Night" (Anne, Trulove) | 2:11 | |
10-20 | Recitative: "My Father! Can I Desert Him" (Anne) | 1:00 | |
10-21 | Cabaletta: "I Go, I Go To Him" (Anne) | 2:42 | |
10-22 | Act II Scene 1 | Aria: "Vary The Song, O London, Change!" (Rakewell) | 2:50 | |
10-23 | Recitative: "Nature, Green Unnatural Mother" (Rakewell) | 2:23 | |
10-24 | Aria (Reprise): "Always The Quarry" (Rakewell) | 1:34 | |
10-25 | Recitative: "Master, Are You Alone?" (Shadow, Rakewell) | 1:07 | |
10-26 | "Come Master, Observe The Host" (Shadow) | 1:11 | |
10-27 | Aria: "In Youth The Panting Slave" (Shadow) | 1:58 | |
10-28 | Duet-Finale: "My Tale Shall Be Told" (Rakewell, Shadow) | 2:21 | |
10-29 | Act II Scene 2 | Introduction | 1:50 | |
10-30.1 | Recitative: "How Strange" (Anne) | 3:28 | |
10-30.2 | Arioso: "O Heart Be Stronger" (Anne) | ||
10-31 | Duet: "Anne! Here!" (Rakewell, Anne) | 2:31 | |
10-32 | Recitative: "My Love, Am I To Remain In Here For Ever?" (Baba, Anne, Rakewell) | 0:58 | |
10-33 | Trio: "Could It Then Have Been Known" (Anne, Rakewell, Baba) | 3:07 | |
10-34 | Finale: "I Have Not Run Away" (Baba, Rakewell, Chorus) | 2:24 | |
11-1.1 | Act II Scene 3 | Aria: "As I Was Saying" (Baba, Rakewell) | 3:33 | |
11-1.2 | Baba's Song: "Come, Sweet, Come" (Baba, Rakewell) | ||
11-1.3 | Aria: Scorned! Abused!" (Baba) | ||
11-2 | Recitative: "My Heart Is Cold, I Cannot Weep" (Rakewell) | 0:21 | |
11-3 | Pantomime: "Fa La La" (Shadow) | 1:04 | |
11-4 | Recitative – Arioso – Recitative: "Oh, I Wish It Were True" (Rakewell, Shadow) | 1:44 | |
11-5 | Duet: Thanks To This Excellent Device" (Rakewell, Shadow) | 1:39 | |
11-6 | Recitative: "Forgive Me, Master" (Shadow) | 2:20 | |
11-7 | Act III Scene 1 | "Ruin, Disaster, Shame" (Chorus, Anne, Sellem) | 3:03 | |
11-8 | Recitative: "Ladies, Both Fair And Gracious" (Sellem) | 1:28 | |
11-9.1 | Aria: "Who Hears Me, Knows Me" (Sellem, Chorus) | 3:31 | |
11-9.2 | Bidding Scene: "Seven – Eleven" (Chorus, Sellem) | ||
11-9.3 | Aria: "Behold It, Roman, Moral" (Sellem, Chorus) | ||
11-9.4 | Bidding Scene: "Fifteen – And A Half" (Chorus, Sellem) | ||
11-9.5 | Recitative: "Wonderful" (Sellem) | ||
11-9.6 | Aria (Cont.): "An Unknown Object Draws Us" (Sellem, Chorus) | ||
11.9.7 | Final Bidding Scene: "Fifty – Fifty-Five" (Chorus, Sellem, Baba) | ||
11-10.1 | Aria: "Sold! Annoyed!" (Baba, Chorus, Rakewell, Shadow) | 2:12 | |
11-10.2 | Recitative: "Now What Was That!" (Chorus, Baba, Anne, Sellem) | ||
11-11.1 | Duet: "You Love Him" (Baba, Anne, Chorus, Sellem) | 4:02 | |
11-11.2 | Ballad Tune: "If Boys Had Wings" (Rakewell, Shadow, Anne, Baba, Sellem, Chorus) | ||
11-12.1 | Stretto-Finale: "I Go To Him" (Anne, Baba, Sellem, Chorus) | 1:53 | |
11-12.2 | Ballad Tune (Reprise): "Who Cares A Fig" (Rakewell, Shadow, Baba, Chorus) | ||
11-13 | Act III, Scene 2 | Prelude | 2:06 | |
11-14 | Duet: "How Dark And Dreadful Is This Place" (Rakewell, Shadow) | 4:14 | |
11-15 | Recitative: "Very Well, Then, My Dear And Good Tom" (Shadow, Rakewell) | 1:05 | |
11-16 | Duet: "Well, Then" - "My Heart Is Wild With Fear" (Shadow, Rakewell, Anne) | 6:35 | |
11-17 | "I Burn! I Burn! I Freeze!" (Shadow) | 2:17 | |
11-18 | "With Roses Crowned" (Rakewell) | 1:23 | |
11-19.1 | Act III Scene 3 | Arioso: "Prepare Yourselves, Heroic Shades" (Rakewell) | 3:22 | |
11-19.2 | Recitative: "Madmen's Words Are All Untrue" (Chorus, Rakewell) | ||
11-10.3 | Chorus – Minuet: "Leave All Love And Hope Behind" (Chorus) | ||
11-20 | Recitative: "There He Is. Have No Fear" (Keeper, Anne, Rakewell) | 0:56 | |
11-21 | Arioso: "I Have Waited" (Rakewell) | 1:01 | |
11-22 | Duet: "In A Foolish Dream" (Rakewell, Anne) | 2:36 | |
11-23 | Recitative: "I Am Exceedingly Weary" (Rakewell) | 0:57 | |
11-24 | Lullaby: "Gently, Little Boat" (Anne) | 3:00 | |
11-25 | Recitative: "Anne, My Dear, The Tale Is Ended Now" (Trulove, Anne) | 0:50 | |
