Synopsis
The dynamics of a multicultural class and its teacher will enlighten.
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
François Bégaudeau Arthur Fogel Damien Gomes Esmeralda Ouertani Rachel Regulier Louise Grinberg Rabah Nait Oufella Franck Keïta Agame Malembo-Emene Angélica Sancio Boubacar Toure Burak Özyilmaz Carl Nanor Cherif Bounaïdja Rachedi Dalla Doucoure Eva Paradiso Henriette Kasaruhanda Juliette Demaille Justine Wu Laura Baquela Lucie Landrevie Nassim Amrabt Qifei Huang Samantha Soupirot 黄薇 Cécile Lagarde Anne Langlois Jean-Michel Simonet Olivier Pasquier Show All…
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The Class is an excellent film that explores the difficulties of being a teacher. The whole film takes the point of view from the side of the teacher, and I found this to be interesting as most films would take on the student's point of view in order for the audience to easily relate. The Class successfully made me sympathise and empathise for the struggles that teachers have to go through. The film also accurately depicts students quite accurately and not be boxed in by the stereotypes that are commonly found in school student characters.
The film's cinematography takes a hand-held approach, giving the audience a more personal view of the…
A thriller without actual thrills, The Class is a breathless, symbolic tale that views French society within the confines of a tension-filled public school classroom. It's admirable for asking the essential question: Can education bridge the economic and racial gaps?
Based on leading man François Bégaudeau's real-life experience as a public school teacher, The Class shines its spotlight onto a group of unruly teenagers caught up in a powder keg of an education system that's bound to explode sooner or later. Director Laurent Cantet's documentary-style filmmaking ensures the utmost realism out of this experience, and both the beauties and bloodsheds of such a tricky situation are captured with charm and faith. The moral ambiguity serves as the ultimate punchline of the story, where no one wins but a perpetual vicious circle. Highly recommended.
This one really surprised me. It made me think of a lot of the teachers that made a huge impact on my life. The way these actors are able to bring the dialogue to life is especially impressive. The words overlap effortlessly, and while it sounds overwhelming at times, it never feels out of control. Feels super realistic and immersive.
At first, I was concerned about how most of the film takes place in a single classroom. Like, what kind of plot can you have if you're just filming some teacher teaching random students about grammar? But, the real meat of the story is the relationship between the teacher and his students. Each student feels unique and fleshed out, which is no small feat given the size of the classroom.
Overall, super fast-paced and engaging. Not the happiest ending, but it gave me a lot to think about it.
The Class, winner of the Palme d'Or at the 2008 Cannes film festival, is a film where I either missed or didn't get the point. I say either/or because I wanted to admit ahead of time that I could be wrong. Based on the description on the back of the DVD case I wrongly assumed this would be another teacher takes on a class of troubled inner-city youth and turns them around type films. I was right only in regards to the teacher taking on a class of troubled inner-city youth. That's where I didn't get the point. The teacher didn't seem to accomplish anything in my opinion. The situation portrayed in this film is typical in thousands of schools…
One of the most valuable and relevant life lessons that my University has taught me is the purpose of education itself. Education is a dialogue between equals, in which the professor is obligated to lower himself to the intellectual level of his students, "lower" not in the sense of superiority, but of capacity and experience. This dialogue consists in sharing the pieces of truth that every single individual, students and teachers alike, have gathered in their lives. "You give me your truth. I give you my truth. Together, let's construct a more complete truth". I reiterate, such is the purpose of education.
Entre les Murs succeeds in every single aspect that The Freedom Writers (2007) sucked at: realism, seriousness, accuracy…
I have a lot of respect for teachers, partially perhaps because my mum used to be one, but also because it's such a demanding job despite not being particularly valued. There are of course bad teachers and bad people who are teachers, but that's true in most walks of life. One thing I like about The Class is how it presents a very raw look at teaching, a profession so often reduced to stereotype and ridicule in cinema, and gives us a real sense of the decisions and frustrations that teachers face.
The Class is a realist work, mostly confined to one classroom and never leaving the school. The camerawork is done in such a way that there never seems…
This is not your typical White Savior/Magical Teacher Movie because the teacher we follow, Professor Francois Marin, doesn't fundamentally change the class or a student's path, he's just trying to do his job. It's a bit more realistic, he sees potential in some of his students but this isn't the movie where the rascal who is close to getting expelled all of the sudden ends up graduating with honors thanks to the guidance of the teacher.
I went to school in Paris in a neighborhood similar to this one and found the interactions incredibly realistic, I could relate a lot of the students and their behavior to some of my actual classmates. There is a deliberate choice to keep all…
un métier sérieux mais en mieux, j’étais absorbée par leur quotidien pendant deux heures et maintenant je suis nostalgique même des profs chiants
If I hadn’t known better, I would have thought this film was a documentary. Really naturalist direction makes for a touching two hours. Brilliant blend of fiction and reality and fantastic child performances. (Are they even performing? Having to ask that question makes this all the more clever.)
I think, of all the wonderful subtle moments in this film, the one that stands out the most is a small exchange at the end. M. Marin is asking what his students learned during the year, and a shy girl quietly admits that she learned nothing. Cantet makes known that this is not a typical movie in which the teacher saves the lives of all his students and inspires them to be life long learners. Its an honest, true moment in the film that I really appreciated.
Great, deserved Palme D’Or winner that I will gladly revisit in the future.