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Fanning The Flames

Maria Muldaur Format: Audio CD

4.1 10 ratings

$11.70

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Maria Muldaur
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Track Listings

1	Home of the Blues
2	Fanning the Flames
3	Trust in My Love
4	Somebody Was Watching Over Me
5	Heaven on Earth
6	Stand By Me
7	Talk Real Slow
8	Stop Runnin' from Your Own Shadow
9	Can't Pin Yo' Spin on Me
10	Brotherly Love
11	Well, Well, Well
12	Strange and Foreign Land

Editorial Reviews

Maria's deep-rooted gospel/blues singing style comes alive on her new Telarc Blues release. Her unique blend of blues, R&B, Memphis sounds and New Orleans influence can be heard on "Stand By Me," "Somebody Was Watching Over Me," "Fanning the Flames" and a cover of Bob Dylan's "Well Well Well."

Product details

Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 5.79 x 5 x 0.39 inches; 3.74 Ounces
Manufacturer ‏ : ‎ Telarc
Item model number ‏ : ‎ 2023520
Original Release Date ‏ : ‎ 1996
Date First Available ‏ : ‎ July 26, 2006
Label ‏ : ‎ Telarc
ASIN ‏ : ‎ B000003D5G
Number of discs ‏ : ‎ 1

Best Sellers Rank: #75,320 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #2,183 in Dance Pop (CDs & Vinyl)
- #2,528 in Blues (CDs & Vinyl)
- #3,817 in Folk (CDs & Vinyl)

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4.1 10 ratings

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*watergatejim*

Maria Fans the Flames Again

Reviewed in the United States on November 28, 2014

Verified Purchase

Have known Maria since her "Midnight at the Oasis" days. She keeps Roots music, Americana, blues, and regional music
like the sounds of the bayou alive. She deserves a lot more credit than she has gotten. Telarc is noted for its superior sonic
quality and this album is highly recommended.

3 people found this helpful

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Stcoleridge

Blues in the Skies

Reviewed in the United States on March 25, 2016

Verified Purchase

A featured album on British Airways playlist recently, which made the flight go exceedingly well.

Helpful

Gregor von Kallahann

Cooking On The FLAMES

Reviewed in the United States on January 24, 2013

Several years ago at Thanksgiving I was driving around my hometown in Maine and listening to a seemingly hip sounding station out of Portland when they started to program a series of "turkeys" in honor of the day. Well, among these tunes was Maria Muldaur's "Midnight at the Oasis," and the indignation I felt on the singer's behalf actually kind of surprised me. I wasn't all THAT big a fan of the tune myself--and I always kind of thought it was a shame that this novelty number cemented this rootsy, stylish singer's reputation for good (for a great many listeners).

I know, I know: more than likely, she was cryin' all the way to the bank. Still it must be a little frustrating for a serious singer to be associated so closely in the popular imagination with a quirky novelty number that doesn't even begin to suggest his or her full range (ask Joan Osborne, ask Louden Wainwright or Cyndi Lauper--or Rosemary Clooney if you have mediumistic talents).

Fans who actually listened to Muldaur's complete albums would hardly be surprised that even after her star faded a bit and she was no longer on a major label, she continued to soldier on, releasing an array of roots oriented albums in various genres. As her voice deepened and started to develop a kind of bluesy rasp, it was hardly surprising that she'd focus a lot more on that genre. What may surprise some fairweather fans is just how good she is in that field. If she sounded sly, seductive but just a bit "girlish" on her '70s sides, she sounds just as sly, just as seductive but a heck of a lot more worldly and worldy wise in her latter day efforts.

It's not surprising that she got Bonnie Raitt to collaborate with her on one tune on this album ("Somebody Was Watchin'"). FANNING THE FLAMES is actually somewhat reminiscent of a Bonnie Raitt album--eclectic, yes, but with a firm footing in the blues. And as Raitt often does, Maria assembles a roster of guest artists whose presence only adds to the music's richness and authenticity. There's nothing gimmicky about the contributions of Raitt, Mavis Staples or Johnny Adams--even the back up is all star, featuring such greats as Tracy Nelson and Ann Peebles (who guest--along with Mavis and others--on the aformentioned "Somebody Was Watchin', making for a quintuple threat or treat).

Maria would go on to do even rootsier projects (such as RICHLAND WOMAN'S BLUES), which would prove to be just as admirable, if not more so. Still there's something about the tight electric blues and blues rock of this record that I find exhilarating.

4 people found this helpful

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David L Hutchins

Not As Good As Other Muldaur Blues Albums

Reviewed in the United States on April 6, 2006

I can't quite put my finger on it, but this album just isn't as good or as entertaining as other Muldaur albums. For a top Muldaur blues album, I recommend "Meet Me Where They Play the Blues" or "Richland Woman Blues". Muldaur has explored several different styles of music, including doing some pretty good children's albums. She rarely disappoints and this is my 8th Muldaur album. It is the least enjoyable of all of the ones I have. I guess every good artist has an "off" album. I guess this one is Maria's. In all fairness, perhaps I just don't like this type of blues as much as some of the other styles that she has explored. For example, Richland Woman Blues is early blues (20's/30's); Meet Me Where They Play the Blues is a tribute to Charles Brown and his style. Each period or style that Muldaur covers has a somewhat different sound and I guess it depends on your own personal tastes. In any case, I wouldn't recommend this as a first album to explore Muldaur's talent, as it would be a disappointment to anyone not familiar with her work as a whole. Not a bad album; just nothing very memorable or that interesting.

2 people found this helpful

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Grant Gutermuth (gutent@hgea.org)

Not the same sound.

Reviewed in the United States on August 30, 1998

I love the sweet voice and easy falsetto of the early Muldaur. After one listening, I gave this album away.

2 people found this helpful

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R. Harris

Variable

Reviewed in the United Kingdom on March 19, 2014

Verified Purchase

As much as I like MM I have to say that after a while her voice does begin to "grate". Having seen her live with Bill Wyman only a couple of months ago I enjoyed her performance - but after a couple of songs I'd had enough and yearned for a bit more "range" and diversity. This album is a tad too long with too many "throwaways" to do it justice.

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