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Frankenstein: Or the Modern Prometheus (Penguin Classics) Paperback – January 1, 2003


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The world’s most famous work of horror fiction: a devastating exploration of the limits of human creativity. Nominated as one of America’s best-loved novels by PBS’s The Great American Read

Mary Shelley's timeless gothic novel presents the epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror. Based on the third edition of 1831, this Penguin Classics edition, with an introduction and notes by Maurice Hindle, contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley’s preface to the first edition. It also includes as appendices a select collation of the texts of 1818 and 1831 together with "A Fragment" by Lord Byron and Dr John Polidori’s "The Vampyre: A Tale."

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Editorial Reviews

Review

Mary Shelley's Frankenstein is one of the masterpieces of nineteenth-century Gothicism. While stay-ing in the Swiss Alps in 1816 with her lover Percy Shelley, Lord Byron, and others, Mary, then eighteen, began to concoct the story of Dr. Victor Frankenstein and the monster he brings to life by electricity. Written in a time of great personal tragedy, it is a subversive and morbid story warning against the dehumanization of art and the corrupting influence of science. Packed with allusions and literary references, it is also one of the best thrillers ever written. Frankenstein; Or, the Modern Prometheus was an instant bestseller on publication in 1818. The prototype of the science fiction novel, it has spawned countless imitations and adaptations but retains its original power.
This Modern Library edition includes a new Introduction by Wendy Steiner, the chair of the English department at the University of Pennsylvania and author of The Scandal of Pleasure.

Mary Shelley was born Mary Wollstonecraft Godwin in 1797 in London. She eloped to France with Shelley, whom she married in 1816. After Frankenstein, she wrote several novels, including Valperga and Falkner, and edited editions of the poetry of Shelley, who had died in 1822. Mary Shelley died in London in 1851.

About the Author

Mary Shelley was born in 1797, the only daughter of writers William Godwin and Mary Wollstonecraft Godwin. In 1814 she eloped with poet Percy Bysshe Shelley, whom she married in 1816. She is best remembered as the author of Frankenstein, but she wrote several other works, including Valperga and The Last Man. She died in 1851.

Maurice Hindle studied at the universities of Keele, Durham and Essex, gaining a Ph.D. in Literature from Essex in 1989. He currently teaches at the Open University.

Product details

  • Publisher ‏ : ‎ Penguin Classics; Reissue edition (January 1, 2003)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 0141439475
  • ISBN-13 ‏ : ‎ 978-0141439471
  • Reading age ‏ : ‎ 16+ years, from customers
  • Lexile measure ‏ : ‎ 1170L
  • Item Weight ‏ : ‎ 8.8 ounces
  • Dimensions ‏ : ‎ 7.76 x 5.08 x 0.83 inches
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Reviewed in the United States on December 5, 2019
Amazon groups reviews for the same story even when they are from different editions and in the case of Frankenstein the worst is that there are two similar but not identical versions. The first is the 1818 uncensored edition by e-artnow; the other is the AmazonClassics Edition, it doesn't say which version it is but after reading it is clear to me that it's the posterior 1823 edition. The 1818 edition is a bit more journalistic in the sense to show you the events and let you think your own conclusions, the 1823 edition is a bit more explicit in the moral judgment of the wretched Victor Frankenstein. But these differences are quite subtle... in my opinion it had been better if we just had the 1818 story, it's perfect. Both editions has X-Ray, about the differences I can say:

* AmazonClassics Edition (2 stars):
In the positive side the formatting is modern and professional, you can easily see that you are reading a letter for example; the typography is clean allowing you to read with more comfort. In the negative side is evil the lengths that AmazonClassics attempt to hide dates, there is no year of publication, which is a sin considering there are the two different versions from different years; the malign editor even hides the date that is in the preface, sobbing his hands in the excitement to draw the readers into the pit of despair.

