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The Tiger in the Smoke Hardcover – May 16, 2017
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Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.
Meg Elginbrodde, a young war widow, receives photographs that suggest her husband is still alive so she enlists the help of her cousin, Albert Campion to investigate. The man in the photographs turns out to be a known felon, ‘Duds’ Morrison. Meg’s jealous fiancé, Geoffrey Levitt, accosts Duds but both men are attacked by a criminal gang posing as a rackety street band. Meanwhile, Meg’s father, Canon Avril, a gentle priest, wonders how Duds came to be wearing Meg’s husband’s coat. A tortuous trail leads through the oppressive London fog to Jack Havoc, a violent murderer. Set in a dingy and damaged post war London this is Allingham’s most sophisticated novel which examines the very nature of evil.
With an introduction by the New York Times-bestselling author of detective fiction, Sara Paretsky.
- Print length288 pages
- LanguageEnglish
- PublisherMacmillan Collector's Library
- Publication dateMay 16, 2017
- Dimensions4.05 x 0.85 x 6.2 inches
- ISBN-101509826785
- ISBN-13978-1509826780
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Product details
- Publisher : Macmillan Collector's Library; Main Market Ed. edition (May 16, 2017)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 1509826785
- ISBN-13 : 978-1509826780
- Item Weight : 7 ounces
- Dimensions : 4.05 x 0.85 x 6.2 inches
- Best Sellers Rank: #1,120,750 in Books (See Top 100 in Books)
- #14,682 in Murder Thrillers
- Customer Reviews:
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About the author
Margery Allingham was born in Ealing, London in 1904 to a family immersed in literature. Her first novel, Blackkerchief Dick, was published in 1923 when she was 19. Her first work of detective fiction was a serialized story published by the Daily Express in 1927. Entitled The White Cottage Mystery, it contained atypical themes for a woman writer of the era. Her breakthrough occurred in 1929 with the publication of The Crime at Black Dudley. This introduced Albert Campion, albeit originally as a minor character. He returned in Mystery Mile, thanks in part to pressure from her American publishers, much taken with the character. Campion proved so successful that Allingham made him the centrepiece of another 17 novels and over 20 short stories, continuing into the 1960s.
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Written in 1952, the story is interesting for its insight into aspects of life in post-war London. Some of the references, and much of the slang, will be lost on young, and non-British, readers. It will also perpetuate the myth of London being permanently fogbound. Present-day London hardly ever experiences fog, but in the fifties, when it was still an industrial city and suffered heavy smogs, it was commonly known as 'The Smoke', hence the book's title.
In truth, the author's grasp of underworld culture is somewhat shaky. She doesn't get the language or the behavior quite right. She was from the rural English midlands and from a different social class, so this is very much an outsider's view.
The intriguing story and the intense drama are what make this book worthwhile. It is well written and one episode, Lugg's driving through the fog, is hilarious. He wonders aloud at one stage whether he is approaching a traffic island or the side of a bank building. The villain, Havoc, is memorable. Oddly, there is no one, central hero. That role is shared between three or four characters. Campion himself is incidental.
My one complaint about the plot is that it relies on a very remarkable coincidence, which is something that always undermines credibility. But if you are willing to accept it (and remarkable coincidences do occur in real life) then you can relax and enjoy this first-rate thriller.
If you do enjoy "Tiger in the Smoke", you might also like Graham Greene's "Brighton Rock", which features the razor gangs of pre-war Brighton, and which has an equally memorable villain.
For some reason, I’d gotten away from the Golden Age and lately have been reading Victorian and modern mysteries. But “Tiger” is one of the books on HRF Keating’s list of 100 best mysteries that I hadn’t read so when a friend pointed out this kindle book for $2.99 I picked it up. A few pages into “The Tiger in the Smoke”, I remembered why Golden Age was my genre of preference. Most of what I’ve read over the past couple of years pales in comparison.
First of all the “cozy mystery thriller” label on this is completely misleading. Undoubtedly, some Golden Age mysteries, especially some from Christie and Heyer, qualify as cozies but “Tiger” is very atmospheric with tension that can be oppressive at times. It also had more (off stage) violence and threat of violence than is common in a “cozy”. Like most Golden Age mysteries it is filled with interesting, quirky characters and a bizarre seemingly senseless little puzzle that is actually complex and gradually revealed. If anything it reminded much more of John Dickson Carr/Carter Dickson than a cozy. Like Carr, this story does not focus on Campion (in fact he is not the driving force in the story) but is told from the varying perspectives of different characters.
Allingham does create some very ornate prose which some modern readers may not enjoy. It wasn’t constant but it was noticeable. An example: “Some resourceful policeman had unearthed one of the old naphtha flares which are the only real answer to fog. Like a livid plume, it spat and hissed above the heads of a knot of men in the chasm, its vigorous smoke trail mingling with the other vapours, making Rembrandtesque clouds above them.”
“The Tiger in the Smoke” is a nice Golden Age mystery that I enjoyed a lot. I’m looking forward to another Allingham on Keating’s list “More Work for the Undertaker”.
Top reviews from other countries
Allingham grasps the male psyche pretty well. At least her writing is free of the foolish girlie notions of many female writers.
I liked the way Allingham suggested or insinuated, making the reader work to earn his understanding, especially the nature of Mrs. Cash and the true identity of Jack Havoc.
The ending maintained suspense right to the end, despite being pretty unrealistic. It reminded me of “Brighton Rock” and Pinkie, “hard all the way through”, like Havoc who prides himself on never going soft.
The character of Avril was particularly interesting and well done: a man of the church who is not wracked with guilt, nor full of boring doubts, but an “absent-minded professor”-type who nevertheless possesses the insight into human nature of a Father Brown.
I’m shocked that I had not read her before though I knew the name. There is a black-and-white 1956 movie of this story, if you can find a copy.