Peter Gabriel – I/O
Tracklist
Bright-Side Mix | |||
A1 | Panopticom | ||
A2 | Playing For Time | ||
A3 | The Court | ||
B1 | Four Kinds Of Horses | ||
B2 | I/O | ||
B3 | Love Can Heal | ||
C1 | Road To Joy | ||
C2 | So Much | ||
C3 | Olive Tree | ||
D1 | This Is Home | ||
D2 | And Still | ||
D3 | Live And Let Live | ||
Dark-Side Mix | |||
E1 | Panopticom | ||
E2 | Playing For Time | ||
E3 | The Court | ||
F1 | Four Kinds Of Horses | ||
F2 | I/O | ||
F3 | Love Can Heal | ||
G1 | Road To Joy | ||
G2 | So Much | ||
G3 | Olive Tree | ||
H1 | This Is Home | ||
H2 | And Still | ||
H3 | Live And Let Live | ||
Bright-Side Mix | |||
CD1-1 | Panopticom | ||
CD1-2 | The Court | ||
CD1-3 | Playing For Time | ||
CD1-4 | I/O | ||
CD1-5 | Four Kinds Of Horses | ||
CD1-6 | Road To Joy | ||
CD1-7 | So Much | ||
CD1-8 | Olive Tree | ||
CD1-9 | Love Can Heal | ||
CD1-10 | This Is Home | ||
CD1-11 | And Still | ||
CD1-12 | Live And Let Live | ||
Dark-Side Mix | |||
CD2-1 | Panopticom | ||
CD2-2 | The Court | ||
CD2-3 | Playing For Time | ||
CD2-4 | I/O | ||
CD2-5 | Four Kinds Of Horses | ||
CD2-6 | Road To Joy | ||
CD2-7 | So Much | ||
CD2-8 | Olive Tree | ||
CD2-9 | Love Can Heal | ||
CD2-10 | This Is Home | ||
CD2-11 | And Still | ||
CD2-12 | Live And Let Live | ||
In-Side Mix | |||
BD-1 | Panopticom | ||
BD-2 | The Court | ||
BD-3 | Playing For Time | ||
BD-4 | I/O | ||
BD-5 | Four Kinds Of Horses | ||
BR-6 | Road To Joy | ||
BD-7 | So Much | ||
BD-8 | Olive Tree | ||
BD-9 | Love Can Heal | ||
BD-10 | This Is Home | ||
BD-11 | And Still | ||
BD-12 | Live And Let Live | ||
Bright-Side Mix | |||
BD-13 | Panopticom | ||
BD-14 | The Court | ||
BD-15 | Playing For Time | ||
BD-16 | I/O | ||
BD-17 | Four Kinds Of Horses | ||
BD-18 | Road To Joy | ||
BD-19 | So Much | ||
BD-20 | Olive Tree | ||
BD-21 | Love Can Heal | ||
BD-22 | This Is Home | ||
BD-23 | And Still | ||
BD-24 | Live And Let Live | ||
Dark-Side Mix | |||
BD-25 | Panopticom | ||
BD-26 | The Court | ||
BD-27 | Playing For Time | ||
BD-28 | I/O | ||
BD-29 | Four Kinds Of Horses | ||
BD-30 | Road To Joy | ||
BD-31 | So Much | ||
BD-32 | Olive Tree | ||
BD-33 | Love Can Heal | ||
BD-34 | This Is Home | ||
BD-35 | And Still | ||
BD-36 | Live And Let Live |
Companies, etc.
- Phonographic Copyright ℗ – Peter Gabriel Ltd.
- Copyright © – Peter Gabriel Ltd.
- Published By – Real World Music Ltd.
