Taking its title from a song inspired by her, this anthology open with Rita's first (very minor) American hit in 1969 and samples her music over the next thirty years, although thirty of the tracks here are from the seventies and ten from the eighties, leaving the nineties to be represented by just two tracks. By far Rita's biggest commercial success was her 1977 album, Anytime anywhere, which yielded some big international hits and was also a big seller in its own right. Rita's own eclectic musical tastes and her desire not to be stereotyped may have made her music more difficult to appreciate, but she remains a talented singer and this anthology explores her diverse music.
Rita was born in Nashville so you might expect that country music would figure somewhere in the mix. It does, but mostly via her duets with Kris Kristofferson, to whom she was married for a while. On her solo recordings, country influences are less evident. In fact, Rita was much more interested in soul music and that shows through much more strongly in the music that she recorded. She might have established herself as a white soul singer as Dusty Springfield had in the sixties, but she didn't want to restrict herself to one genre, preferring to record whatever she wanted. As this anthology shows, soul is as near as you'll get to a one-word genre description of Rita's music, but there are so many other influences mixed in.
This compilation contains an informative booklet, dutifully listing which album each track first appeared on, though most of those albums have never been released on CD. All of Rita's American hits are included, though the only hits to make the top twenty in the pop charts all came from her album Anytime anywhere - Your love has lifted me higher and higher (a slowed down version of the Jackie Wilson original), The way you do the things you do (a cover of the song that gave the Temptations their big breakthrough in 1964) and We're all alone (a cover of a Boz Scaggs song). Curiously, no other songs from that album are included here, although her untitled 1971 debut album is represented by four tracks here, as is her 1975 album It`s only love.
Rita's lesser American hits include Fever (a cover of the song made famous by Peggy Lee), A song I'd like to sing (a duet with Kris, who also wrote the song), Loving arms (another duet with Kris), Something `bout you baby I like (a duet with Glen Campbell) and All time high (the theme from Octopussy and probably Rita`s biggest success with an original song). All those are here along with Rita's other minor hits. Rita's best duet with Kris may be Please don't tell me how the story ends, recorded when their marriage was breaking up. The diversity of Rita's music is illustrated by the inclusion of covers of songs by Neil Young (I believe you), Ethel Waters (Am I blue?), Leonard Cohen (Bird on a wire), Allen Toussaint (Basic lady) and Exile (The closer you get - this song was later made famous by Alabama, a couple of years after Rita covered it). Another notable cover is Only you, which is not to be confused with the similarly titled Platters classic. This song was originally a big UK hit for Yazoo (a group headed by Vince Clarke and Alison Moyet but known as Yaz in the USA), but which became an even bigger UK hit for the Flying Pickets.
With all those covers, it's also worth mentioning that Rita recorded plenty of original material too, though she was generally less successful with those records. Here you'll find several songs written or co-written by Donna Weiss, a song writing friend of Rita's, as well as a couple by Marc Benno, among Rita's early recordings, but it would be fair to say that covers dominate this compilation. In the nineties, Rita co-wrote Cherokee (included here) with her sister and niece. It's a great song, coming from a family of mixed European-Cherokee blood.
For those who must classify their music according to a particular style, Rita Coolidge is a nuisance as she defies classification, but for those who just enjoy great music, Rita Coolidge is worth a listen and this anthology provides an excellent introduction to her music.
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Delta Lady: Anthology
2 CD, Remastered
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Audio CD, Original recording remastered, Double CD, 10 Feb. 2004
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Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 12.5 x 14 x 1.5 cm; 125.87 Grams
- Manufacturer : Universal
- Item model number : 2311725
- Original Release Date : 2004
- Label : Universal
- ASIN : B0001AP0P4
- Number of discs : 2
- Best Sellers Rank: 416,912 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- 4,499 in Country Rock
- 11,223 in Country
- 156,784 in Pop
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4.5 out of 5
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Peter Durward Harris
5.0 out of 5 stars
Fitting anthology of an under-rated singer
Reviewed in the United Kingdom on 31 March 2009
Taking its title from a song inspired by her, this anthology open with Rita's first (very minor) American hit in 1969 and samples her music over the next thirty years, although thirty of the tracks here are from the seventies and ten from the eighties, leaving the nineties to be represented by just two tracks. By far Rita's biggest commercial success was her 1977 album, Anytime anywhere, which yielded some big international hits and was also a big seller in its own right. Rita's own eclectic musical tastes and her desire not to be stereotyped may have made her music more difficult to appreciate, but she remains a talented singer and this anthology explores her diverse music.