11-26 | Duettino: "Every Wearied Body" (Anne, Trulove) | 1:38 | |
11-27 | Finale – Recitative: "Where Art Thou, Venus?" (Rakewell, Chorus) | 2:51 | |
11-28 | Mourning Chorus: "Mourn For Adonis" (Chorus) | 1:39 | |
11-29 | Epilogue | "Good People, Just A Moment" (Anne, Baba, Rakewell, Shadow, Trulove) | 2:29 | |
Agon (1953-57): Ballet For 12 Dancers | |||
12-1 | Pas De Quatre | 1:49 | |
12-2 | Double Pas De Quatre | 1:27 | |
12-3 | Triple Pas De Quatre. Coda | 1:01 | |
12-4 | Prelude | 0:57 | |
12-5 | First Pas De Trois: A. Saraband Step | 1:24 | |
12-6 | First Pas De Trois: B. Gailliarde | 1:19 | |
12-7 | First Pas De Trois: C. Coda | 1:28 | |
12-8 | Interlude | 0:56 | |
12-9 | Second Pas De Trois: A. Bransle Simple | 0:59 | |
12-10 | Second Pas De Trois: B. Bransle Gay | 0:47 | |
12-11 | Second Pas De Trois: C. Bransle Double | 1:45 | |
12-12 | Interlude | 0:57 | |
12-13 | Pas De Deux | 4:31 | |
12-14 | Coda | 1:41 | |
12-15 | Four Duos | 0:36 | |
12-16 | Four Trios – Coda | 2:32 | |
The Flood (1961/2): Musical Play For Three Solo Voices, Speakers, Chorus And Orchestra | |||
12-17 | Prelude: "Te Deum Laudamus" (Chor, Narrator, God, Lucifer/Satan) | 5:46 | |
12-18 | Melodrama: "In A Worm's Likeness Will He Wend" (Narrator, Satan, God, Noah) | 3:49 | |
12-19 | The Building Of The Ark (Choreography) | 2:32 | |
12-20 | The Catalogue Of The Animals: "The Lord Bade That I Should Bring" (Noah, Caller) | 1:32 | |
12-21 | The Comedy (Noah And His Wife): "Wife, Come In!" (Noah, Noah's Wife, Noah's Sons) | 1:35 | |
12-22 | The Flood (Choreography) | 2:34 | |
12-23 | The Covenant Of The Rainbow: "A Covenant, Noah, With Thee I Make" (God, Noah, Satan, Narrator, Chor) | 3:30 | |
Orchestral Music | |||
Symphony In E Flat Major Op. 1 (1905-07) | |||
13-1 | 1. Allegro Moderato | 11:05 | |
13-2 | 2. Scherzo. Allegretto | 5:40 | |
13-3 | 3. Largo | 11:24 | |
13-4 | 4. Finale. Allegro Molto | 7:22 | |
13-5 | Scherzo Fantastique Op. 3 (1907/8) | 11:26 | |
13-6 | Feu D'Artifice Op. 4 (1908) | 3:55 | |
4 Études For Orchestra (1928/9): Arr. Of 3 Pieces For String Quartet (1914) And Étude For Pianola (1917) | |||
13-7 | 1. Danse. Con Moto | 0:59 | |
13-8 | 2. Excentrique. Moderato | 2:11 | |
13-9 | 3. Cantique. Largo | 3:38 | |
13-10 | Madrid. Allegro Con Moto | 2:48 | |
13-11 | Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion (1917) | 1:19 | |
13-12 | Ragtime For 11 Instruments (1917/8) | 4:31 | |
13-13 | Symphonies Of Wind Instruments (1920) = Symphonies D'instruments À Vent = Bläsersymphonien | 9:12 | |
Suite No. 1 For Small Orchestra (1925): Arr. Of Nos. 1-4 From 5 Easy Pieces For Piano Duet | |||
14-1 | 1. Andante | 1:20 | |
14-2 | 2. Napolitana | 1:13 | |
14-3 | 3. Española | 1:09 | |
14-4 | 4. Balalaika | 0:59 | |
Suite No. 2 For Small Orchestra (1915-21): Arr. Of 3 Easy Pieces For Piano Duet And No. 5 From 5 Easy Pieces For Piano Duet | |||
14-5 | 1. March | 1:16 | |
14-6 | 2. Waltz | 2:01 | |
14-7 | 3. Polka | 1:00 | |
14-8 | 4. Galop | 1:48 | |
Concerto For Piano And Wind Instruments (1923/4) | |||
14-9 | 1. Largo - Allegro | 7:13 | |
14-10 | 2. Largo | 6:25 | |
14-11 | 3. Allegro | 4:37 | |
Capriccio For Piano And Orchestra (1928/9) | |||
14-12 | 1. Presto | 6:22 | |
14-13 | 2. Andante Rapsodico | 5:51 | |
14-14 | 3. Allegro Capriccioso Ma Tempo Giusto | 5:08 | |
Violin Concerto In D (1931) | |||
14-15 | 1. Toccata | 5:51 | |
14-16 | 2. Aria I | 4:09 | |
14-17 | 3. Aria II | 5:13 | |
14-18 | 4. Capriccio | 5:49 | |
Divertimento (1934): Arr. From The Ballet The Fairy's Kiss | |||
15-1 | 1. Sinfonia | 6:15 | |
15-2 | 2. Danses Suisses | 7:00 | |
15-3 | 3. Scherzo | 3:49 | |
15-4 | 4. Pas De Deux | Adagio | 3:49 | |
15-5 | Variation | 1:21 | |
15-6 | Coda | 2:37 | |
15-7 | Praeludium For Jazz Ensemble (1936/7) | 1:58 | |
Concerto In E Flat Major "Dumbarton Oaks" For Chamber Orchestra (1937/8) | |||
