Dan Hicks | University of Oxford - Academia.edu
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Dan Hicks
  • Pitt Rivers Museum, University of Oxford, South Parks Road, Oxford. OX1 3PP. UK
  • +44 (0)1865 613011

Dan Hicks

Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the... more
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.

Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections.

The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Lesley McFadyen and Dan Hicks (eds) 2019. Archaeology and Photography: time, objectivity and archive. London: Bloomsbury
Available Open Access under CC-BY-NC licence: http://www.oapen.org/search?identifier=1004862 How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from... more
Available Open Access under CC-BY-NC licence: http://www.oapen.org/search?identifier=1004862 How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from the Calais “Jungle” – the informal camp where, before its destruction in October 2016, more than 10,000 displaced people lived. LANDE: The Calais 'Jungle' and Beyond reassesses how we understand ‘crisis’, activism, and the infrastructure of national borders in Refugee and Forced Migration Studies, foregrounding the politics of environments, time, and the ongoing legacies of empire. Introducing a major collaborative exhibit at Oxford’s Pitt Rivers Museum, the book argues that an anthropological focus on duration, impermanence and traces of the most recent past can recentre the ongoing human experiences of displacement in Europe today.
An overview of global thinking in historical archaeology
Hicks, D. 2007. The Garden of the World: a historical archaeology of sugar landscapes in the eastern Caribbean. Oxford: Archaeopress (British Archaeological Reports)
Dan Hicks 2021. Glorious Memory. In Helen Carr and Suzannah Lipscomb (eds) What Is History, Now? London: Weidenfeld and Nicolson, pp. 147-167.
Necrography: Death-Writing in the Colonial Museum (with replies).
Read all the contribututions, with all images, here https://www.britishartstudies.ac.uk/issues/issue-index/issue-19/death-writing-in-the-colonial-museums
What are the temporal, political, and imaginative limits of archaeology? How might archaeologists apply their discipline to the most recent past or our contemporary world? Dan Hicks on how a new exhibition at the Pitt Rivers Museum... more
What are the temporal, political, and imaginative limits of archaeology? How might archaeologists apply their discipline to the most recent past or our contemporary world? Dan Hicks on how a new exhibition at the Pitt Rivers Museum explores these questions and seeks to reframe how we think about archaeology and anthropology in museums today.
How authentic are the concepts of the “universal” or “encyclopaedic” museum? A commentary on the idea of the "universal museum" as a myth invented in the 21st century.
This is an essay about the connections between the passage of time and the condition of archaeological knowledge. It revisits Tim Ingold’s 1993 paper ‘The Temporality of the Landscape’, considering its relationship with the... more
This is an essay about the connections between the passage of time and the condition of archaeological knowledge. It revisits Tim Ingold’s 1993 paper ‘The Temporality of the Landscape’, considering its relationship with the phenomenological and interpretive archaeologies of the 1990s and what we learn from it today. Engaged not so much in an ‘ontological turn’ as in a kind of archival return, the essay compares Ingold’s discussion of Bruegel’s painting The Harvesters (1565) with an archaeological photograph from 1993. A discussion of the after-effects of performance follows, and four theses about temporality, landscape, modernity and revisiting are put forward: 1) The passage of time transforms archaeological knowledge; 2) Archaeological knowledge transforms the passage of time; 3) An archaeological landscape is an object that is known through remapping; 4) Archaeological knowledge is what we leave behind. The essay concludes that archaeology is best understood not as the study of the temporality of the landscape, as Ingold had argued, but as the study of the temporality of the landscape revisited.
A review of the events surrounding the launch of HAU’s expanded edition of Marcel Mauss's The Gift, and reflects on their implications for history and theory in anthropology.
Cite this review as: Hicks, D. 2016. Review of Shannon Lee Dawdy "Patina". Sculpture Journal 25(3): 448-449.
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Dan Hicks & Mary C. Beaudry 2010. Introduction. Material Culture Studies: A Reactionary View. In D. Hicks and M.C. Beaudry (eds) The Oxford Handbook of Material Culture Studies. Oxford: Oxford University Press, pp. 1-21.
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Stonehenge has a traffic problem. But a new £1.4 billion bypass is not the solution.
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With the refugee crisis, Brexit, and the rise of populist extremism, we must defend the teaching of anthropology. And in doing so, we might expand and rethink our conception of "the humanities". (Article in The Conversation)
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A reply to comments by Laurent Olivier, Matt Edgeworth and Tim Ingold on the paper "The Temporality of the Landscape Revisited"
Cite this paper as: Dan Hicks (2016) Pitt Rivers AD 2065: the Future of Museums, Past and Present. Museums ID 19: 31-37.
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An overview of historical archaeology in Britain. Cite this paper as: Hicks, D. 2008. Historical archaeology in Britain. In D. M. Pearsall (ed.) Encyclopedia of Archaeology. San Diego: Academic Press, pp. 1318–1327.
A review of Owen Hatherley's book Militant Modernism for the journal Planning Perspectives.
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"In recent years historians have begun to show renewed interest in studying ‘the material’ dimensions to urban life. This shift has opened up a space for new dialogues between historians and post-medieval archaeologists working on British... more
"In recent years historians have begun to show renewed interest in studying ‘the material’ dimensions to urban life. This shift has opened up a space for new dialogues between historians and post-medieval archaeologists working on British cities. It offers the potential for reassessing approaches to studying the urban past and for experimenting with fresh methodologies. Noting that archaeological perspectives have been largely absent from recent historical accounts of the modern metropolis, in this chapter we explore the potential for pursuing collaborative research that fuses archaeological evidence and thinking with other forms of historical practice to write material histories of London.