Rita was born in Nashville so you might expect that country music would figure somewhere in the mix. It does, but mostly via her duets with Kris Kristofferson, to whom she was married for a while. On her solo recordings, country influences are less evident. In fact, Rita was much more interested in soul music and that shows through much more strongly in the music that she recorded. She might have established herself as a white soul singer as Dusty Springfield had in the sixties, but she didn't want to restrict herself to one genre, preferring to record whatever she wanted. As this anthology shows, soul is as near as you'll get to a one-word genre description of Rita's music, but there are so many other influences mixed in.
This compilation contains an informative booklet, dutifully listing which album each track first appeared on. All of Rita's American hits are included, though the only hits to make the top twenty in the pop charts all came from her album Anytime anywhere - Your love has lifted me higher and higher (a slowed down version of the Jackie Wilson original), The way you do the things you do (a cover of the song that gave the Temptations their big breakthrough in 1964) and We're all alone (a cover of a Boz Scaggs song). Curiously, no other songs from that album are included here, although her untitled 1971 debut album is represented by four tracks here, as is her 1975 album It`s only love.
Rita's lesser American hits include Fever (a cover of the song made famous by Peggy Lee), A song I'd like to sing (a duet with Kris, who also wrote the song), Loving arms (another duet with Kris), Something `bout you baby I like (a duet with Glen Campbell) and All time high (the theme from Octopussy and probably Rita`s biggest success with an original song). All those are here along with Rita's other minor hits. Rita's best duet with Kris may be Please don't tell me how the story ends, recorded when their marriage was breaking up. The diversity of Rita's music is illustrated by the inclusion of covers of songs by Neil Young (I believe you), Ethel Waters (Am I blue?), Leonard Cohen (Bird on a wire), Allen Toussaint (Basic lady) and Exile (The closer you get - this song was later made famous by Alabama, a couple of years after Rita covered it). Another notable cover is Only you, which is not to be confused with the similarly titled Platters classic. This song was originally a big UK hit for Yazoo (a group headed by Vince Clarke and Alison Moyet but known as Yaz in the USA), but which became an even bigger UK hit for the Flying Pickets.
With all those covers, it's also worth mentioning that Rita recorded plenty of original material too, though she was generally less successful with those records. Here you'll find several songs written or co-written by Donna Weiss, a song writing friend of Rita's, as well as a couple by Marc Benno, among Rita's early recordings, but it would be fair to say that covers dominate this compilation. In the nineties, Rita co-wrote Cherokee (included here) with her sister and niece. It's a great song, coming from a family of mixed European-Cherokee blood.
Rita Coolidge defies musical classification, but for those who just enjoy great music, she is worth a listen and this anthology provides an excellent introduction to her music.
Rita was born in Nashville so you might expect that country music would figure somewhere in the mix. It does, but mostly via her duets with Kris Kristofferson, to whom she was married for a while. On her solo recordings, country influences are less evident. In fact, Rita was much more interested in soul music and that shows through much more strongly in the music that she recorded. She might have established herself as a white soul singer as Dusty Springfield had in the sixties, but she didn't want to restrict herself to one genre, preferring to record whatever she wanted. As this anthology shows, soul is as near as you'll get to a one-word genre description of Rita's music, but there are so many other influences mixed in.
This compilation contains an informative booklet, dutifully listing which album each track first appeared on. All of Rita's American hits are included, though the only hits to make the top twenty in the pop charts all came from her album Anytime anywhere - Your love has lifted me higher and higher (a slowed down version of the Jackie Wilson original), The way you do the things you do (a cover of the song that gave the Temptations their big breakthrough in 1964) and We're all alone (a cover of a Boz Scaggs song). Curiously, no other songs from that album are included here, although her untitled 1971 debut album is represented by four tracks here, as is her 1975 album It`s only love.
