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The Testing of Luther Albright: A Novel Paperback – July 25, 2006
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“A sophisticated novel that breaks and swells the heart. A sure-footed excavation into the nuances of everyday terror—the kind that turns devotion into despair, trust into treachery, love into loss. Its pull is irresistible.” — Toni Morrison, winner of the Nobel Prize for Literature and author of Song of Solomon
“Quietly absorbing . . . the slow pileup of events takes on unexpected, if mild urgency . . . wholly original and convincing.” — New York Times Book Review
Luther Albright is a builder of dams, a man whose greatest pride (besides his family) is running his hands over the true planes of the house he built himself and knowing that he’s constructed something that will shield and shelter them from harm.
A relatively minor incident -- an earthquake that shakes his Sacramento home—reveals fault lines and cracks in the facade of his family. His teenage son’s behavior becomes increasingly bizarre and threatening, his devoted wife more distant, and then a dam of Luther’s design comes under investigation for structural flaws exposed by the tremors. In the midst of his heartbreaking family dissolution, Luther must battle against the need to withhold his emotions and push his family even farther away.
Nightmarish meanings begin to shout at Luther from the most innocent of places as debut novelist MacKenzie Bezos tightens her net of psychological suspense around the reader with bravura skill. In the spirit of Rosellen Brown and Alice McDermott, this is a harrowing portrait of an ordinary man who finds himself tested and strives not to be found wanting.
- Print length272 pages
- LanguageEnglish
- Publication dateJuly 25, 2006
- Dimensions0.61 x 5.31 x 8 inches
- ISBN-100060751428
- ISBN-13978-0060751425
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Editorial Reviews
Review
“Bezos has produced a rarity: a sophisticated novel that breaks and swells the heart….sure-footed…compelling….irresistible.” — Toni Morrison
“In her chilling first novel Bezos puts her hero under the microscope. . . . A masterful debut.” — Jane Hamilton, the prise-winning author of The Book of Ruth and Disobedience
“An affecting portrait of a family whose admirable head has one fatal flaw...A self-assured, distinguished debut.” — Kirkus Reviews
“A nuanced, emotionally charged first novel.” — Booklist
“[An] impressive, quietly powerful debut... Bezos captures the extraordinary in the ordinary, revealing a startling talent for naturalism.” — Publishers Weekly
“Bezos refreshingly resists tying the story up neatly at the end. Quietly heartbreaking...just as real life often is.” — BookPage
“Outstanding. . . . Bezos lays bare the inner life of the repressed American Everyman in [an] exquisite, excruciating portrait.” — Entertainment Weekly
“A memorable debut.” — The Sunday Oregonian
From the Back Cover
Luther Albright is a devoted father and a designer of dams, a self-controlled man who believes he can engineer happiness for his family by sheltering them from his own emotions.
But when an earthquake shakes his Sacramento home, the world Luther has constructed with such care begins to tilt: his son's behavior becomes increasingly bizarre and threatening, his loving wife seems to grow distant, the house he built with his own hands shows its first signs of decay, and a dam of his design comes under investigation for structural flaws exposed by the tremors. Nightmarish connections begin to whisper at Luther from the most innocent of places as debut novelist MacKenzie Bezos tightens her net of psychological suspense around the reader with bravura skill. This is a harrowing portrait of an ordinary man who finds himself tested and strives not to be found wanting.
About the Author
MacKenzie Bezos lives in Seattle, Washington. This is her first novel.
Excerpt. © Reprinted by permission. All rights reserved.
The Testing of Luther Albright
A NovelBy MacKenzie BezosHarperCollins Publishers, Inc.
Copyright © 2006 MacKenzie BezosAll right reserved.
ISBN: 0060751428
Chapter One
The Research Topic
The year I lost my wife and son, my son performed nine separate tests of my character. One night during Mutual of Omaha's Wild Kingdom, the sofa tipped beneath us, and this is how it began.
"Whoa," he said.
His palms were flat on the sofa cushions. Liz was sitting cross-legged on the floor, and before I could think to stand, she had taken him by the wrist and led him to the shelter of the door frame. She reached to place a hand on his shoulder, and although he was fifteen, this was all it took to get him to follow her into a crouch. In a second, I had joined them there, and as I kneeled, I had to grasp the door casing for balance. Now I noted objects in the room by weight; our distance from windows. I became aware of sounds -- a quick pop that could have been wood or glass; three dull thuds from different corners of the house -- all of it muffled by the persistent rattling of our things: of flatware in drawers and knickknacks on shelves and pills in their bottles.