- Published By – Sony Music Publishing
- Recorded At – Real World Studios
- Recorded At – The Beehive
- Recorded At – British Grove
- Recorded At – High Seas Studios
- Recorded At – Alfvénsalen
- Recorded At – The Copper House
- Recorded At – Rexall Place
- Recorded At – Artesuono Recording Studio
- Mastered At – Metropolis Mastering
- Pressed By – Schallplattenfabrik Pallas GmbH – 61972
- Pressed By – Schallplattenfabrik Pallas GmbH – 61973
- Pressed By – Schallplattenfabrik Pallas GmbH – 61523
- Pressed By – Schallplattenfabrik Pallas GmbH – 61524
- Manufactured By – Optimal Media GmbH – AN04756
- Manufactured By – Optimal Media GmbH – AN04757
- Manufactured By – Optimal Media GmbH – EN08607
Credits
- Artwork [A Small Painting Of What I Think Love Looks Like] – Antony Micallef
- Artwork [Additional Artwork] – Derek Edwards (5)
- Artwork [And Still (Time)] – Megan Rooney (2)
- Artwork [Chroniques Avec La Nature] – Barthélémy Toguo
- Artwork [Colour Experiment No. 114] – Olafur Eliasson
- Artwork [Conexión De Catedral II] – David Moreno (16)
- Artwork [Mes Voeux Avec Nos Cheveux] – Annette Messager
- Artwork [Middle Finger In Pink] – Ai Weiwei
- Artwork [Red Gravity] – David Spriggs*
- Artwork [Snap] – Cornelia Parker
- Artwork [Somewhere Over Mercia] – Henry Hudson (5)
- Artwork [Soundsuit] – Nick Cave (3)
- Artwork [The Burning Of Lifting The Curse] – Tim Shaw (12)
- Design Concept – Marc Bessant, Peter Gabriel
- Engineer – Dom Shaw (tracks: C1, D1, D3, G1, H1, H3, CD1-6, CD1-10, CD1-12, CD2-6, CD2-10, CD2-12, BD-6, BD-10, BD-12, BD-18, BD-22, BD-24, BD-30, BD-34, BD-36), Katie May (2), Oli Jacobs
- Engineer [Additional Engineering] – Dom Shaw (tracks: B2, F2, CD1-4, CD2-4, BD-4, BD-16, BD-28), Faye Dolle (tracks: A2, D3, E2, H3, CD1-3, CD1-12, CD2-2, CD2-12, BD-2, BD-12, BD-14, BD-24, BD-26, BD-36), John Foyle (tracks: B1, F1, CD1-5, CD2-5, BD-5, BD-17, BD-29), Stefano Amerio (tracks: D3, H3, CD1-12, CD2-12, BD-12, BD-24, BD-36)
- Engineer [Assistant Engineering By] – Dom Shaw (tracks: A2 to B3, C2 to D3, E2 to F3, G2 to H3, CD1-2 to CD1-5, CD1-7 to CD1-12, CD2-2 to CD2-5, CD2-7 to CD2-12, BD-2 to BD5, BD-7 to BD-12, BD-14 to BD-17, BD-19 to BD-24, BD-26 to BD-29, BD-31 to BD-34), Faye Dolle
- Engineer [Orchestral Assistant Engineering By] – Luie Stylianou, Tom Coath
- Engineer [Orchestral Engineering By] – Lewis Jones
- Engineer [Pre-production Engineering And Development By] – Richard Chappell
- Graphic Design – Marc Bessant
- Lacquer Cut By – Matt*
- Mastered By – Matt Colton
- Mixed By [Bright-Side Mix By] – Mark 'Spike' Stent* (tracks: A1 to D3, CD1-1 to CD1-12, BD-13 to BD-24)
- Mixed By [Dark-Side Mix By] – Tchad Blake (tracks: E1 to H3, CD2-1 to CD2-12, BD-25 to BD-36)
- Mixed By [In-Side Mix: 3D Audio Sound Treatments And Dolby Atmos Mix By] – Hans-Martin Buff (tracks: BD-1 to BD-12)
- Photography By [Back Cover Photography Courtesy Of] – NASA/JPL/University Of Arizona*
- Photography By [Portrait Photography] – Nadav Kander
- Photography By [The Burning Of Lifting The Curse] – Steve Tanner (3)
- Producer – Brian Eno (tracks: C1, G1, CD1-6, CD2-6, BD-6, BD*18, BD-30), Peter Gabriel, Richard Russell (tracks: B1, F1, CD1-5, CD2-5, BD-5, BD-17, BD-29)
- Recorded By [Dolby Atmos Additional Recording Assistance By] – Bob MacKenzie (4) (tracks: BD-3 to BD-8, BD-10 to BD-12), Dom Shaw (tracks: BD-1, BD-2), Faye Dolle (tracks: BD-11), Louis Rogove (tracks: BD-5, BD-9)
- Words By, Music By – Peter Gabriel
Notes
Comes with a orange OBI strip, a 12'' 56-page hard back book and a poster.
Include card with a download code for Bright-Side and Dark-Side Mix in 16/24 bit.
The CDs and Blu-ray are inserted into pockets integrated into the inner back cover of the book.
Artwork on outer box is printed with iridescent silver foil.
LP 1+2 and CD1 and BluRay Audio (Stereo) = Bright-Side Mix
LP 3+4 and CD2 and BluRay Audio (Stereo) = Dark-Side Mix
BluRay Audio (Dolby Atmos) = In-Side Mix
The 4 LPs are packaged each in single cover.
Inner record sleeves are poly-lined plain white (LP 1+2) and black (LP 3+4) paper.
Different track listing order between LPs and CDs / BluRay.