15-8 | 1. Tempo Giusto | 4:52 | |
15-9 | 2. Allegretto | 5:17 | |
15-10 | 3. Con Moto | 5:16 | |
Symphony In C (1938-40) | |||
15-11 | 1. Moderato Alla Breve | 9:31 | |
15-12 | 2. Larghetto Concertante | 6:16 | |
15-13 | 3. Allegretto | 5:05 | |
15-14 | 4. Largo – Tempo Giusto, Alla Breve | 7:30 | |
Danses Concertantes For Chamber Orchestra (1940-42) | |||
16-1 | 1. Marche-Introduction. ♩ = 96 | 2:00 | |
16-2 | 2. Pas D'Action. Con Moto | 3:29 | |
16-3 | 3. Thème Varié. Lento - Var. I–IV | 8:19 | |
16-4 | 4. Pas De Deux. Risoluto | 5:36 | |
16-5 | 5. Marche-Conclusion. ♩ = 96 | 0:56 | |
16-6 | Circus Polka For A Young Elephant (1942) | 3:23 | |
Four Norwegian Moods (1942) | |||
16-7 | 1. Intrada | 2:21 | |
16-8 | 2. Song | 2:44 | |
16-9 | 3. Wedding Dance | 1:21 | |
16-10 | 4. Cortège | 2:14 | |
Ode (1943): Elegiacal Chant In 3 Parts For Orchestra | |||
16-11 | Eulogy. Lento | 3:45 | |
16-12 | Eclogue. Con Moto | 2:45 | |
16-13 | Epitaph. Lento | 3:26 | |
16-14 | Scherzo À La Russe (1945) | 3:40 | |
Symphony In 3 Movements (1942-45) | |||
16-15 | 1. ♩ = 160 | 10:05 | |
16-16 | 2. Andante | 6:14 | |
16-17 | 2. Interlude. L'Istesso Tempo | 0:25 | |
16-18 | 3. Con Moto | 6:11 | |
17-1 | Ebony Concerto For Clarinet And Jazz Band (1945) | 8:52 | |
Concerto In D For String Orchestra (1946) | |||
17-2 | 1. Vivace | 5:55 | |
17-3 | 2. Arioso. Andantino | 2:36 | |
17-4 | 3. Rondo. Allegro | 3:18 | |
17-5 | Concertino For 12 Instruments (1952): Arr. Of Concertino For String Quartet | 6:20 | |
17-6 | Tango For 19 Instruments (1953): Arr. Of Tango For Piano | 3:26 | |
17-7 | Greeting Prelude After C. F. Summy's Happy Birthday To You (1955) For The 80th Birthday Of Pierre Monteux | 0:57 | |
Movements For Piano And Orchestra (1958/9) | |||
17-8 | 1. ♪ = 110 | 3:18 | |
17-9 | 2. ♪ = 52 | 1:39 | |
17-10 | 3. ♪ = 72 | 1:01 | |
17-11 | 4. ♪ = 80 | 1:46 | |
17-12 | 5. ♪ = 104 | 1:54 | |
Monumentum Pro Gesualdo di Venosa Ad CD Annum (1960): 3 Madrigals Of Gesualdo Recomposed For Chamber Orchestra | |||
17-13 | 1. Asciugate I Begli Occhi (Vol. V/14) | 2:18 | |
17-14 | 2. Ma Tu, Cagion Di Quella (Vol. V/18) | 1:57 | |
17-15 | 3. Beltà, Poi Che T'Assenti (Vol. IV/2) | 2:35 | |
17-16 | 8 Instrumental Miniatures For 15 Players (1962): Arr. Of The Five Fingers For Piano | 8:12 | |
17-17 | Variations For Orchestra (1963/4): Aldous Huxley In Memoriam | 5:04 | |
17-18 | Canon On A Russian Popular Tune (1965) | 0:55 | |
The Firebird: Suite (1945) = L'Oisea de Feu = Der Feuerwogel | |||
18-1 | 1. Introduction - Prelude And Dance Of The Firebird – Variations (Firebird) | 4:40 | |
18-2 | 2. Pantomime I | 0:26 | |
18-3 | 3. Pas De Deux. The Firebird And Ivan Tsarevich | 4:49 | |
18-4 | 4. Pantomime II | 0:26 | |
18-5 | 5. Scherzo. Dance Of The Princesses | 2:17 | |
18-6 | 6. Pantomime III | 1:15 | |
18-7 | 7. Rondo (Khorovod) | 4:47 | |
18-8 | 8. Infernal Dance | 4:34 | |
18-9 | 9. Lullaby. The Firebird | 3:17 | |
18-10 | 10. Finale | 3:13 | |
Petrushka (1946 Version): Burlesque In 4 Scenes | |||
18-11 | Scene 1 | The Shrovetide Fair | 7:08 | |
18-12 | Legerdemain Scene – Russian Dance | 2:46 | |
18-13 | Scene 2 | Petrushka's Room | 4:17 | |
18-14 | Scene 3 | The Moor's Room – Dance Of The Ballerina | 3:26 | |
18-15 | Waltz: The Ballerina And The Moor | 3:18 | |
18-16 | Scene 4 | The Shrovetide Fair (Towards Evening) | 1:04 | |
18-17 | Dance Of The Nursemaids | 2:39 | |
18-18 | The Bear And The Peasant | 1:28 | |
18-19 | The Jovial Merchant With Two Gypsy Girls | 1:10 | |
18-20 | Dance Of The Coachmen And The Grooms | 2:06 | |
18-21 | The Masqueraders | 1:29 | |
18-22 | The Scuffle: Blackamoor And Petrushka | 0:45 | |
18-23 | Death Of Petrushka | 0:44 | |
18-24 | The Police And The Juggler | 1:15 | |
18-25 | Apparition Of Petrushka's Double | 0:49 | |
Choral Music | |||
19-1 | Le Roi Des Étoiles (Zvezdolikiy) (1911/2): Sung In Russian | 5:31 | |
