1919

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Houghton Mifflin Harcourt, Dec 24, 2013 - Fiction - 402 pages

“A Depression-era novel about American tumult has—perhaps unsurprisingly—aged quite well.”—The New Yorker

In 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his “vigorous and sweeping panorama of twentieth-century America” (Forum).

Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of the era with a cinematic touch and unparalleled nerve.1919 opens to find America and the world at war, and Dos Passos’s characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, and a Jewish radical, and we get glimpses of Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier.

Named one of the Modern Library’s 100 best English-language novels of the twentieth century, “U.S.A. is a masterpiece” (Tim O’Brien) and 1919 is an unforgettable chapter in the saga.

“It’s the kind of book a reader never forgets.”—Chicago Daily Tribune
 

Selected pages

Contents

NEWSREEL
Joe Williams
Richard Ellsworth Savage
Eveline Hutchins
The Camera Eye 31
Joe Williams
The Camera Eye 34
Copyright

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About the author (2013)

John Roderigo Dos Passos (b.1896, d.1970) was a writer, painter, and political activist. He wrote over forty books, including plays, poetry, novels, biographies, histories, and memoirs. He crafted over four hundred drawings, watercolors, and other artworks. Dos Passos considered himself foremost a writer of contemporary chronicles. He chose the moniker of “chronicler” because he was happiest working at the edge of fiction and nonfiction. Both genres benefited from his mastery of observation—his “camera eye”—and his sense of historical context. Dos Passos sought to ground fiction in historic detail and working-class, realistic dialogue. He invented a multimedia format of newsreels, songs, biographies, and autobiography to convey the frenzy of 20th century America’s industrialism and urbanism. His most memorable fiction—Three Soldiers (1920), Manhattan Transfer (1925), U.S.A. (1938)—possesses the authority of history and the allure of myth. Likewise, he sought to vitalize nonfiction history and reportage with the colors, sounds, and smells documented on his journeys across the globe.

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