Harold Budd / Brian Eno With Daniel Lanois – The Pearl
Label: | Editions EG – EGED 37 |
---|---|
Format: | Vinyl, LP, Album |
Country: | US |
Released: | |
Genre: | Electronic, Classical |
Style: | Ambient, Minimal, Modern Classical, Post-Modern |
Tracklist
A1 | Late October | 4:42 | |
A2 | A Stream With Bright Fish | 3:55 | |
A3 | The Silver Ball | 3:23 | |
A4 | Against The Sky | 4:46 | |
A5 | Lost In The Humming Air | 4:02 | |
B1 | Dark-Eyed Sister | 4:39 | |
B2 | Their Memories | 3:52 | |
B3 | The Pearl | 3:08 | |
B4 | Foreshadowed | 3:47 | |
B5 | An Echo Of Night | 2:26 | |
B6 | Still Return | 4:19 |
Companies, etc.
- Recorded At – Bob & Dan Lanois Studio
- Marketed By – Jem Records, Inc.
- Lacquer Cut At – Sterling Sound
- Pressed By – Hub-Servall Record Mfg. Corp.
- Produced For – EG Records
- Phonographic Copyright ℗ – E.G. Records Ltd.
- Copyright © – Opal Ltd.
- Published By – E.G. Music Ltd.
- Mastered At – Sterling Sound
Credits
- Artwork [Cover Art & Design] – Russell Mills
- Composed By – Brian Eno, Harold Budd
- Lacquer Cut By [Runout Etch ⚾] – Greg Calbi
- Photography By – Christina Birrer
- Producer – Brian Eno, Daniel Lanois
Notes
Recorded at Bob and Dan Lanois' Studio, in Canada.
Marketed by JEM Records, Inc.
© 1984 OPAL ltd.
℗ 1984 EG RECORDS ltd.
Marketed by JEM Records, Inc.
© 1984 OPAL ltd.
℗ 1984 EG RECORDS ltd.
Barcode and Other Identifiers
- Matrix / Runout: EGED37A HUB STERLING ⚾
- Matrix / Runout: EGED-37-B HUB STERLING
- Pressing Plant ID: HUB
Other Versions (5 of 52)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Pearl (LP, Album) | Editions EG, Polydor | 823 162-1 | Germany | 1984 | ||
Recently Edited | The Pearl (LP, Album, Stereo) | Editions EG | 823 162-1 | Germany | 1984 | ||
Recently Edited | The Pearl (LP, Album) | Editions EG, Polydor | EGED 37, 823 162-1 | UK | 1984 | ||
New Submission | The Pearl (LP, Album) | Polydor, EG | 823 162-1 | Greece | 1984 | ||
Recently Edited | The Pearl (LP, Album) | Editions EG | 28MM 0381 | Japan | 1984 |
Recommendations
Reviews
- I only paid 25 USD for mine and I almost feel ripped off. It's one of the absolute worst sounding pressings in my collection. For the money these are going for, just get the new(ish) CD; it sounds incredible. Get a cassette for that matter. I'm not even joking when I say a VG cassette of this sounds much better than a NM LP.
- Edited one year agoThese albums need to be re-cut from aaa source to a new jvc supervinyl or virgin vinyl because these eg pressings all have noise in them and this is a stellar album!!!!!!!!!! Hopefully we will see a re-issue of this by abbey road or someone
- Among my favorite ambient records. This music would be equally at home on Deutsch Gramaphone. When Budd and Eno work together there's just a magic present. Right there with Ambient 2 by the same two composers. A must have.
- Fantastic composition from budd and eno. This will evoke emotion from any listener. Some of the best ambient music I have ever heard.
- Some of budd and Eno’s best work. Yeah as others have said, the eg pressing has some pops in there regardless of how mint your copy is. Unfortunate but it’s all we got (pretty sure eg pressed all of these)
Don’t let it discourage you - this is an amazing album and the record should be cherished - This album by Brian Eno and Harold Budd reminds me more of being back in Vietnam than any piece of music I’ve ever heard. I feel enticingly wrapped in giant green leafed plants that give off a palatable heat, where sunlight shifts and splinters into a thousand different variations and hues, where the shades of green are so varied that it’s impossible to take any of them for granted, where the ground is so moist and full of life that you can actually squeeze the moisture out between your fingers, and where, if you listen quietly, for even the shortest amount of time, there is a rhythm and harmony that both floats in and vibrates all around you. These are fragile moments, moments that go almost unconsidered until you realize that they’ve passed ... but if you lay still, and let your mind float down stream, all of the splendor will wash over you again, like a warm summer rain, in a matter of seconds.
The Pearl is beyond electronic or classical music, and because it is so ethereal, can certainly not be classified with the genre of soundscapes. Yes the layering is rich and thick with texture. But these textures are so precariously balanced with nature, that it often feels as if these two men have set up their instruments and equipment to capture and play along with the ever changing faces of nature ... in her most remote and unexplored regions.
Instinctively I want to check my weapon, to make sure all is in order, that I have not lolled myself into a hypnotic sense of complacency, because sadly, beyond the beauty found here lies the real world.
Ahhh ... aren’t memories funny things?
Review by Jenell Kesler - Edited 10 years agoHarold Budd plays piano here, but the album is dominated Eno's production. It is very much in the spirit of his "Ambient" series. Quiet, slow soundscapes create a rich atmosphere of melancholy. I only wish some of the tracks were longer. Essential work if you're into this type of music.
Release
For sale on Discogs
Sell a copy22 copies from $55.00
Statistics
Videos (12)
EditLists
- 25 Ambient of All Time, ETC by VladJHook
- Pandemic Playlist by tacoSEVEN
- Favourite Albums by dukeboxkool
- crème de la crème by djtreehugger
- Most wanted by Arn35
- Vinyl by _Jerry-Cornelius_
- Ambient by innerspaceboy
- Mi lista de Música Ambient by seamwo
- Essential Ambient by buriedinsounds
- Ambient Music 1969-2009 (Part 2: First Decade 1978-1987) by chaka