Runouts are all etched besides the hyphens and the Pallas cat# which are stamped. On side D LP2 the A is „overwritten“ by the D.
Include card with a download code for Bright-Side and Dark-Side Mix in 16/24 bit.
The CDs and Blu-ray are inserted into pockets integrated into the inner back cover of the book.
Artwork on outer box is printed with iridescent silver foil.
LP 1+2 and CD1 and BluRay Audio (Stereo) = Bright-Side Mix
LP 3+4 and CD2 and BluRay Audio (Stereo) = Dark-Side Mix
BluRay Audio (Dolby Atmos) = In-Side Mix
The 4 LPs are packaged each in single cover.
Inner record sleeves are poly-lined plain white (LP 1+2) and black (LP 3+4) paper.
Different track listing order between LPs and CDs / BluRay.
Runouts are all etched besides the hyphens and the Pallas cat# which are stamped. On side D LP2 the A is „overwritten“ by the D.
Barcode and Other Identifiers
- Barcode (Scanned): 884108014547
- Barcode (Text): 8 84108 01454 7
- Matrix / Runout (Side A): PGLP 21 A3 = MATT @ METROPOLIS = -61972- III
- Matrix / Runout (Side B): PGLP 21 B3 -61972- III
- Matrix / Runout (Side C): PGLP 21 C3 = MATT @ METROPOLIS = -61973-
- Matrix / Runout (Side D): PGLP 21 A̶D3 -61973- IV
- Matrix / Runout (Side E): PGLP X 21 A2 = MATT @ METROPOLIS = -61523- II
- Matrix / Runout (Side F): PGLP X 21 B2 -61523- V
- Matrix / Runout (Side G): PGLP 21 X C2 = MATT @ METROPOLIS = -61524- V
- Matrix / Runout (Side H): PGLP X 21 B2 -61523- V
- Matrix / Runout (CD1): [Universal logo] 0801475 [Universal logo] AN04756-01 manufactured by optimal media GmbH
- Mastering SID Code (CD1): IFPI L578
- Mould SID Code (CD1): IFPI 9757
- Matrix / Runout (CD2): [Universal logo] 0801477 [Universal logo] AN04757-01 manufactured by optimal media GmbH
- Mastering SID Code (CD2): IFPI L578
- Mould SID Code (CD2): IFPI 9746
- Matrix / Runout (BD): EN08607-01 0801474 manufactured by optimal media GmbH
- Mastering SID Code (BD): IFPI L579
- Mould SID Code (BD): IFPI 9758
Other Versions (5 of 13)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | I/O (12×File, FLAC, Album, 12×File, FLAC, Album, All Media, Stereo, 24-Bit, 96.0 kHz) | Real World Records | none | Worldwide | 2023 | ||
I/O (CD, Album, Stereo, CD, Album, Stereo, Blu-ray, Blu-ray Audio, Album, Stereo, Multichannel) | Real World Records | PGCDBR21 | Europe | 2023 | |||
I/O (2×CD, Album) | Real World Records, Real World Records | PGCD21, 884108013588 | Europe | 2023 | |||
New Submission | I/O (Dark-Side Mixes) (2×LP, Album, Gatefold) | Real World Records | PGLPX21 | Europe | 2023 | ||
I/O (Bright-Side Mixes) (2×LP, Album, Gatefold) | Real World Records | PGLP21 | Europe | 2023 |
Recommendations
Reviews
- This deluxe box set is incredible. Very well packaged. The 4 vinyl are quiet and amazing. But the Blu-ray Dolby Atmos mix is absolutely out of this world. I haven’t got to the CDs yet. I saw Peter on his 2023 i/o tour and really didn’t get into the i/o songs. But after listening to this album several times, I’m hooked. It made the wait for new PG music worth the wait! Don’t hesitate to buy the box set, especially if you have a high end system.
- First play of disc 1 side A: the intro to Panopticom was distorted for like 10 seconds. I ran a brush along the side several times, but no luck. So then I ran my fingertip along the edge and I guess removed the obstruction, because it now plays perfectly.
Aside from the initial panic, I am very happy with the quality and sound of this entire package. Dead quiet. They are in the room with me. - Edited 29 days agoNow this is how to press a box set! Rigid beautiful outer box, gorgeous hardcover book with incredible artwork/artist descriptions, cd’s and Blu-ray in a pocket inside the book. 4 LPs in individual sleeves with poly lined fabric inner sleeves and LP’s pressed at Pallas that are just flawless. This was absolutely worth the wait!
- At least, after 18 years to wait these 12 beautiful songs.
Fine production, good pressing, fine soundscape.
Release
For sale on Discogs
Sell a copy30 copies from $120.90