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A Perfect Ending
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Additional DVD options | Edition | Discs | Price | New from | Used from |
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February 11, 2013 "Please retry" | — | 1 |
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Product Description
Product Description
This opposites-attract, edge-of-your-seat lesbian romance is a glossy, sexy and fun romantic drama guaranteed to earn a fresh array of fans for veteran writer-director Nicole Conn (Elena Undone, Claire of the Moon)! She's elegant, wealthy and proper - an upstanding wife and mother with three grown children, a swanky estate and a horrible husband. But when Rebecca confesses to her friends about her unsatisfactory love life, they set her up with an exceptionally talented high-class call girl named Paris - and, needless to say, the lives of both Rebecca and Paris are changed forever. Filled to the brink with aching desire, the sexual chemistry is off the charts between '90s TV icon Barbara Niven as the beautiful blond client and actress Jessica Clark (True Blood's Lilith) as the smokin' hot hooker who truly does have a heart of gold. Grappling with a veritable soap opera of family drama at home, Rebecca escapes into the oasis of her encounters with Paris. Meanwhile, outside of her lucrative sex-worker day-job, Paris is a struggling artist with troubles of her own. Featuring a bold, beautiful, unleashed performance by Barbara Niven and a star turn from Jessica Clark, a Perfect Ending also boasts the fabulous Morgan Fairchild as the presiding madam of ill-repute and the talented John Heard as Rebecca's husband.
Review
"The sexiest lesbian film of 2012." Curve Magazine --Curve
About the Director
NICOLE CONN Writer, Director, Editor Nicole Conn has been a die-hard romantic and black and white film fan from the age of ten. Her penchant for adult and dramatic story telling is evident in her latest feature film Elena Undone, touted as sexy and smart. Elena Undone was a hit on the film festival circuit, is a bestselling women s DVD, and is popular on ITunes and other streaming sites around the world. Conn s passion for film carried her through her first feature where she single-handedly raised the money, wrote, directed and produced (along with Pam Kuri) Claire of the Moon, the maverick film about a woman s journey to her sexual identity. The film garnered rave reviews and paved the way for lesbian themed cinema in 1991. Also, Conn was a finalist in the prestigious Academy of Motion Picture Arts and Science s Nicholl Fellowships in Screenwriting for her creation of Claire. She followed this projects with the award winning short film, Cynara...Poetry in Motion. In 2005, Conn wrote, directed and produced the documentary Little Man, about her own premature son born 100 days early and only weighing one pound. The feature documentary went on to win 12 Best Documentary Awards, along with the prestigious Cedar Sinai s Courageous Beginnings Award and Family Pride s Family Tree Award. The film made three TOP TEN FILMS OF 2005 list and Showtime picked up the feature and ran an Emmy campaign on this hard-hitting story. Well known for her speed, quality and prolific ability to write in many genres, Conn has written five novels, a parent s guide, two teleplays, nine screenplays, and has produced four soundtracks. She currently resides with her six children in Los Angeles.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.58 x 7.61 x 5.24 inches; 2.56 ounces
- Item model number : 5040
- Director : Nicole Conn
- Media Format : Closed-captioned, Color, NTSC, AC-3, Dolby, HiFi Sound, Full Screen, Surround Sound, Widescreen, Multiple Formats
- Run time : 1 hour and 46 minutes
- Release date : February 5, 2013
- Actors : Barbara Niven, Jessica Clark, Morgan Fairchild, John Heard
- Studio : Wolfe Video
- ASIN : B00AFDN5Y0
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #48,803 in Movies & TV (See Top 100 in Movies & TV)
- #115 in LGBT (Movies & TV)
- #8,615 in Drama DVDs
- Customer Reviews:
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Top reviews from the United States
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Secondly, "A Perfect Ending" provides an entire range of potent emotion, from the poignant to the erotic. If you're ready to be transported emotionally, this IS a film you can't afford to miss. Guys will probably not get this, though.
Thirdly, it is not, IMHO, just another "lesbian film." To label it as such and nothing more is to do an injustice not only to writer/director Nicole Conn and the stellar cast and all those involved in the project, but to all those women "out there" who NEED to see the film, because it is, in so many ways, EVERY woman's story on some level.
If you are stuck in a situation, a relationship, a job, a state of mind--any of these things or countless others that tie you up and confine you--then you, too, are on a similar journey as Rebecca must travel. If you are facing your own mortality and have any regrets, this is your story, too. If you feel powerless, then come watch how Rebecca finds her own power. If your whole life you never felt thin enough, smart enough, pretty enough, rich enough, good enough, then you will identify with Rebecca (and surprisingly, the beautiful Barbara Niven who plays her). If you've been wounded, are feeling vulnerable, come see how Paris and Rebecca heal one another's wounds.
AND If you have never had an orgasm, you'll know exactly how Rebecca feels, and you will soar with her when she finally achieves release in the single most erotic love scene I have ever experienced. Nicole Conn holds nothing back, and yet it is not even close to pornographic because it's not about the actual sex (although that is incredibly-well-depicted and tastefully handled!), but rather, it is about how we as women respond to making love--on a profound emotional level. Rebecca's reaction, as portrayed by the incomparable Barbara Niven, will absolutely take your breath away. This is not of the "When Harry Met Sally" lusty "Yes. Yes. Yes." ilk. YOU MUST SEE IT to absorb the impact. You will be aroused and satisfied with this utterly mesmerizing sequence.