4 Russian Peasant Songs (1914-17): Sung In Russian | |||
19-2 | 1. On Saints' Day In Chigisakh | 0:42 | |
19-3 | 2. Ovsen | 0:32 | |
19-4 | 3. The Pike | 0:52 | |
19-5 | 4. Master Portly | 1:10 | |
19-6 | Pater Noster (Otche Nash) (1926): Sung In Russian | 1:29 | |
Symphony Of Psalms (1930) | |||
19-7 | 1. Exaudi Orationem Meam (Psalm 38, 13-14) | 3:03 | |
19-8 | 2. Exspectans Exspectavi Dominum (Psalm 39, 2-4) | 5:51 | |
19-9 | 3. Alleluia, Laudate Dominum (Psalm 150) | 11:17 | |
19-10 | Credo (Simvol Very) (1932): Sung In Russian | 2:26 | |
19-11 | Ave Maria (Bogoroditse Devo) (1934): Sung In Russian | 1:11 | |
19-12 | Babel (1944): Cantata For Narrator, Male Chorus And Orchestra | 4:50 | |
Mass For Mixed Chorus And Double Wind Quintet (1944-48) | |||
19-13 | Kyrie | 3:13 | |
19-14 | Gloria | 4:20 | |
19-15 | Credo | 5:25 | |
19-16 | Sanctus | 3:58 | |
19-17 | Agnus Dei | 3:26 | |
Cantata (1951/2): For Soprano, Tenor, Female Chorus And A Small Instrumental Ensemble | |||
20-1 | A Lyke-Wake Dirge, Versus I (Prelude): "This Ae Nighte" (Chorus) | 1:50 | |
20-2 | Ricercar I: "The Maidens Came" (Soprano) | 4:01 | |
20-3 | A Lyke-Wake Dirge, Versus II (1st Interlude): "If Ever Thou Gav'st Hos'n" (Chorus) | 1:48 | |
20-4 | Ricercar II (Sacred History): "Tomorrow Shall Be" (Tenor) | 10:37 | |
20-5 | A Lyke-Wake Dirge, Versus III (2nd Interlude): "From Whinnymuir" (Chorus) | 1:45 | |
20-6 | Westron Wind (Soprano) | 2:04 | |
20-7 | A Lyke-Wake Dirge, Versus IV (Postlude): "If Ever Thou Gav'st Meat" (Chorus) | 2:25 | |
Canticum Sacrum Ad Honorem Sancti Marci Nominis (1955) For Tenor, Baritone, Mixed Chorus And Orchestra | |||
20-8 | Dedicatio: "Urbi Venetiae, In Laude Sancti Sui Presidis" (Tenor, Baritone) | 0:48 | |
20-9 | 1. "Euntes In Mundum" (Chorus) | 2:09 | |
20-10 | 2. "Surge, Aquilo" (Tenor) | 2:49 | |
20-11 | 3. Ad Tres Virtutes Horationes: Caritas: "Diliges Dominum Deum" (Chorus) - Spes: "Qui Confidunt In Domino" (Tenor, Baritone, Chorus) - Fides: "Credidi, Propter Quod Locutus Sum" (Chorus) | 8:00 | |
20-12 | 4. Brevis Motus Cantilenae: "Jesus Autem Ait Illi" (Baritone, Chorus) | 3:18 | |
20-13 | 5. "Illi Autem Profecti" (Chorus) | 2:07 | |
Threni Id Est: Lamentationes Jeremiae Prophetae (1957/8) For Soprano, Alto, 2 Tenor And 2 Bass Soloists, Chorus And Orchestra | |||
20-14 | "Incipit Lamentatio Jeremiae Prophetae" (Soprano, Mezzo-Soprano) | 0:50 | |
20-15 | De Elegia Prima: "Aleph. Quomodo Sedet Sola Civitas" (Chorus, Tenor I) | 1:50 | |
20-16 | De Elegia Prima: Diphona I: "Plorans Ploravit" (Tenor I, Tenor II, Chorus) | 2:34 | |
20-17 | De Elegia Prima: Diphona Ii: "Vide, Domino" (Tenor I, Tenor II, Chor) | 2:50 | |
20-18 | De Elegia Tertia: 1. Querimonia: "Aleph. Ego Vir Videns" (Chorus, Bass II, Tenor I, Bass I, Tenor II) | 7:00 | |
20-19 | De Elegia Tertia: 2. Sensus Spei: "Heth. Misericordiae Domini" (Soli, Chorus) | 7:23 | |
20-20 | De Elegia Tertia: 3. Solacium: "Res. Judicasti, Domine" (Chorus, Soprano, Mezzo-Soprano, Tenor I, Bass I & II) | 3:59 | |
20-21 | De Elegia Quinta: "Oratio Jeremiae Prophetae" (Soli, Chorus) | 2:18 | |
Von Himmel Hoch, Da Komm Ich Her (1956): Canonic Variations BWV 769 By Johann Sebastian Bach Arr. For Mixed Chorus And Orchestra By Igor Stravinsky | |||
21-1 | Chorale | 0:47 | |
21-2 | Var. 1: Nel Canone All'Ottava | 1:16 | |
21-3 | Var. 2: Alio Modo, Nel Canone Alla Quinta | 1:12 | |
21-4 | Var. 3: In Canone Alla Settima | 2:10 | |
21-5 | Var. 4: In Canone All'Ottava Per Augmentationem | 2:33 | |
21-6 | Var. 5: L'Altra Sorte Del Canone Al Rovescio | 2:35 | |
Tres Sacrae Cantiones After Carlo Gesualdo Di Venosa (1957-59) | |||
21-7 | 1. Da Pacem, Domine | 2:05 | |
21-8 | 2. Assumpta Est Maria | 2:12 | |
21-9 | 3. Illumina Nos | 2:40 | |
A Sermon, A Narrative And A Prayer (1960/1): Cantata For Speaker, Mezzo-soprano, Tenor, Mixed Chorus And Orchestra | |||
