Faces (3) – The BBC Session Recordings
Label: | Rhino Records (2) – RCV1 725821, Rhino Records (2) – 603497829088, BBC – 603497829088 |
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Format: | 2 x Vinyl, LP, Album, Record Store Day, Compilation, Limited Edition, Clear |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Blues Rock, Pop Rock, Rock & Roll |
Tracklist
Top Gear - John Peel | |||
A1 | Wicked Messenger | 4:06 | |
A2 | Devotion | 4:50 | |
A3 | Shake, Shudder, Shiver | 2:42 | |
A4 | Pineapple And The Monkey | 4:21 | |
Dave Lee Travis Sunday Show | |||
A5 | Three Button Hand Me Down | 3:54 | |
B1 | Flying | 3:55 | |
B2 | Wicked Messenger | 2:54 | |
Top Gear - John Peel | |||
B3 | Had Me A Real Good Time | 4:48 | |
Around The Plynth / Gasoline Alley | (7:32) | ||
B4.a | Around The Plynth | ||
B4.b | Gasoline Alley | ||
C1 | Country Comfort | 6:01 | |
Sounds Of The Seventies - Bob Harris | |||
C2 | Had Me A Real Good Time | 5:03 | |
C3 | Love In Vain | 7:01 | |
C4 | Oh Lord I'm Browned Off | 4:30 | |
D1 | Maybe I'm Amazed | 5:13 | |
Top Gear - John Peel | |||
D2 | Stay With Me | 5:15 | |
D3 | Miss Judy's Farm | 3:28 | |
D4 | Maggie May | 5:28 |
Companies, etc.
- Record Company – Warner Music Group
- Licensed To – Rhino Entertainment Company
- Licensed From – BBC Studios
- Marketed By – Rhino Entertainment Company
- Manufactured For – Rhino Entertainment Company
- Phonographic Copyright ℗ – BBC
- Copyright © – Rhino Entertainment Company
- Recorded At – Playhouse Theatre
- Recorded At – Camden Theatre
- Recorded At – Maida Vale Studio 4
- Recorded At – BBC Studio T1
- Recorded By – BBC Transcription Services
- Produced At – Nick Robbins Mastering
- Mastered At – Nick Robbins Mastering
- Lacquer Cut At – AIR Mastering
- Pressed By – GZ Media – 274306E
Credits
- A&R [A&R Supervision] – Patrick Milligan
- Art Direction, Design – Rachel Gutek
- Bass, Vocals – Ronnie Lane
- Drums – Kenney Jones*
- Guitar, Vocals – Ronnie Wood*
- Hosted By – Bob Harris (6) (tracks: C2 to D1), Dave Lee Travis (tracks: A5 to B2), John Peel (tracks: A1 to A4, B3 to C1, D2 to D4)
- Keyboards, Vocals – Ian McLagan
- Lacquer Cut By [Lacquers Cut By] – Barry Grint
- Liner Notes – Rob Caiger
- Producer [Produced By] – John Muir (tracks: C2 to D1), John Walters (tracks: A1 to A4, B3 to C1, D2 to D4), Paul Williams (3) (tracks: A5 to B2), Rob Caiger
- Product Manager [Packaging Manager] – Matthew Taoatao
- Project Manager [Project Management For Faces] – Rob Caiger
- Restoration, Mastered By [Mastering] – Nick Robbins
- Vocals – Rod Stewart
Notes
Record Store Day 2024, "RSD Exclusive Release," quantity 4,000 (8,500 copies worldwide).
Issued in non-gatefold jacket. "Made in U.S.A." on rear jacket and labels. Includes 4-page booklet with notes and credits.
Hype sticker with both catalog numbers affixed to shrink:
Official Faces®
Limited-Edition 2-LP Clear Vinyl
Exclusive BBC Session Versions!
Includes: Stay With Me Maggie May Had Me A Real Good Time
Plus a 4-Page Insert
Some copies with "Record Store Day Exclusive" hype sticker.