Finally, there are multiple themes running through the storyline. It is a complex tale with interleaving elements (over-simplified definition borrowed from computer science = alternating layers/non-contiguous) that Nicole Conn has brought together. She connected the dots beautifully. Think impressionist paintings, dots of color seemingly disconnected. Up close they don't make much sense. But step back and the spaces between the dots disappear and the image emerges before your eyes, as if by magic. Paris even explains her pointillist (post-Impressionist) artwork to Rebecca. A point here, a point there and there and way off to the side, a bigger point, then a darker point--these all have very little meaning in themselves, but when seen in relation to the whole, clarity comes.
This is a profound truth. All the seemingly disparate pieces of our lives actually do make sense with the perspective of distance. And time. But as the white box that Nicole Conn uses with such effectiveness showed, enough distance and we ourselves become a dot in a greater picture.
It's also a story about taking risks, emotionally, physically. And for me, the over-riding theme is that of metamorphosis. Paris begins the film as a high-class call girl. Rebecca gives her the courage to live her passion. Depending on your age you will likely identify with one character more than the other. Former model and up-and-coming actress Jessica Clark is the Yin to her co-star's Yang. If you are of a certain age, you will be entranced by Barbara Niven's artistry as she makes this metamorphosis happen for the character she brings to life. You will love and identify with Rebecca. But you will probably fall in love with Barbara Niven, if you haven't already. You've been warned. :)
So watch this art film for its imagery viewed in flashes. There IS meaning in them and you will understand it after absorbing the whole of the story. From the patina on the bronze statues at the opening, foreshadowing the ending, to the bright flashes of color and texture as Rebecca is about to emerge from her cocoon, all these "dots," these pieces, combine with the "stuff" happening with Rebecca's family. And when the film is over and the credits roll, the images will start to make sense (once you start breathing again). And you'll want to watch it again and again until you've connected all the dots yourself.
The ending is poignant, uplifting, satisfying and perfect. You'll have to see it to understand. It is unequivocally NOT, as some reviewers have said, depressing. It is filled with hope, with possibility and redemption. It's only depressing when viewed through a shallow, simplistic, monochromatic lens.
I wept off and on for the rest of the day after watching it through once, re-watching it, then fast-forwarding to the main love scene and the subsequent, although no less revealing, intimate scenes.
A Perfect Ending was a genuine privilege to experience, and I am forever changed by it.
Run, don't walk, to see it, own it, devour it.
SPOILER:
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For the answer to what the heck Morgan Fairchild's character is doing with all the Barbie Dolls, take note of how the doll she's working on is attired when Paris wants to quit. Nicole Conn knows how to use detail to perfection.
Nicole Conn, on to the next please!
Top reviews from other countries
Hut ab vor den wundervollen Schauspielerinnen Barbara Niven und Jessica Clark, Regisseurin Nicole Conn hätte keine besseren Darstellerinnen finden können. Vom ersten Moment an stimmt die Chemie. Die Intensität der Gefühle, der Bilder, das eigene Überwältigtsein als Rebecca erst das eine findet und dann auch die Leidenschaft. Dieser Prozess, eine Hemmung nach der anderen zu verlieren, loszulassen und sich selbst zu finden wie auch Paris ihre professionelle Distanz aufgibt und sich verliebt, das ist berührend und einfach schön. Es zauberte ein Lächeln auf mein Gesicht, danke an Jessica Clark und Barbara Niven.
Rebecca has lived a Stepford wife existence in creating a perfect family with her husband Mason Westridge (John Heard). The only signs of troubles are their hostility towards each other and a differing in opinion that Jessica (Kerry Knuppe), their only daughter, does not get stock shares of the family business. I watched this film several times to understand the issues raised in it. I felt that the deeper issues of rape, step children's rights and paternal hierarchical power imbalances were not addressed enough. Why raise them ? It was almost like having crumbs left on a plate of what should have been cordon bleu fayre.
Rebecca feels an emptiness and confides in her two lesbian 'besties', Sylvie and Shirin, that she has never climaxed during the act of sex and that she and Mason only do it once every six months, which suits her well. One of her friends suggests that she try a very discreet escort service run by her own cousin Valentina (Morgan Fairchild).
It is then that Rebecca meets Paris and through a series of very discreet meets in a fancy hotel room. At first the very nervous Rebecca tells Paris to leave. The scenes of how Rebecca builds up confidence to see Paris is hilarious. The build up to this is very entertaining.
Although on the surface the 2 women look like they are very together they are both losing the battles of life in getting to a point of satisfaction in life. Paris who is well appreciated by other male clients for her services, seems to be in quiet agony over a past mistake that had led her to this profession. It's implied that Paris' husband died after being hit by a car shortly after their wedding day. It is Rebecca who later helps Paris to let go of the past and heal.
That's the whole point of the film. Much of it is centred around implications. The chemistry between the 3 children who are depicted in their 20s I think is great. They are awkward as a group, almost teenage like but bonded. I thought the capture of the group dynamics for them was good. At the height of all these, the three Westridge children finds the medical document that certifies the melanoma cancer in an inoperable stage that Mason Westridge has been hiding in his office desk. They confront Rebecca and ask if she had known about it all along. The implication is that Mason is the one suffering.
The film tries to use 'Pointelism' as a backdrop for imagery and story telling. Although it is predictable and sometimes cheesy in places. As well as this it glorifies the escort agency industry however you cant help not wanting to spend time with either of the 'heroines' in this. Barbara Niven's character Rebecca who you just want to shake let alone help her to climax and Paris who you just want to stare at as the film is worth it even if you just want a glimpse at what an amazing body Jessica Clarke has !!