21-10 | 1. A Sermon (Chorus, Tenor) | 4:21 | |
21-11 | 2. A Narrative (Speaker, Mezzo-Soprano, Tenor) | 7:42 | |
21-12 | 3. A Prayer (Mezzo-Soprano, Tenor, Chorus) | 4:34 | |
21-13 | Anthem "The Dove Descending Breaks The Air" (1962) | 2:18 | |
21-14 | Introitus (T.S. Eliot In Memoriam) (1965) | 4:06 | |
Requiem Canticles (1965/6) For Contralto, Bass, Chorus And Orchestra | |||
21-9 | 1. Prelude | 1:11 | |
21-10 | 2. Exaudi (Chorus) | 1:38 | |
21-11 | 3. Dies Irae (Chorus) | 0:52 | |
21-12 | 4. Tuba Mirum (Bass) | 1:09 | |
21-13 | 5. Interlude | 3:08 | |
21-14 | 6. Rex Tremendae (Chor) | 1:13 | |
21-15 | 7. Lacrimosa (Contralto) | 1:49 | |
21-16 | 8. Libera Me (Chorus) | 1:03 | |
21-17 | 9. Postlude | 2:25 | |
Solo Vocal | |||
22-1 | Storm Cloud (1902): Sung In Russian | 1:44 | |
22-2 | The Mushrooms Going To War (1904): Sung In Russian | 6:00 | |
Faun And Shepherdess Op. 2 (1906): Sung In Russian | |||
22-3 | 1. The Shepherdess | 3:14 | |
22-4 | 2. The Faun | 3:22 | |
22-5 | 3. The River | 3:27 | |
3 Little Songs "Recollections Of My Childhood" (1906-13): Sung In Russian | |||
22-6 | 1. The Magpie | 0:22 | |
22-7 | 2. The Rook | 0:47 | |
22-8 | 3. The Jackdaw | 0:40 | |
22-9 | Pastorale (1907): Song Without Words | 2:02 | |
2 Songs Op. 6 (1907/8): Sung In Russian | |||
22-10 | 1. Spring (The Cloister) | 5:42 | |
22-11 | 2. A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants) | 4:22 | |
2 Poems Of Paul Verlaine Op. 9 (1910, Arr. 1951/2): Sung In Russian | |||
22-12 | 2. The White Moon | 3:27 | |
22-13 | 1. Sleep | 1:31 | |
2 Poems Of Konstantin Balmont (1911): Sung In Russian | |||
22-14 | 1. Forget-me-nots | 1:14 | |
22-15 | 2. The Dove | 1:39 | |
3 Japanese Lyrics (1912/3): Sung In Russian | |||
22-16 | 1. Akahito | 0:49 | |
22-17 | 2. Mazatsumi | 1:01 | |
22-18 | 3. Tsaraiuki | 1:31 | |
4 Pleasant Songs (Pribaoutki) (1914): Sung In Russian | |||
22-19 | 1. Uncle Pierre | 0:51 | |
22-20 | 2. Natashka | 0:26 | |
22-21 | 3. The Colonel | 0:48 | |
22-22 | 4. The Old Man And The Hare | 2:19 | |
Cat's Cradle Songs (1915): Sung In Russian | |||
22-23 | 1. On The Stove | 0:41 | |
22-24 | 2. At Home | 1:00 | |
22-25 | 3. Lullaby | 1:18 | |
22-26 | 4. The Cat Has... | 0:52 | |
3 Children's Tales (1916/7): Sung In Russian | |||
22-27 | 1. Tilim-bom | 1:09 | |
22-28 | 2. Geese And Swans | 0:31 | |
22-29 | 3. The Bear's Song | 3:16 | |
22-30 | Berceuse (1917): Sung In Russian | 1:17 | |
4 Russian Songs (1918/9): Sung In Russian | |||
23-1 | 1. The Drake | 1:16 | |
23-2 | 2. Counting Song | 0:54 | |
23-3 | 3. The Sparrow | 1:06 | |
23-4 | 4. Dissident Song | 1:39 | |
23-5 | Song Of Parasha From The Opera Mavra (1921/2): Sung In Russian | 2:11 | |
23-6 | Tilim-bom Arr. For Voice And Orchestra (1923) From 3 Children's Tales: Sung In Russian | 1:13 | |
23-7 | Pastorale Arr. For Voice And Wind Instruments (1923): Song Without Words | 1:55 | |
3 Little Songs "Recollections Of My Childhood" Arr. For Voice And Small Orchestra (1929/30): Sung In Russian | |||
23-8 | 1. The Magpie | 1:03 | |
23-9 | 2. The Rook | 1:04 | |
23-10 | 3. The Jackdaw | 1:00 | |
23-11 | Petit Ramusianum Harmonique (1937): Hommage À C. F. Ramuz | 2:06 | |
23-12 | Hommage À Nadia Boulanger: "Diex, Com Leur Avient" (1947): Petit Canon Pour La Fête De Nadia Boulanger | 0:31 | |
3 Songs From William Shakespeare (1953) | |||
23-13 | 1. Musick To Heare (Sonnet No. 8) | 2:54 | |
23-14 | 2. Full Fadom Five (The Tempest, I/2) | 1:58 | |
23-15 | 3. When Dasies Pied (Love's Labour Lost, V/2) | 2:22 | |
4 Songs For Voice, Flute, Harp And Guitar (1953/4) Arr. Of Nos. 1 & 4 From 4 Russian Songs And Nos. 2 & 1 From 3 Children's Tales: Sung In Russian | |||
23-16 | 1. The Drake | 1:15 | |
23-17 | 2. A Russian Spiritual | 2:05 | |
23-18 | 3. Geese And Swans | 0:32 | |
23-19 | 4. Tilim-bom | 1:11 | |