Tracks A1 to A4: Playhouse Theatre, London; Recorded March 9, 1970, Broadcast March 28, 1970.
Tracks A5 to B2: Camden Theatre, London; Recorded March 10, 1970, Broadcast March 15, 1970.
Tracks B3 to C1: BBC Maida Vale Studio 4, London; Recorded September 15, 1970, Broadcast September 19, 1970.
Tracks C2 to D1: BBC Studio 1 (Transcription Studio), Kensington House, Shepherd's Bush, London; Recorded April 20, 1971, Broadcast May 3, 1971.
Tracks D2 to D4: BBC Maida Vale Studio 4, London; Recorded September 28, 1971, Broadcast October 6, 1971.
Track A2 sourced from an off-air recording. Track B2 sourced from Brian Matthew's Top of the Pops, BBC Transcription Services.
Restoration & Mastering at Nick Robbins Mastering, London. Lacquers Cut at AIR Mastering, London.
Issued in non-gatefold jacket. "Made in U.S.A." on rear jacket and labels. Includes 4-page booklet with notes and credits.
Hype sticker with both catalog numbers affixed to shrink:
Official Faces®
Limited-Edition 2-LP Clear Vinyl
Exclusive BBC Session Versions!
Includes: Stay With Me Maggie May Had Me A Real Good Time
Plus a 4-Page Insert
Some copies with "Record Store Day Exclusive" hype sticker.
Tracks A1 to A4: Playhouse Theatre, London; Recorded March 9, 1970, Broadcast March 28, 1970.
Tracks A5 to B2: Camden Theatre, London; Recorded March 10, 1970, Broadcast March 15, 1970.
Tracks B3 to C1: BBC Maida Vale Studio 4, London; Recorded September 15, 1970, Broadcast September 19, 1970.
Tracks C2 to D1: BBC Studio 1 (Transcription Studio), Kensington House, Shepherd's Bush, London; Recorded April 20, 1971, Broadcast May 3, 1971.
Tracks D2 to D4: BBC Maida Vale Studio 4, London; Recorded September 28, 1971, Broadcast October 6, 1971.
Track A2 sourced from an off-air recording. Track B2 sourced from Brian Matthew's Top of the Pops, BBC Transcription Services.
Restoration & Mastering at Nick Robbins Mastering, London. Lacquers Cut at AIR Mastering, London.
Barcode and Other Identifiers
- Barcode (Text): 6 03497 82908 8
- Barcode (Scanned): 0603497829088
- Matrix / Runout (Runout side A): FACES BBC001 A1 BAZZA R172821 274306E1 1786807
- Matrix / Runout (Runout side B): FACES BBC001 B1 R1725821 274306E2 1831958
- Matrix / Runout (Runout side C): FACES BBC001 C1 R1725821 603497 829088 274306E3 1829327
- Matrix / Runout (Runout side D): FACES BBC001-D1 R1725821 603497 829088 274306E4 1834533
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | The BBC Session Recordings (2×LP, Record Store Day, Compilation, Limited Edition, Clear) | Rhino Records (2), Rhino Records (2), BBC | RCV1 725821, 603497829088 | Worldwide | 2024 |
Recommendations
Reviews
- Edited 17 days agoAwful pressing. Made in Kazakhstan. It crackles like a forest fire and the stylus jumped 52 times on "Country Comfort".
Avoid! - Sounds great, really enjoying this one a lot!!!It’s got that wonderful, early ‘70s feel to it. I think maybe the description could be updated to indicate the format is mono, no? At least to my ears anyway…
- One of my favorites of this RSD - a total sleeper but this rocks as long as you accept some of the tapes are almost like a notch above bootleg. Great grab if you get one cheap.
- Is it in stereo or mono? I'm assuming mono...but why can't labels list this on the packaging somewhere?
- Songs sound stellar, though they vary a bit according to each of the recording sessions. Pressing is perfect. Live studio is a great way of recording music. So much energy, and how high musicianship.
Release
For sale on Discogs
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