The discussion divides into three parts. First, we sketch the post-war development of urban post-medieval archaeology in London, and the range of archaeological collections and excavation sites that relate to the Georgian and Victorian city. Second, we consider some of the ways in which the analysis of these sources might be used in interdisciplinary urban historiography, especially
in the light of methodological approaches developed in North American and Australian urban archaeology. Third, we present a case study that explores how nineteenth-century
household archaeologies in London might be developed, examining some of the complexities and challenges of integrating archaeological methods into the study of households and
localities in the nineteenth-century metropolis. In conclusion we consider the prospects for the development of interdisciplinary approaches to the material remains of London’s modern past."
A review article exploring the idea of improvement in historical archaeology, based on Sarah Tarlow's 2007 book "The Archaeology of Improvement in Britain, 1750-1850".
D. Hicks 2008. ‘Material Improvements’: the Archaeology of Estate Landscapes in the British Leeward Islands, 1713-1838. In K. Giles and J. Finch (eds) Estate Landscapes: Design, Improvement and Power in the post-medieval landscape.... more
D. Hicks 2008. ‘Material Improvements’: the Archaeology of Estate Landscapes in the British Leeward Islands, 1713-1838. In K. Giles and J. Finch (eds) Estate Landscapes: Design, Improvement and Power in the post-medieval landscape. Woodbridge: Bowdell and Brewer, pp. 205-227
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Neolithic Archaeology, Iron Age Britain (Archaeology), Bronze Age Europe (Archaeology), Neolithic & Chalcolithic Archaeology, Bronze Age Archaeology, and 47 more
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The Pitt-Rivers Museum holds c. 667 artefacts from Rapa Nui and c. 93 from Pitcairn Island, most of them collected by the Katherine and Scoresby Routledge expedition of 1914/15. Together they provide a key resource for the study of the... more
The Pitt-Rivers Museum holds c. 667 artefacts from Rapa Nui and c. 93 from Pitcairn Island, most of them collected by the Katherine and Scoresby Routledge expedition of 1914/15. Together they provide a key resource for the study of the prehistoric material culture of the two Islands.
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Unrechtskontexte (Contexts of Injustice): dismantling colonial legacies from Berlin to London In 2013, the German Museums Association (Deutscher Museumsbund) issued guidance on the treatment of human remains in museum collections, in... more
Unrechtskontexte (Contexts of Injustice): dismantling colonial legacies from Berlin to London

In 2013, the German Museums Association (Deutscher Museumsbund) issued guidance on the treatment of human remains in museum collections, in which they introduced a novel concept. The idea of 'Unrechtskontext' (context of injustice) should, they suggested, guide curatorial ethics when assessing the circumstances in which museum collections were acquired. Among considerations here was not just the contexts of the past, but also whether any particular injustice 'continued to have an effect in the present'.