* e-artnow edition (3 stars):
In the positive side it contains the pure text, it's a normal formatting, not excellent as the AmazonClassics but works, but it's more useful as it informs you about the edition used. I read it fast along the AmazonClassic so I didn't find errors but could not guarantee their non existence. In the negative side... I have no important observations, I don't like the cover, the cinema version doesn't correspond to the book.

In conclusion although the AmazonClassics edition is comfortable sadly it seems there is an attempt to hide the mentioned years. I cannot recommend it. The e-artnow edition is good enough, less comfortable to read but still has X-Ray and the mentioned years as the author intended them are present.

Taking aside the editorial aspect I loved a lot to read Frankenstein. Mary Shelley made, barely 20 years old, an awe-inspiring horror novel. In my opinion far more impacting than Stevenson's "Strange Case of Dr Jekyll and Mr Hyde," with which it shares some characteristics. The creature, the creation of Victor Frankenstein, is human, he does terrible actions because he suffers, he has been abandoned by the man that donned life to him. Victor Frankenstein is the monster. Surrounded by persons that love him, even the creature could love him, he betrays them without compassion. He suffers but never for others but by the guilt of his lies being unleashed. Is crystalline that he only love physical beauty, Shelley is quite talented to make you feel like the witness of the mental struggle and physical stress of a dark hearted man.

If there is something that reveal both the youth of Mary Shelly and her culture devoid of life experience is the fact that her characters triumph or fail through the study of books rather than from work, knowledge and reality. I felt Europe quite small too, it seemed like either the each of the characters bought the seven-league boots or that Europe is as big as a thematic park. But these are minor details for a classic whose reading at least once could enrich you.
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Reviewed in the United States on April 15, 2024
I never had the chance to read the Frankenstein book and only knew the original movie. This is definitely far from the movie and much better! This is the first book I’ve ever read where some scenes actually make me a little uneasy. For how old this book is, Barnes & Noble did a great job sticking to the themes of the book while making it easy to read.
Reviewed in the United States on August 22, 2015
First, a note about the cover of the Penguin Classic Deluxe Edition: I’ve noticed in several other reviews of various books in this series that readers have negatively commented on the “cartoonish” like covers. Personally, I happen to like most of the covers in the Classic Deluxe series because they are bright and fun. Sure, it is nice to own a nice edition of a favorite classic. Yet, I don’t see the harm in the fun covers — there’s no rule that says that because something is a classic that it has to be bound with a stodgy, serious cover. Maybe the comic-like covers will catch someone’s interest, someone who might not normally read a book. Getting someone to read a book is the most important thing, right?

In the introduction to this particular edition, author Elizabeth Kostova (who wrote a modern take on the Dracula story: “The Historian”), says that she picked up the book to reread, to refresh her memory, and as she was reading it she realized that she wasn’t rereading it at all. She’d never read it. She realized that she knew the myth of Frankenstein, the Hollywood version, the Halloween version, the bolt through the neck version. What she knew (or thought she knew) had come from pop culture.

I knew that I had never read Frankenstein. It was always on my ‘to read …sometime” list. I couldn’t pass up the cover, so I bought the book. Like Ms Kostova, I felt that I knew the story of Frankenstein and his monster. Growing up in the 1970s, with all the weekend and late-night sci-fi/horror movies, I’d seen the old Bela Lugosi version, and many of the various other old black-and-white retellings. And lets not forget the Mel Brooks adaptation (which I was fairly certain had little to do with Shelley’s novel).

When I sat down to read the book, I was drawn into the tale by the letters of Captain R. Walton, who is on an expedition to find his way through the icy waters of the north. Walton catches a glimpse of the monster, and not long afterwards rescues Victor Frankenstein from the icy water.

The book is broken into three parts: Part One is mostly told via letters from Walton to his sister; Part Two is Victor Frankenstein’s narrative for the first part, then the monster’s narrative for the second half. Part Three takes up the story with Frankenstein again, ending with a few letters from Walton.

There are several more detailed summaries of the plot, so I won’t go into much detail. However, there are a few things that I think are important to know (they are, in a slight way, spoilers — but, I promise not to give any of the major points away).

