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Touching from a Distance: Ian Curtis & Joy Division Paperback – Illustrated, 17 Feb. 2005
The only in-depth biographical account of the legendary lead singer of Joy Division, written by his widow.
Revered by his peers and idolized by his fans, Ian Curtis left behind a legacy rich in artistic genius. Mesmerizing on stage but introverted and prone to desperate mood swings in his private life, Curtis died by his own hand on 18 May 1980.
Touching from a Distance documents how, with a wife, child and impending international fame, Curtis was seduced by the glory of an early grave. Regarded as the essential book on the essential icon of the post-punk era, Touching from a Distance includes a full set of Curtis's lyrics and a discography and gig list.
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About the Author
- Print length240 pages
- LanguageEnglish
- PublisherFaber & Faber
- Publication date17 Feb. 2005
- Dimensions12.83 x 2.29 x 19.56 cm
- ISBN-100571224814
- ISBN-13978-0571224814
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Product details
- Publisher : Faber & Faber; Illustrated edition (17 Feb. 2005)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0571224814
- ISBN-13 : 978-0571224814
- Dimensions : 12.83 x 2.29 x 19.56 cm
- Best Sellers Rank: 203,975 in Books (See Top 100 in Books)
- 1,011 in Popular Music
- 1,377 in Rock & Pop Musician Biographies
- 1,602 in Rock Music
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When I started work at the Courts in 1980 there was this major cloud of worry - all the Court staff who knew Debbie were so unbelievably worried about her. I don't know if she ever realised how intensely they cared about her. They were both only 23yrs old when Ian died, and Debbie had Natalie as a little 1yr old toddler. She used to come in to the Court *so* many times with Natalie in the buggy (somewhere I've got photos of races on office chairs at a Christmas party - innocent days!), and even then she struck me as an amazing young woman - she was always so cheerful and literally lit up the place. I was in awe how she was coping. I laughed in the book because she talks about the Chief Clerk and calls him 'Mr Pape' even at the time of writing the book as a mature woman - he was a wonderful old stick, bless him, and no-one called him by his first name; only my future husband ever got to call him 'Mike', when he started as the new Chief Clerk on Mr Pape's retirement! But even Mr Pape's face lit up when Debbie visited. She was like the daughter he never had.
It was literally weeks since her husband had died when I first met her and she'd been dealing with horrors before that event I knew nothing about. She documents in the book the struggles with Ian's epilepsy/depression and a medical culture that had no proper idea how to deal with either. On top of that was having a small toddler, no money, and the pressures of 'another woman' already beginning from the music business culture. I've read the comments about Annik with high amusement. When you walk into - or become caught up in - someone else's marriage there are only two options: (1) you bow out, even at hurt to yourself, when you realise a family life is being destroyed, or (2) if you really believe you are made for each other, you pick up the baton and stand in the shoes of 'The Other Woman' and accept/own the devastation you/the other party are about to cause - because that is what you both are doing. Annik knew Ian was married. What isn't an option is to continue down the route of Option 2, but try to convince everyone 'nothing is going on' and actually you 'are the wronged person because the wife is an emotional crazy, mad, person with an overactive imagination'. Thus blaming her for the devastation while portraying yourself in Doe-like innocence. The black and white photos of Ian/Annik, their own words, and the 'Yoko Ono' reference from the band make Annik's innocence claims unreal. To not have the courage to be what you are and so to walk through the pain caused, but try instead to blame 'an hysterical wife with an overactive imagination' is the cruelest, most vilest, and most cowardly option anyone can take. I dread to think what Debbie must have been going through at that time, but as a watcher-from-the-wings I saw the intense worry for her wellbeing on her friends at Macclesfield Court where she would likely have discussed the detail/been advised on the filing of the Divorce proceedings as well as later working through the emotional devastation of Ian's death.
