In this picture you can see Martin Glover playing live with Killing Joke, with a Fender Precision Bass in his hands.

You can see Martin Golver playing a black and white Rickenbacker 4003 in this picture.

The other main features of both of Youth's studios are his TL Audio desks — the 12?channel M1 for London and the 32?channel VTC in Spain.

A Roland Juno 106 can be seen in Martin Glover's studio (photos 1, 2 and 6).

"I'm using Logic 8 on my Powerbook laptop for writing. I haven't used it yet on my main production rig, where I'm still using Logic 7.”

The other main features of both of Youth's studios are his TL Audio desks — the 12?channel M1 for London and the 32?channel VTC in Spain.

The London project studio houses a few of the vintage synths that Youth has collected over the years, including a Korg MS20.

Rack gear includes a Studio Electronics MIDIMini Minimoog clone.

A MicroKorg can be seen in Martin Glover's studio (first photo, top of rack).

An M-Audio Oxygen 8 can be seen in Martin Glover's studio (photos 2 and 3).

A Mac G5 box can be seen in his studio (second photo).

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth professes an affection for analogue keyboards and a strong dislike of FM synthesis. "I don't like modern keyboards too much. I leave them to jingle writers. Those modern sounds are so associative of those advertising images that I prefer to stay well away from them. But of course they end u...

Youth, lyrically: "The S1000 and S1100 are probably the only pieces of equipment that I'm almost entirely satisfied with. I think they're probably the most beautiful invention in music ever. They're more fundamentally important than piano or guitar. To me they are like time machines. H.G. Wells w...

Youth, lyrically: "The S1000 and S1100 are probably the only pieces of equipment that I'm almost entirely satisfied with. I think they're probably the most beautiful invention in music ever. They're more fundamentally important than piano or guitar. To me they are like time machines. H.G. Wells w...

Still, he does touch earth again to say that he prefers the Atari (with Notator/Unitor software) because "it's the language that people use in London in all the bedrooms where all the real work is done. They use Ataris because they're cheap and they do the job. Macs are an elitist medium. They're...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS1...