When the room stopped shaking, we uncovered our heads, and Liz's eyes, which normally ignored the television, turned immediately to it. Jim Fowler was rappelling down a cliff face toward a nest on a narrow ledge.
Elliot stood.
"We should wait here a minute," Liz said.
He crouched again. "It didn't feel very big."
"All the same . . ."
When the condor saw Jim Fowler, it spread its wings, a span the length of a man. Jim wrapped his arms around it from behind, folding them in. His boots dangled in the air. He tagged the condor's ankle, and then opened his arms wide to release it, a burst of feather against the blue sky. As he was hoisted away by the helicopter, the head and shoulders of a local newscaster replaced him.
"We interrupt your regular programming with a special report. An earthquake was just felt in the greater Sacramento area." Her eyes flitted offscreen and back. "We do not yet have any data on the magnitude or the epicenter of the disturbance, but, here in our studio, objects dropped from high shelves." She touched her ear and paused. "The sensation was reportedly felt as far away as Redding, as this caller describes. . . ." From an invisible speaker in the studio came the voice of a Citrus Heights woman explaining that she had been talking to her sister in Redding on the telephone when it happened; her sister had been carrying a mug of hot coffee at the time, and at the exact same moment that the caller heard the tinkling of wind chimes on her own porch, her sister screamed because her coffee had soaked the front of her blouse.
Liz stood and crossed the living room. She had a beauty so striking even I could not recall it fully from morning until nightfall. She was over forty by then, and still people spent the first moments of any encounter with her as they would in a hospital room or a cathedral, their eyes locked first on one feature and then another, trying to decode their composite power. She bent at the waist and picked up a set of proof Kennedy half-dollars that had fallen from the shelf and fingered a crack in the clear plastic case. She and I had met twenty-two years earlier at the Wells Fargo Bank on J Street; she monitored access to the safe-deposit boxes, where I appeared weekly to deposit coins of dubious value. She had thought me an inheritor or a man in the midst of a legal battle until one day she stepped into the vault while I was pulling a small tin of wheat pennies from my coat pocket.
Now she set the cracked case back on the shelf and looked at us, two men she had left in the safety of a door frame. "Come on," she said. "Let's go make sure nothing else is broken."
Elliot led the way. He had grown so much in the last month that from behind he was like a stranger: a thicker trunk, and also a change, from loping to shambling, in his gait. We followed him into the kitchen, and we all three surveyed the room with a sensitivity to disorder we had not felt when we cleared the dinner dishes an hour before. Elliot stooped to pick up a ballpoint pen that may well have been dropped that afternoon. Liz righted things on the counter: a cookbook, an orange that had strayed from an overfull basket of fruit. We had heard no noise that could have come from the direction of the kitchen except that pop, and now I opened cupboards trying to find it. The dishes sat stacked behind smooth oak doors I had purchased twenty-two years ago and waxed with a T-shirt. Little felt pads I had glued to their inner corners let them close without sound.
When Elliot's patience with the normalcy of things ran out, he passed back into the hallway, and again we followed. In the hall above us was a small antique table that I had bought for Liz last fall when Elliot began high school. On it, she kept a potted jade plant, a framed photograph of the three of us in the shadow of Mount Rushmore, and a souvenir core of bedrock, which had rolled from the table to the carpeted floor. We found the other thuds without trouble: a thick book on gardening Liz kept on her small nightstand, and a five-pound hand weight she had set on an ottoman in our walk-in closet. This left only the pop.
When I built the house, I'd left the attic unfinished, and over the summer, Elliot and I had made a project of its completion.
Continues...
Excerpted from The Testing of Luther Albrightby MacKenzie Bezos Copyright © 2006 by MacKenzie Bezos. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Harper Perennial (July 25, 2006)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 0060751428
- ISBN-13 : 978-0060751425
- Item Weight : 8.5 ounces
- Dimensions : 0.61 x 5.31 x 8 inches
- Best Sellers Rank: #1,042,128 in Books (See Top 100 in Books)
- #7,544 in Psychological Fiction (Books)
- #13,665 in Women's Domestic Life Fiction
- #14,459 in Family Life Fiction (Books)
- Customer Reviews:
About the author
MacKenzie Scott is the author of two novels, and the recipient of an American Book Award. She lives in Seattle.