A decade later, this question of the unfinished nature of certain 'contexts of injustice' now lies at the centre of Euro-American debates about the enduring legacies of empire, 'scientific racism', and theories of cultural supremacy. This lecture takes stock of recent events in Europe and North America - from removing statues and un-naming buildings to returning artefacts from colonial museums, but also to ongoing violent regimes of display at the British Museum and now rekindled at Berlin's Humboldt Forum. The lecture asks: How should we understand the 'Unrechtskontexte' of colonial legacies today? By the standards of the time - or by the values that we hold today? And how can these legacies be meaningfully dismantled?

https://www.eventbrite.co.uk/e/goethe-annual-lecture-by-dan-hicks-tickets-227734799917
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Pitt Rivers Museum, University of Oxford
8pm Monday 14 November 2016
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I'm looking forward to giving this public lecture and masterclass on Tuesday 1 November in Glasgow. It's for for a newly-formed graduate programme for material culture research titled Collections: an Enlightenment Pedagogy for the 21st... more
I'm looking forward to giving this public lecture and masterclass on Tuesday 1
November in Glasgow. It's for for a newly-formed graduate programme for
material culture research titled Collections: an Enlightenment Pedagogy for
the 21st Century, which is led by the Scottish Graduate School for Arts and
Humanties at the University of Glasgow, in partnership with the Hunterian
Museum and the Leverhulme Trust. The lecture is in the Kelvin Hall Lecture
Cinema, and the event is from 5pm to 7pm. You can sign up for the event,
which is free, on the eventbrite page: https://www.eventbrite.com/e/the-stuff-of-research-masterclass-prof-dan-hicks-tickets-28722764562
This talk will introduce current research into the early archaeological fieldwork of Augustus Henry Lane Fox (later Pitt-Rivers), assemblages from which have been recently re-discovered at the Pitt Rivers Museum. The paper considers the... more
This talk will introduce current research into the early archaeological fieldwork of Augustus Henry Lane Fox (later Pitt-Rivers), assemblages from which have been recently re-discovered at the Pitt Rivers Museum. The paper considers the potential of these collections, made between c. 1864 and 1880, as a resource for writing the material history of archaeological practice, rather than purely the social or intellectual history of archaeological thought.
The Theft of Presence: on the archaeology of contemporary pasts. How might archaeologists understand contemporaneity? As a single world of presence and absence that can be interpreted through multiple archaeologies (Buchli and Lucas... more
The Theft of Presence: on the archaeology of contemporary pasts.
How might archaeologists understand contemporaneity? As a single world of presence and absence that can be interpreted through multiple archaeologies (Buchli and Lucas 2001)? Or as multiple worlds that emerge through the practice of archaeology? This paper considers this question in two ways. First, it explores the legacies of three 20th-century concepts: ethnology, folklife, and material culture. Second, it presents the implications of two 21st-century alternatives in how archaeologists understand time. In doing so, the paper reflects on what we are left with, a decade on from first CHAT conference in Bristol. It warns that presence, just like history, can be stolen (Goody 2006).
References
Buchli, V. and G. Lucas (eds) 2001. Archaeologies of the contemporary past. London: Routledge.
Goody, J. 2006. The Theft of History. Cambridge: Cambridge University Press.
17th March 2011, 6pm - 8pm Lecture for Material Life of Things Research Project, Courtauld Institute. With Professor Danny Miller (UCL) as Discussant. This paper reflects upon the status of the idea of 'the fragment' in contemporary... more
17th March 2011, 6pm - 8pm

Lecture for Material Life of Things Research Project, Courtauld Institute.

With Professor Danny Miller (UCL) as Discussant.

This paper reflects upon the status of the idea of 'the fragment' in contemporary interdisciplinary material culture studies. In doing so, it uses anthropological thinking to interrogate how we comprehend the forms that the material, the cultural, and the interdisciplinary can take in the study of things.

More details: http://www.courtauld.ac.uk/researchforum/projects/materiallifeofthings.shtml
Britain must give the Benin Bronzes back to Africa – it’s our moral duty The Daily Telegraph 5 November 2020 A curator at Oxford University’s Pitt Rivers Museum explains why we should return African artefacts to their home continent at... more
Britain must give the Benin Bronzes back to Africa – it’s our moral duty

The Daily Telegraph 5 November 2020

A curator at Oxford University’s Pitt Rivers Museum explains why we should return African artefacts to their home continent at long last
The UK government is trying to draw museums into a fake culture war
The Guardian 15 October 2020
https://www.theguardian.com/commentisfree/2020/oct/15/the-uk-government-is-trying-to-draw-museums-into-a-fake-culture-war
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