The book is quite noticeably different from the Hollywood myth that most of us grew up learning. There’s no scene where Frankenstein is in a tower awaiting lightening, there’s no evil madness to him — he looks at making a creature as a scientific enquiry, rather than anything with evil intentions. There is no Ygor/Igor. There’s no little girl who hands the monster a flower. And, most astonishing: the monster speaks — eloquently.

There are several gaps, parts where the reader just has to let the story unfold without pausing to think to rationally about it (the lack of detail on how the monster was created, the way the monster was educated and learned to speak and read, etc.) Don’t get caught up in trying to accept the logic — it’s not there. Just follow the tale, don’t think too deeply about how the monster learned so much from watching a family. Just go with it. The gaps aren’t really that important.

What is important is that our pop culture has distorted the story so much that when one hears the word “Frankenstein” one thinks of the monster, not the doctor. In the novel, the monster is never given a name - he is simply referred to as monster, daemon, creature, horror. And, our pop culture version of the story has taken away the deep philosophical aspects of the novel. And, we’ve learned that the creature is the ‘bad guy’, but, there’s much to be said about Victor Frankenstein - most of it not nice. In many ways, he is the ‘bad guy’ of the story. He’s so intent on bringing a creature to life that when he does and sees how ugly and horrid the creature is, he immediately abandons it, leaving the monster to fend for himself. Frankenstein is relieved that the monster disappeared and barely gives him much thought until tragedy strikes the Frankenstein home. Two years have passed and monster and creator finally meet, and the monster speaks what I find to be one of the saddest things I’ve read. Frankenstein is angry at what his monster had done, and wants to kill him. In reply: “‘I expected this reception,’ said the daemon. ‘All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! … Remember that I am your creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend.”

The monster believes that if Victor will make him a wife, he will have someone to share his misery and torment with — they will be bound by their both being outcasts. Frankenstein first agrees to create a bride, but then realizes he cannot do so, for he might make more evil creatures.

What is most interesting to me is that the Doctor is really a whiny, narcissistic man; he made the creature, and ran off immediately afterwards, abandoning the monster. When the monster does some bad things, Frankenstein takes no responsibility — he never thinks “maybe if I stayed and taught him what it was like to be human, he might have had a chance.” Instead, he let the monster loose in the world, and because of the creatures size and hideous features, he’s attacked and chased off everywhere he goes. He doesn’t learn about life from a benevolent creator — he learns about life from the flawed humans that inhabit the earth. But Frankenstein moans and groans about how tragic his life has become because of the monster without every really acknowledging his own lack of responsibility. In a way, part of the idea of the creature’s character comes down to the old Nature versus Nurture argument. In this case there was no nurture — he only had the horrified reactions of people to learn from. As the monster says “All men hate the wretched.”

I was surprised to find that I disliked the Doctor so much. While I can’t say that I found the murderous monster lovable, there was certainly something very sympathetic about him. Frankenstein spends pages lamenting the misery of his life, yet it is a ‘woe is me’ type of lament. The creature seems more philosophical about his wretched existence and suffering — the monster isn’t about a bit of whining and lamenting, but he seems to have learned things about life that Frankenstein (the supposedly more educated one) fails to grasp.

There are a few flaws in the tale — I’ve mentioned some above (i.e. how the monster learns to read and write). But there are some technical flaws as well — it’s difficult to keep track of how much time has passed. Sometimes it seems very long, until it’s mentioned only a few months have passed. Other times, years have passed with barely a mention. Frankenstein was a young man, in his mid-twenties when he created the monster, though it was tough to tell how old he was at the end. Stylistically, the novel is by turns engrossing, followed by a several pages that seem to drag on and on, making the pacing of the novel feel uneven. Yet, in spite of these small flaws, the story is much deeper in meaning, more philosophical in nature than I expected. It’s a novel that could lead to good conversations about the nature of good and evil, about who was the real monster of the story, and did Doctor or monster learn anything of value along the way.

