Tracklist
1-1 | Legend (6)– | Cheque Book | 3:24 |
1-2 | Eggs Over Easy– | Funky But Clean | 3:29 |
1-3 | Wild Angels– | Time To Kill | 3:08 |
1-4 | Smooth Loser– | You Said It Would Be | 2:44 |
1-5 | Steve Ellis– | Have You Seen My Baby | 3:02 |
1-6 | Status Quo– | Nanana | 2:27 |
1-7 | Brinsley Schwarz– | Surrender To The Rhythm | 3:26 |
1-8 | Deep Feeling– | Why, Lady, Why? | 3:35 |
1-9 | Roogalator– | Ride With The Roogalator | 3:56 |
1-10 | Mott The Hoople– | I Wish I Was Your Mother | 4:52 |
1-11 | Ducks Deluxe– | Heart's On My Sleeve (Early Mix) | 2:53 |
1-12 | G.T. Moore & The Reggae Guitars*– | Madman | 4:46 |
1-13 | Brewers Droop– | Where Are You Tonight | 4:07 |
1-14 | Writing On The Wall– | Tripsy Lady | 3:58 |
1-15 | The Sensational Alex Harvey Band– | Sergeant Fury | 3:30 |
1-16 | Bees Make Honey– | My Funny Valentine | 3:27 |
1-17 | Jona Lewie– | Piggy Back Sue | 2:42 |
1-18 | Starry Eyed And Laughing– | Money Is No Friend Of Mine | 3:21 |
1-19 | Dave Edmunds– | You Kept Me Waiting | 3:10 |
1-20 | Chilli Willi And The Red Hot Peppers– | We Get Along | 3:05 |
1-21 | Ace (7)– | Rock And Roll Runaway | 3:08 |
1-22 | Kilburn And The High Roads*– | Billy Bentley (Promenades Himself In London) | 3:02 |
1-23 | National Flag– | Nervous | 3:35 |
2-1 | Dr. Feelgood– | She Does It Right | 3:20 |
2-2 | Charlie & The Wide Boys– | Love Me Real | 2:36 |
2-3 | Fumble (3)– | Free The Kids | 2:35 |
2-4 | Flip City– | Imagination (Is A Powerful Deceiver) | 3:39 |
2-5 | Brett Marvin & The Thunderbolts– | Blow Me Down | 3:12 |
2-6 | Jo-Ann Kelly– | Baby What You Want Me To Do | 2:12 |
2-7 | Stray (6)– | As Long As You Feel Good | 3:51 |
2-8 | Kursaal Flyers– | Yellow Sox | 3:24 |
2-9 | Byzantium (2)– | It Could Be Better | 3:12 |
2-10 | Bearded Lady– | Midnight Flight | 3:55 |
2-11 | Razorbacks– | Jailbreaker | 4:23 |
2-12 | Chas & Dave*– | One Fing 'N' Anuvver | 3:49 |
2-13 | Stretch– | Why Did You Do It? | 3:33 |
2-14 | Fox (3)– | For Whatever It's Worth | 2:51 |
2-15 | The Count Bishops– | I Ain't Got You | 1:51 |
2-16 | Sean Tyla & His Gang*– | Midnight Moon | 2:48 |
2-17 | Eddie & The Hot Rods*– | Writing On The Wall | 2:43 |
2-18 | The Jess Roden Band– | You Can Leave Your Hat On | 4:05 |
2-19 | Strapps– | Schoolgirl Funk | 4:27 |
2-20 | Thin Lizzy– | Romeo And The Lonely Girl | 3:59 |
2-21 | Heavy Metal Kids– | She's No Angel | 3:39 |
2-22 | Supercharge (2)– | You've Gotta Get Up And Dance | 2:57 |
2-23 | The 101'ers– | Keys To Your Heart | 3:43 |
2-24 | The Gorillas– | She's My Gal | 2:49 |
3-1 | Moon (28)– | Don't Wear It | 3:30 |
3-2 | Chris Spedding– | Bedsit Girl | 2:02 |
3-3 | Gonzalez– | Brandy (You're A Fine Girl) | 3:18 |
3-4 | Cado Belle– | Stone's Throw From Nowhere | 4:49 |
3-5 | Elvis Costello– | Radio Sweetheart | 2:29 |
3-6 | Graham Parker & The Rumour*– | Back To Schooldays (live) | 2:46 |
3-7 | Dave Edmunds– | Get It | 2:21 |
3-8 | The Jam– | Slow Down | 2:39 |
Darts | Daddy Cool/The Girl Can't Help It | (2:31) | |
3-9.1 | – | Daddy Cool | |
3-9.2 | – | The Girl Can't Help It | |
3-10 | Clover (3)– | Ain't Nobody Own Nobody's Soul | 3:50 |
3-11 | The Pleasers– | Rock 'N' Roll Radio | 2:40 |
3-12 | Philip Rambow– | Young Lust (Demo Version) | 4:58 |
3-13 | Chris Rea– | Fool (If You Think It's Over) | 4:44 |
3-14 | Ian Gomm– | Come On | 2:51 |
3-15 | Billy Bremner– | The Creature From The Black Lagoon | 4:06 |
3-16 | Matchbox (3)– | Gunning For The Dog | 2:29 |
3-17 | The Pirates (3)– | Shakin' All Over (1978 Studio Version) | 2:59 |
3-18 | Sniff 'n' the Tears– | Driver's Seat | 4:01 |
3-19 | The Fabulous Poodles*– | Mirror Star | 4:31 |
3-20 | Meal Ticket (2)– | The Shape I'm In | 4:06 |
3-21 | Squeeze (2)– | Goodbye Girl (UK Single Version) | 3:04 |
3-22 | Streetband– | Loud Music | 2:59 |
3-23 | The Merton Parkas– | You Need Wheels | 2:45 |