Rita's lesser American hits include Fever (a cover of the song made famous by Peggy Lee), A song I'd like to sing (a duet with Kris, who also wrote the song), Loving arms (another duet with Kris), Something `bout you baby I like (a duet with Glen Campbell) and All time high (the theme from Octopussy and probably Rita`s biggest success with an original song). All those are here along with Rita's other minor hits. Rita's best duet with Kris may be Please don't tell me how the story ends, recorded when their marriage was breaking up. The diversity of Rita's music is illustrated by the inclusion of covers of songs by Neil Young (I believe you), Ethel Waters (Am I blue?), Leonard Cohen (Bird on a wire), Allen Toussaint (Basic lady) and Exile (The closer you get - this song was later made famous by Alabama, a couple of years after Rita covered it). Another notable cover is Only you, which is not to be confused with the similarly titled Platters classic. This song was originally a big UK hit for Yazoo (a group headed by Vince Clarke and Alison Moyet but known as Yaz in the USA), but which became an even bigger UK hit for the Flying Pickets.
With all those covers, it's also worth mentioning that Rita recorded plenty of original material too, though she was generally less successful with those records. Here you'll find several songs written or co-written by Donna Weiss, a song writing friend of Rita's, as well as a couple by Marc Benno, among Rita's early recordings, but it would be fair to say that covers dominate this compilation. In the nineties, Rita co-wrote Cherokee (included here) with her sister and niece. It's a great song, coming from a family of mixed European-Cherokee blood.
Rita Coolidge defies musical classification, but for those who just enjoy great music, she is worth a listen and this anthology provides an excellent introduction to her music.
8 people found this helpful
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Gregory E. Sanchez
4.0 out of 5 stars
A Great Collection, oh so close to perfection....except
Reviewed in the United States on 11 February 2004
It was fantastic to finally get her first, regional hit, "Turn Around and Love You," on CD. While I bought the original Pepper Records single in the 60's, I hadn't heard it in years. It's still as strong a recording as ever and a wonderful addition here.
Unfortunately, whoever did the track selections (and I've read elsewhere that Rita contributed), too many of my personal favorites were left off from her early albums, most of which are not currently available: "Second Story Window," "Most Likely You Go Your Way and I'll Go Mine," "My Crew", "Heaven's Dream," "Desperados Waiting for the Train." That's why I couldn't give this otherwise great collection five stars. I definitely bought it, though, and certainly recommend this to anyone who might be considering it. It's a genuine bargain. Enjoy!
Unfortunately, whoever did the track selections (and I've read elsewhere that Rita contributed), too many of my personal favorites were left off from her early albums, most of which are not currently available: "Second Story Window," "Most Likely You Go Your Way and I'll Go Mine," "My Crew", "Heaven's Dream," "Desperados Waiting for the Train." That's why I couldn't give this otherwise great collection five stars. I definitely bought it, though, and certainly recommend this to anyone who might be considering it. It's a genuine bargain. Enjoy!
6 people found this helpful
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Kindle Customer
4.0 out of 5 stars
Great voice, noisy arrangements
Reviewed in the United States on 2 January 2007
Rita Coolidge has a great voice, but this anthology demonstrates on a number of the songs how not to show it off to its best advantage. The poster child for a bad arrangement is "We're All Alone". Yeah, we're all alone except for a full freakin' orchestra and road crew! A lovely, intimate song that is overpowered by the instrumentation, plus her voice tracks are layered so that she sounds distant and impersonal. This is a song that cries out for a simple, spare arrangement with the vocals up close and personal. A great singer like Rita Coolidge doesn't need her vocals all tarted up, and a good song stands on its own.
Fortunately, most of the songs are not treated so shabbily- this set is a great treat.
Fortunately, most of the songs are not treated so shabbily- this set is a great treat.