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Luther’s life is falling apart. His son with whom he has always had a close relationship has become belligerent, his wife, Liz is growing distant, and his house, the house he planned and built by his own hand is crumbling, and he cannot find the problem. It all began with the earthquake. No one was hurt, a few things came off the shelves, but nothing serious. Then it all started. Right around the time of the earthquake, Elliott needed to know more about his grandfather for a class paper. Luther is a closed book on this subject, and if we start peeling the layers, we might find something.
Luther narrates this story from his viewpoint, and that may be the only issue I have in this book. I wanted to know more about how Liz felt, and how was Elliott coping. What drove them to the point to separate from Luther, or was there no problem at all? This is a mesmerizing book, the writing is superb, and the final chapter gives nothing away. A novel I will think about for awhile.
Recommended. prisrob 01-13-19
it was very hard for me to relate to luther. he never says what's on his mind, and he constantly struggles to avoid showing any reaction to his son, elliott's, increasingly destructive "tests." the more successful he becomes at hiding his feelings, the more he pushes his family further away.
luther's family life is full of missed opportunities and regrets. if only he had told elliott that his shaved head embarrassed him; if only he had been honest with elliott about what his grandfather was really like and how he struggled to be a different kind of father. luther's wife and son give him chance after chance to be emotionally intimate with them, but his caution prevents him from doing this.
i'm not sure how mackenzie bezos managed to dig so deeply into such a flawed character. i kept asking myself whether she liked luther albright or whether his tale is a warning to the reader.
Luther Albright is a calm, clear-headed civil engineer and designer of dams, who tries to manage or design his life and family like another engineering project---logically---but it doesn't work well!
In this her first novel, MacKenzie Bezos skillfully portrays the internal struggles of a pragmatic and highly introverted man, facing the emotional needs of his family amid his own emotional insecurities.
The story begins in 1983, with flashbacks to the late 1950s and 1960s reflecting on Luther's strange relationship with his parents and his early relationship with the woman he meets and marries.
The author's accurate insights into how many men think and perceive the world and people are both astute and eye opening. This first-person narrative by Luther is his reflective introspective of a pivotal few months that tried and shape his life and influenced the actions and feelings of his wife and maturing son. I found this storyline both entertaining and enlightening, a trait of an insightful literary novel.
Each of us is a "work in process," and this well-written book uses eight parts or "books" that focus on the various trials Luther faces at work and with his wife and son. His problem is that no matter how hard he tries, he seems aloof and insensitive to others while blindly perceiving himself the best employee, husband, and father.
This is no suspense or thriller with lost of action. However, it has it's own slow tensions and conflicts that build amid surprising situations as the plot rushes to several unacceptable potential conclusions. It's easy to see Toni Morrison's teaching influences on this new author's character and storyline development.
Given that the author had been married to Jeff Bezos for 10 years when this book was written, I wondered how it might have been influenced by her then husband's engineering and systematic approaches to life. Hmmm?
I enjoyed the Audible narration to the book, finding added enjoyment to my reading experience.
It was a fast and worthwhile read, and I plan to read the author's more recent second novel soon.
~The Rebecca Review
Top reviews from other countries
It explores the depths of a complex and mediocre being through the permanent questioning of his son. Warmth and details to describe the characters. Mix of images of joy, great sadness and deep pain. I highly recommend reading it, and congratulate Mackenzie for her work.
Mackenzie`s style is intense and wordy, her attention to detail is staggering and the emotional constipation highlights how hard she has had to pick Albright`s brain to create such a unique character. Once you enter the rhythm of her work you become aware it has been over edited. There are changes in time and character links which are abrupt and not in keeping with the author`s tone.
In short this is probably the most important book of modern times and totally understated. You could argue it being more influential than Shakespeare or even The Bible. This book single handedly launched the E.Book revolution. This piece of work is the reason why anybody can write a book and reach a ready audience.
Above all let`s forget about the circumstance and point out that Mackenzie studied under eminent author and prize winner Toni Morrison. So yes, this is deadly serious writing from an author who caused "My chest to fill like a flock of birds."
Brilliant!