2 Poems Of Konstantin Balmont Arr. For Voice And Chamber Orchestra (1954): Sung In Russian | |||
23-20 | 1. Forget-me-nots | 1:16 | |
23-21 | 2. The Dove | 1:39 | |
23-22 | In Memoriam Dylan Thomas: "Do Not Go Gently Into That Good Night" (1954) | 7:49 | |
Abraham And Isaac (1962/3): Sacred Ballad For Baritone And Chamber Orchestra | |||
23-23 | Vay'hi Ahar Hadvarim Ha'ēleh V'ha'Elohim | 3:24 | |
23-24 | Vayikakh Avrahem Et Atzē Ha'olah | 4:20 | |
23-25 | Vayi Sa Avrahem Et Ēnav Vayat V'hinēh | 3:35 | |
23-26 | Elegy For J. F. K.: "When A Just Man Dies" (1964) | 1:48 | |
23-27 | The Owl And The Pussy-Cat (1966) | 3:06 | |
2 Sacred Songs (1968) Arr. From Spanisches Liederbuch By Hugo Wolf | |||
23-28 | 1. Herr, Was Trägt Der Boden Hier | 2:34 | |
23-29 | 2. Wunden Trägst Du, Mein Geliebter | 5:07 | |
Chamber Music | |||
3 Pieces For String Quartet (1914) | |||
24-1 | 1. ♩ = 126 | 0:56 | |
24-2 | 2. ♩ = 76 | 2:16 | |
24-3 | 3. Half Note = 40 | 4:11 | |
24-4 | Duet "Lied Ohne Name" For 2 Bassoons (1916-18) | 0:52 | |
24-5 | Pour Pablo Picasso For Clarinet Solo (1917) | 0:26 | |
24-6 | 3 Pieces For Clarinet Solo (1918) | 4:03 | |
The Soldier's Tale: Concert Suite (1918/9) | |||
24-7 | 1. The Soldier's March | 1:48 | |
24-8 | 2. Airs By A Stream | 2:41 | |
24-9 | 3. Pastorale | 3:56 | |
24-10 | 4. The Royal March | 2:42 | |
24-11 | 5. The Little Concert | 3:07 | |
24-12 | 6. Three Dances: Tango - Valse - Ragtime | 6:15 | |
24-13 | 7. The Devil's Dance | 1:23 | |
24-14 | 8. Great Chorale | 2:43 | |
24-15 | 9. Triumphal March Of The Devil | 2:21 | |
24-16 | La Marseillaise After Claude-Joseph Rouget De Lisle (1919) | 1:13 | |
24-17 | Concertino For String Quartet (1920) | 6:34 | |
Octet For Wind Instruments (1922/3) | |||
24-18 | 1. Sinfonia. Lento - Allegro Moderato | 3:54 | |
24-19 | 2. Tema Con Variazioni. Andantino | 7:31 | |
24-20 | 3. Finale. Tempo Giusto | 3:26 | |
Duo Concertant For Violin And Piano (1931/2) | |||
25-1 | 1. Cantilène | 2:54 | |
25-2 | 2. Églogue 1 | 2:20 | |
25-3 | 3. Églogue 2 | 3:06 | |
25-4 | 4. Gigue | 3:51 | |
25-5 | 5. Dithyrambe | 2:55 | |
Suite Italienne (1932) Arr. From The Ballet Pulcinella By Igor Stravinsky And Gregor Piatigorsky | |||
25-6 | 1. Introduzione. Allegro Moderato | 2:15 | |
25-7 | 2. Serenata. Larghetto | 3:07 | |
25-8 | 3. Aria. Allegro Alla Breve | 5:32 | |
25-9 | 4. Tarantella. Vivace | 2:06 | |
25-10 | 5. Minuetto E Finale. Moderato - Molto Vivace | 4:40 | |
25-11 | Pastorale Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin (1933) | 3:19 | |
Divertimento After The Ballet The Fairy's Kiss Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin (1934) | |||
25-12 | 1. Sinfonia | 6:30 | |
25-13 | 2. Danses Suisses | 4:45 | |
25-14 | 3. Scherzo | 3:11 | |
25-15 | 4. Pas De Deux. Adagio - Variation - Coda | 6:13 | |
25-16 | Élégie For Viola Solo (1944) | 5:10 | |
Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano (1952/3) | |||
25-17 | 1. ♩ = 88 | 3:12 | |
25-18 | 2. Passacaglia. ♩ = 60 | 5:06 | |
25-19 | 3. Gigue. ♪. = 112-116 | 3:29 | |
25-20 | Epitaphium For Flute, Clarinet And Harp (1959) | 1:36 | |
25-21 | Double Canon For String Quartet (1959) | 1:41 | |
25-22 | Fanfare For A New Theatre For 2 Trumpets (1964) | 0:41 | |
Piano Music | |||
26-1 | Scherzo In G Minor (1902) | 2:14 | |
Piano Sonata In F Sharp Minor (1903/4) | |||
26-2 | 1. Allegro | 11:24 | |
26-3 | 2. Scherzo. Vivo | 4:46 | |
26-4 | 3. Andante | 7:15 | |
26-5 | 4. Finale. Allegro - Andante | 6:08 | |
4 Études For Piano Op. 7 (1908) | |||
26-6 | 1. Con Moto | 1:13 | |
26-7 | 2. Allegro Brillante | 2:56 | |
26-8 | 3. Andantino | 2:43 | |
26-9 | 4. Vivo | 2:11 | |
26-10 | Valse Des Fleurs For Piano Duet (1914) | 0:35 | |
3 Easy Pieces For Piano Duet (1914/5) | |||
26-11 | 1. Marche | 1:09 | |
26-12 | 2. Valse | 1:49 | |
26-13 | 3. Polka | 0:43 | |