2 people found this helpful
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みかん
5.0 out of 5 stars
リタ・クーリッジ デビュー~30年間の集大成
Reviewed in Japan on 8 March 2020
私が初めてリタクーリッジの歌声を聞いたのは色々な歌手のラブソングを集めたベスト盤に入っていた「Love Has No Pride」だった。低く少しハスキーな彼女の声を大変気に入っていたのだが、最近になって思い立ってようやくデビューアルバム「RITA COOLIDGE」を入手することができ、彼女の本当の素晴らしさを知ったのだった。幼いころから教会の聖歌隊で歌い、ソウルやリズムアンドブルースに影響を受けてきたという彼女の、デビューアルバムとは思えない完成度で彼女の実力が充分に発揮されていた。その後、本当はオリジナルアルバムを揃えたかったのだが取り敢えずベスト盤で彼女の魅力をもっと知りたいと思って捜したところ何種類かが出ていてどれにするか迷ったのだが、とにかく曲数が多かった2枚組のこのアルバムにしてみた。これが大正解でデビュー~30年間にわたる彼女の名曲の数々を聞くことができたのである。
DISC ONEの1曲目は1969年の彼女のデビューシングル「Turn Around And Love You」でモノラル録音ながら美しいメロディを歌いこなす彼女の才能が伝わってくる。2曲目は「Superster」。ジョーコッカーのバッキングボーカルをしていたときライブで歌われたものでカーペンターズのカバーがヒットする以前の作。カレンカーペンターの歌声も好きだがリタクーリッジの深い歌声は、カレンカーペンターに勝るとも劣らないできである。この後の3曲はファーストアルバム「RITA COOLIDGE」からのもので「Born Under A Bad Sign」ではブルースフィーリングあふれる、ゴスペル調の歌声が聞ける。この後私が好きなのは8曲目「Nice Feelin'」、11曲目「Bird On The Wire」、12曲目「The Lady's Not For Sale」、15曲目「Love Has No Pride」、16曲目「Now Your Baby Is A Lady」等でどの曲もスローテンポのバラードだがリタクーリッジの深い歌声が味わえる。
DISC TWOでは1曲目「(Your Love Has Lifted Me)Higher And Higher」はアップテンポで楽しい曲。3曲目「We're All Alone」は言うまでもなくボズスキャッグスの名曲。この曲もボズスキャッグスの歌がヒットする前にカバーしている。6曲目もボズスキャッグスの曲で「Slow Dancer」だがリタクーリッジの歌い方は丁寧でしっかりと歌い上げており私は御本家よりもこちらのほうが好きかもしれない。この後もリタクーリッジの歌はますます洗練されてきて、耳に心地よい曲が続く。15曲目は007の映画「オクトパシー」の主題歌「All Time High」で、リタクーリッジが世界を代表する大歌手になったことを証明した。
このアルバムは本当に内容が濃い。初期のゴスペル調の曲もいいし後期の洗練された歌声もまた素晴らしい。
本当の歌を聞いたという満足感があるアルバムです。
DISC ONEの1曲目は1969年の彼女のデビューシングル「Turn Around And Love You」でモノラル録音ながら美しいメロディを歌いこなす彼女の才能が伝わってくる。2曲目は「Superster」。ジョーコッカーのバッキングボーカルをしていたときライブで歌われたものでカーペンターズのカバーがヒットする以前の作。カレンカーペンターの歌声も好きだがリタクーリッジの深い歌声は、カレンカーペンターに勝るとも劣らないできである。この後の3曲はファーストアルバム「RITA COOLIDGE」からのもので「Born Under A Bad Sign」ではブルースフィーリングあふれる、ゴスペル調の歌声が聞ける。この後私が好きなのは8曲目「Nice Feelin'」、11曲目「Bird On The Wire」、12曲目「The Lady's Not For Sale」、15曲目「Love Has No Pride」、16曲目「Now Your Baby Is A Lady」等でどの曲もスローテンポのバラードだがリタクーリッジの深い歌声が味わえる。
DISC TWOでは1曲目「(Your Love Has Lifted Me)Higher And Higher」はアップテンポで楽しい曲。3曲目「We're All Alone」は言うまでもなくボズスキャッグスの名曲。この曲もボズスキャッグスの歌がヒットする前にカバーしている。6曲目もボズスキャッグスの曲で「Slow Dancer」だがリタクーリッジの歌い方は丁寧でしっかりと歌い上げており私は御本家よりもこちらのほうが好きかもしれない。この後もリタクーリッジの歌はますます洗練されてきて、耳に心地よい曲が続く。15曲目は007の映画「オクトパシー」の主題歌「All Time High」で、リタクーリッジが世界を代表する大歌手になったことを証明した。
このアルバムは本当に内容が濃い。初期のゴスペル調の曲もいいし後期の洗練された歌声もまた素晴らしい。
本当の歌を聞いたという満足感があるアルバムです。
Amazon Customer
4.0 out of 5 stars
Four Stars
Reviewed in Canada on 29 March 2018
A thorough cross-section of Rita's material
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