Most importantly, the legend of Frankenstein in our culture is one of horror — it’s often called a horror novel. But, it really isn’t. There is a bit of violence, though not graphic at all. Mostly, it’s a meditation on good and evil, life and death, and what we should or shouldn’t do if we have the power to do something. The story just happens to have a monster as one of the main characters. It’s not a story that would give you bad dreams, or make you feel fearful if you were home alone.

I’m glad the comic-book cover captured my attention, and that I got around to reading the story sooner rather than later. I think it is a story that will keep me thinking for some time to come. I highly recommend the story (in whatever edition fits your budget or catches your fancy.) I give the story 4.5/5 stars.
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Top reviews from other countries

Nilton C. Teixeira
5.0 out of 5 stars Outstanding creativity!
Reviewed in Canada on February 3, 2024
“Frankenstein has done more than any other story to define the anxieties of modern life. But it’s what it tells us about compassion that we need now more than ever.”, by Rebecca Lawrence (BBC Culture - June 13, 2018)

If you think that because you have watched the movie adaptations you can skip this book, then you don’t know what you are missing.
The movie obscured Shelley’s intentions.
This is not a horror book.
It’s a drama at its finest.
The writing is fascinating!
And if you add the audiobook narrated by Dan Stevens you will be transported to the era and be totally involved in the emotional rollercoaster.
The writing is complex and vivid and expresses the anguish of both monster and creator.

I thought the story was exceptionally well told and the writing definitely brought it to life.

What I enjoyed the most is that we have the monster’s perspective.

What an incredible imagination!

The author was 18 years old and this book was written in 1818, so take that into consideration.

What a great read!
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Claudio Albarrán
5.0 out of 5 stars Excelente relación calidad-precio
Reviewed in Mexico on July 19, 2023
Es una edición bonita, de buena calidad
capyclara
5.0 out of 5 stars Reçu rapidement et très joli
Reviewed in France on May 23, 2024
The media could not be loaded.
 Je suis contente d’avoir trouvé une belle édition anglaise de ce livre ! La couverture est souple et non protégée quand je l’ai reçu dans mon carton avec d’autres livres (qui eux étaient plastifiés), donc j’ai une petite marque sur la couverture.

Je pensais que les pages étaient argentées sur le côté pour rester dans le thème de la couverture mais non. Cela dit, il est très beau et chaque première lettre de chapitre a une police délicate que j’aime beaucoup 😊

Pour les curieux, j’ai fais une vidéo et pris quelques photos ! Hâte de lire cette édition et de me replonger dans l’univers 🖤❤️
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capyclara
5.0 out of 5 stars Reçu rapidement et très joli
Reviewed in France on May 23, 2024
Je suis contente d’avoir trouvé une belle édition anglaise de ce livre ! La couverture est souple et non protégée quand je l’ai reçu dans mon carton avec d’autres livres (qui eux étaient plastifiés), donc j’ai une petite marque sur la couverture.

Je pensais que les pages étaient argentées sur le côté pour rester dans le thème de la couverture mais non. Cela dit, il est très beau et chaque première lettre de chapitre a une police délicate que j’aime beaucoup 😊

Pour les curieux, j’ai fais une vidéo et pris quelques photos ! Hâte de lire cette édition et de me replonger dans l’univers 🖤❤️
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AppleFan
5.0 out of 5 stars Un classico
Reviewed in Italy on April 9, 2024
consegna in tempi rapidissimi
Snehil
5.0 out of 5 stars Classic for a reason!
Reviewed in India on March 30, 2024
Frankenstein by Mary Shelley is a science fiction novel that explores life, death and the monstrosity of humankind.
Victor, in the quest for knowledge(or dangerous obsession for ambition) created a monster,but was it really a monster??
The story showcased the yearning for companionship, the desire for acceptance and belonging and what does a little kindness can't fix, only if each one could get an equal share of it!
The sync between character's emotions and the changing season is so good and poignant, spring for the happy cheery vibe and winters, quite the opposite.
The switch in narrations added an exquisite touch to the story, making it even more captivating.
What makes Frankenstein a must-read book is how the author beautifully expresses emotions with just a few words.