3-24 | The Inmates (2)– | Dirty Water | 3:03 |
Credits
- Liner Notes, Compiled By – David Wells (2)
- Mastered By – Simon Murphy
- Reissue Producer – David Wells (2), John Reed
Notes
Includes 48 page booklet
Discs in cardboard sleeve
All contained withing cardboard sleeve
Tracks 1-2, 1-4, 1-9, 1-11 to 1-14, 1-16, 2-4, 2-6, 2-9, 3-6, 3-11, 3-12, 3-15 previously unreleased
Discs in cardboard sleeve
All contained withing cardboard sleeve
Tracks 1-2, 1-4, 1-9, 1-11 to 1-14, 1-16, 2-4, 2-6, 2-9, 3-6, 3-11, 3-12, 3-15 previously unreleased
Barcode and Other Identifiers
- Barcode: 5 013929 187429
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Surrender To The Rhythm The London Pub Rock Scene Of The Seventies (3×CD, Compilation) | MSI (2), Grapefruit Records | MSIG 1397-9, CRSEG074T | Japan | 2020 |
Recommendations
Reviews
- A great 3CD compilation of the rootsy, down-to-earth London-based Brit bands from 1970s. I never listened to this stuff as a teenager back in 1974, 1975 - it was either all the arty UK progressive bands for me, or bluesy hard rock / heavy metal - pre-punk. Most kids back then didn't know about the various 1970s European musical styles - quirky French Zeuhl music, Krautrock, Italian classical-influenced progressive, Scandinavian rock, etc, so you just bought what was available in your local record shop that looked interesting - hence all the elaborate gatefold sleeve art. If you wanted something more American-sounding, then you bought records by American rock bands or the famous, mainstream singer-songwriters, whose records were very easy to find in UK shops back then. Typically, they didn't have fancy sleeve art - so you ignored them. Teenagers didn't want to listen to songs about Bob Dylan's marital problems.
Jump forward nearly 50 years, and I have a hard time today listening to the likes of Yes, Genesis, ELP, with their keyboard-centered pompous music, despite them being fine musicians, and I do still admire them for expanding on what rock music could do. I still love 1970s hard rock from all over the globe, but these London based pub rock bands, many of whom were not that well known back then, had maybe the best home-grown take on essentially American early rock styles, without the overblown musical concepts that quite a few Brit bands were prone to mid-1970s - that's the European, classical music influence - everyone's a composer. America had jazz. Keep it simple, stupid, but also have the musical chops to deliver, preferably on a nice-sounding, rhythmic guitar, with keyboards or piano mostly in the background, if at all.
I like to listen to this music when I'm driving. Even today, it's still an overlooked musical style from England that never gained the publicity or the sales of the big progressive, heavy metal, or punk bands of the 1970s. The pub rock tag is a bit of a misnomer - it's not boozy music - it's just that most of these bands found a receptive audience and a place to play in local bars, with people who didn't really care to watch a full-blown show with all the lights and expensive sound systems. You could drink and dance to the music if you so wished. A much better alternative to 1970s discos, full of tedious, top-40 dance music - the only good thing there was looking at the girls in spandex pants and crop-tops. Give this compilation a try for entertaining music that's not overblown concepts, wimpy singer-songwriter, faux-rural folk, or in-your-face noise/aggression.
I like that this compilation also got a release in Japan - where the music fans really love most of the UK music styles, hunt down the more collectible issues, and reissue the better-known LPs. They appreciate this music more than most Brits, I think.
Release
For sale on Discogs
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