As an 18yr old I admired Debbie *hugely* from afar, even with those events she was dealing with she just ploughed on in life with numb positivity. She was an incredibly strong young person. Natalie seems to have grown up into an amazing young woman, and in the words of this book I can still hear the Debbie who so impressed me at the Courts. It's very well written. This book isn't really about Joy Division, it's about Ian Curtis - part of that story is about how Joy Division came about; but if you want to understand Ian Curtis the real person and not the cardboard-cut-out on a pedestal it's an amazing book. But it's also about 'Mrs Curtis' - and if you want to read the book from the perspective of a young woman coping with the critical illness of her husband and what happens when the jaws of the music industry start to close around you/your family you won't be disappointed. From that perspective this is an incredibly brave and jaw-dropping book.
Although if she remembers me at all it would only be as 'that new girl' at the Courts, I still vibrantly remember her as being an incredible young lady ... she seems to have grown into an amazing woman. And Natalie is still her amazing daughter even though she wouldn't fit in the buggy any more! This is a brilliant book I can highly recommend.
And if Debbie or Natalie ever read this review I wish you *all the love in the world* and hope you know how much those people cared about you back then (*the Macc CC stories went on, with Les/John et al at our wedding years later when I married the new Chief Clerk! Doh, you'd need wine for that story!). The Girls have Done-Good, bless you both :o) ... xxx
It would seem that every single band member and part of the clique that surrounded Joy Division, had no idea of the torture that Ian was going through within his mind. I find that astonishing. They must have all been obsessed with their own personal agendas and the goal that was driving them on. Not one of them could see the depression that Curtis was going through? Sure, it says that he ‘kept it all in’, as men are want to do. He probably thought that sharing his feelings was a sign of weakness and the fact that he was telling his bandmates that his wife was the cause of his grief, would have generated a bit of ‘time out’ to help him try and sort things out if they were ‘real friends’, which they obviously weren’t. Basically, just work colleagues with similar musical tastes but no real interest in each other.
Only Ian knows why he decided to call time on his life. You can speculate about whether that was his intension all along or whether it was the maelstrom that his life had become that gave him no option. It seemed he’d backed himself into a corner and his insecurities stopped him from making the right decisions. It was probably much easier to end it all.
There are parallels with Cynthia Lennon’s book about life with John and how he similarly manipulated his doting wife. Deborah didn’t deserve to be treated like Ian had started to treat her. They had agreed to have a child, or maybe Ian decided to give Deborah what she wanted. Any father knows that when your child is born, that’s when your life changes. It seems like he resisted that change, which is a shame because it could have actually helped him become stronger. At least Natalie was too young to understand anything.
I’m sure Ian’s parents must have been devastated that their young son felt the way he did and the finality that he sought. I’m sure that Deborah felt some guilt that people may think that she had done nothing to help him. Whilst reading the book, there were times when I felt like jumping in and confronting him and screaming at him...’for goodness sake Ian!...’. Two young people who wouldn’t share their feelings/problems with neither each other or anyone else. A recipe for disappointment and sadness.
I’m grateful that Ian wrote some poignant lyrics and sang his songs so memorably during Joy Division’s short tenure in the Post Punk era. Would there have been another album after ‘Closer’? Who knows, perhaps it’s best that there wasn’t.
However, what this book tells us is the other side: the young northern man prone to jealousy, emotional manipulation and adultery. Walking a fine line between genius and homewrecker, confusion and cruelty, Curtis comes across more human than ever as is unable to deal with his domesticity and the dark soul of Joy Division.
As his illness increases, so does the band's success and his split (on the one hand a poetic, intense man with depth and vision and on the other a brutal, immature boy with attention-seeking qualities) becomes more and more polar until his inevitable inability to hold the two disparate sides of his life together.
A wonderful book, well-written and very close to the bone. Deborah Curtis has succeeded in showing the lesser-known side of Ian Curtis without resorting to the type of bitching so frequent of biographys. Complete with lyrics (of their entire catalogue and unreleased stuff) and discography etc. this is an essential book for any music fan.
Top reviews from other countries
I find it very courageous that she had the guts to go public with Ian’s medical problems, their personal couple issues… I wished I knew more but I’m grateful nevertheless.
Super recomendado