Since their beginnings in 1979, George Miller‘s hyper-jacked Mad Max movies with Mel Gibson had not received a single Oscar nomination, not even for Tina Turner’s great signature song “We Don’t Need Another Hero” in 1985’s Beyond Thunderdome.
But then, 30 years later, when finally the fourth and Gibson-less edition appeared, the snooty Academy got on board and gave the newly regenerated Mad Max: Fury Road 10 nominations including for Best Picture and Director.
It won six of them, virtually sweeping the crafts categories. Nine years later comes a prequel, Furosia: A Mad Max Saga, and Miller, now seemingly ageless at 79 (he was 34 when the first one came out) has perhaps given birth to the greatest Max yet, a wheels-up, rock-and-rolling epic that delivers the origin story of the title character Charlize Theron picked up in Fury Road when she was about 26.
That movie only covered about three days total. Here, in a story spanning 15 years, we meet Furiosa as a 10 year old (Alyla Browne) living in the Green Place of Many Mothers, about as idyllic a life as you might find in this dystopian post-apocalyptic world where violence and futuristic warriors rule the landscape.
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