26-14 | Souvenir D'Une Marche Boche (1915) | 1:38 | |
5 Easy Pieces For Piano Duet (1917) | |||
26-15 | 1. Andante | 1:08 | |
26-16 | 2. Española | 0:47 | |
26-17 | 3. Balalaika | 0:47 | |
26-18 | 4. Napolitana | 0:56 | |
26-19 | 5. Galop | 1:38 | |
26-20 | Valse Pour Les Enfants (1916/7) | 1:04 | |
26-21 | Ragtime (1917/8) Arr. Of Ragtime For 11 Instruments | 4:48 | |
26-22 | Piano-Rag-Music (1919) | 3:12 | |
The Five Fingers (1921): Eight Very Easy Tunes On Five Notes | |||
26-23 | 1. Andantino | 0:50 | |
26-24 | 2. Allegro | 0:51 | |
26-25 | 3. Allegretto | 0:44 | |
26-26 | 4. Larghetto | 0:56 | |
26-27 | 5. Moderato | 0:39 | |
26-28 | 6. Lento | 0:53 | |
26-29 | 7. Vivo | 0:28 | |
26-30 | 8. Pesante | 1:20 | |
3 Movements From Petrushka (1921) | |||
27-1 | 1. Russian Dance | 2:32 | |
27-2 | 2. Petrushka's Room | 4:17 | |
27-3 | 3. The Shrovetide Fair | 8:27 | |
Piano Sonata (1924) | |||
27-4 | 1. ♩ = 112 | 3:34 | |
27-5 | 2. Adagietto | 5:04 | |
27-6 | 3. ♩ = 112 | 2:59 | |
Serenade In A (1925) | |||
27-7 | 1. Hymne | 2:53 | |
27-8 | 2. Romanza | 2:55 | |
27-9 | 3. Rondoletto | 2:55 | |
27-10 | 4. Cadenza Finale | 3:51 | |
Concerto For 2 Solo Pianos (1932-35) | |||
27-11 | 1. Con Moto | 6:33 | |
27-12 | 2. Notturno. Adagietto | 5:30 | |
27-13 | 3. Quattro Variazioni | 4:42 | |
27-14 | 4. Preludio E Fuga. Lento | 5:09 | |
27-15 | Tango (1940) | 3:59 | |
27-16 | Circus Polka For A Young Elephant (1942) Arr. Of Circus Polka For Orchestra | 3:47 | |
Sonata For 2 Pianos (1943/4) | |||
27-17 | 1. Moderato | 4:21 | |
27-18 | 2. Theme With Variations. Largo | 4:27 | |
27-19 | 3. Allegretto | 2:00 | |
Historical Recordings | |||
Violin Concerto In D (1935 Recording) | |||
28-1 | 1. Toccata | 5:57 | |
28-2 | 2. Aria I | 4:18 | |
28-3 | 3. Aria II | 4:32 | |
28-4 | 4. Capriccio | 6:05 | |
28-5 | The Star-Spangled Banner (1941): National Anthem Of The United States Of America | 1:46 | |
The Soldier's Tale (1962 Recording): To Be Read, Played And Danced In 2 Parts | |||
28-6 | Part 1 | The Soldier's March – "Entre Denges Et Denezy" (Narrator) – "Voilà Un Joli Endroit" (Soldier, Narrateur) | 2:33 | |
28-7.1 | Music For Scene 1: Airs By A Stream – "Le Diable Paraît" (Narrator) | 6:32 | |
28-7.2 | "Donnez-moi Votre Violon" (Devil, Soldier, Narrator) | ||
28-8.1 | The Soldier's March - "Entre Denges Et Denezy" (Narrator) | 4:03 | |
28-8.2 | "Bravo! Ça Y Est!" (Soldier, Narrator) | ||
28-9 | Music For Scene 2: Pastorale – "Ah! Brigand!" (Soldier, Devil) | 3:49 | |
28-10 | Music For The End Of Scene 2 – "Il S'Est Mis À Lire Le Livre" (Narrator, Soldier, Devil) | 5:42 | |
28-11 | Music For The End Of Scene 2 – "Regardez, Monsieur" (Devil, Soldier, Narrator) | 1:46 | |
28-12 | Music For Scene 3: Airs By A Stream – "Il Prend Le Livre" (Narrator) | 0:57 | |
28-13.1 | Part 2 | The Soldier's March – "Entre Denges Et Denezy" (Narrator) | 2:55 | |
28-13.2 | "Un Autre Pays À Présent" (Narrator, Soldier) | ||
28-14 | The Royal March – "On A Fait Marcher La Musique" (Soldier, Devil, Narrator) | 6:37 | |
28-15.1 | The Little Concert – "Mademoiselle, À Présent, On Peut Le Dire" (Narrator) | 2:53 | |
28-15.2 | "La Princesse Est Couchée" (Narrator) | ||
28-16.1 | Part 2 3 Dances | 1. Tango – "La Princesse Ouvre Les Yeux" (Narrator) | 6:44 | |
28-16.2 | 2. Valse – "La Princesse Danse" (Narrator) - | ||
28-16.3 | 3. Ragtime – "La Princesse Sourit" (Narrator) | ||
28-16.4 | Part 2 | "Le Soldat Et La Princesse Tombent Dans Les Bras L'Un De L'Autre" (Narrator, Devil, Soldier) | ||
28-17.1 | The Devil's Dance – "Le Diable Danse" (Narrator) | 1:25 | |
28-17.2 | "Il Tombe À Terre, Épuise" (Narrator) | ||
28-18 | Little Chorale | 0:40 | |
28-19 | The Devil's Song – "Ça Va Bien Pour Le Moment" (Devil) | 0:35 | |
28-20 | Great Chorale – "Il Ne Faut Pas Vouloir Ajouter" (Narrator, Princess, Soldier) | 4:48 | |
28-21 | Triumphal March Of The Devil – "Le Soldat A Baissé La Tête" (Narrator, Princess) | 2:04 | |
Petrushka - Burlesque In 4 Scenes (1957 Recording) | |||
29-1 | Scene 1: The Shrovetide Fair – Legerdemain Scene – Russian Dance | 9:57 | |
29-2 | Scene 2: Petrushka's Room | 4:19 | |
29-3 | Scene 3: The Moor's Room – Dance Of The Ballerina – Waltz: The Ballerina And The Moor – Petrushka | 7:27 | |
29-4 | Scene 4: The Shrovetide Fair – Dance Of The Nursemaids – The Peasant And The Bear - The Jovial Merchant With Two Gypsy Girls - Dance Of The Coachmen And Grooms – Masqueraders – The Fight: The Moor And Petrushka – Death Of Petrushka | 13:26 | |
The Rite Of Spring (1956 Recording): Scenes Of Pagan Russia In 2 Parts | |||
29-5 | Part 1 The Adoration Of The Earth: Introduction | 3:06 | |
29-6 | The Augurs Of Spring (Dances Of The Young Girls) | 3:20 | |
29-7 | Game Of Abduction | 1:27 | |
29-8 | Spring Rounds | 3:19 | |
29-9 | Games Of The Rival Tribes | 2:01 | |
29-10 | The Adoration Of The Earth: Procession Of The Sage – Adoration Of The Earth | 0:45 | |
29-11 | The Sage | 0:21 | |
29-12 | Dance Of The Earth | 1:16 | |
29-13 | Part 2: The Sacrifice | Introduction | 3:49 | |
29-14 | Mystic Circles Of The Young Girls | 3:06 | |
29-15 | Glorification Of The Chosen One | 1:40 | |
29-16 | Evocation Of The Ancestors | 0:43 | |
29-17 | Ritual Action Of The Ancestors | 3:16 | |
29-18 | Sacrificial Dance (The Chosen One) | 4:38 | |
Bonus | |||
30-1 | Chant Funèbre Op. 5 (1908): In Memory Of Nikolai Rimsky-Korsakov, Rediscovered In 2015 | 10:30 | |
The Rite Of Spring – Version For Piano Duet (1913): Scenes Of Pagan Russia In 2 Parts | |||
30-2 | Part 1: The Adoration Of The Earth: Introduction – The Augurs Of Spring (Dances Of The Young Girls) – Game Of Abduction – Spring Rounds – Games Of The Rival Tribes – Procession Of The Sage – Adoration Of The Earth – The Sage – Dance Of The Earth | 14:50 | |
30-3 | Part 2: The Sacrifice: Introduction – Mystic Circles Of The Young Girls – Glorification Of The Chosen One – Evocation Of The Ancestors – Ritual Action Of The Ancestors – Sacrificial Dance (The Chosen One) | 17:26 |
Companies, etc.
- Published By – Boosey & Hawkes
- Phonographic Copyright ℗ – Deutsche Grammophon GmbH
- Copyright © – Deutsche Grammophon GmbH
- Copyright © – RIA "Novosty" Studio
- Copyright © – ITAR-TASS
- Copyright © – TopFoto
- Copyright © – ArenaPAL
- Copyright © – Ullstein Bild
- Copyright © – Boosey & Hawkes
- Copyright © – The Granger Collection
- Copyright © – Boris Lipnitzki
- Copyright © – Roger-Viollet
- Copyright © – Claudio Spies
- Glass Mastered At – Sony DADC – A0103296564-0101
Credits
- Art Direction – Merle Kersten
- Booklet Editor – Eva Reisinger
- Compiled By – Alan Newcombe, David Butchart
- Cover, Photography By – akg-images
- Design – Philipp Starke
- Liner Notes [Deutsche Grammophon's Complete Stravinsky] – Roger Wright
- Liner Notes [Stravinsky and Boosey & Hawkes] – Stephen Walsh
- Liner Notes [The Last Of His Kind] – Richard Taruskin
- Liner Notes [Traduction] – Daniel Fesquet
- Liner Notes [Übersetzung] – Geertje Lenkeit
- Photography By [Booklet Photos] – ArenaPal*, Boosey And Hawkes*, Boris Lipnitzki, Claudio Spies, Itar-Tass, Ria Novosti*, Roger-Viollet, The Granger Collection, TopFoto, Ullstein Bild
- Project Manager – Andreas Fischer (22), David Butchart
Notes
2021 reissue with the addition of a recording of Chant Funèbre, op. 5 (1908), rediscovered in 2015.
© 2015/2021 Deutsche Grammophon GmbH, Berlin
© 2015/2021 Deutsche Grammophon GmbH, Berlin
Barcode and Other Identifiers
- Barcode (Text): 0 28948 39962 8
- Barcode (Scanned): 028948399628
- Label Code: LC 0173
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Complete Edition (30×CD, Compilation, Box Set, ) | Deutsche Grammophon | 00289 479 4650 | Europe | 2015 |
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