The Departed 4K

Displaying items by tag: The Departed 4K

Today’s new disc reviews here at The Bits include...

Tim’s look at Richard Fleischer’s Conan the Destroyer (1984) in 4K Ultra HD from Arrow Video, as well as Rospo Pallenberg’s Cutting Class (1989) in 4K Ultra HD from the MVD Rewind Collection.

And Stephen’s thoughts on George P. Cosmatos’ Leviathan (1989) in 4K Ultra HD from MGM via Kino Lorber Studio Classics.

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Martin Scorsese’s The Departed (2006) for 4K Ultra HD and Digital release on 4/23. The 4K disc will also be available in Steelbook packaging. Extras include the new Guilt and Betrayal: Looking into The Departed featurette, along with the legacy Stranger than Fiction: The True Story of Whitey Bulger, Southie, and The Departed and Crossing Criminal Cultures featurettes, as well as 9 deleted scene with introduction by the director. The press release doesn’t indicate it, but the packaging lists 5.1 DTS-HD Master Audio. Look for HDR10 high dynamic range only. [Read on here...]

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Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

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Today’s post starts with three new disc reviews, including...

Stuart’s take on the Film Focus: George Peppard box set from Imprint, which includes John Guillermin’s P.J. (1968), George Schaefer’s Pendulum (1969), Sam Wanamaker’s The Executioner (1970), and Richard T. Heffron’s Newman’s Law (1974).

Dennis’ look at Val Guest’s Assignment K (1968), also new on Blu-ray from Imprint.

And finally, Stephen’s thoughts on Vincente Minnelli and Busby Berkeley’s Cabin in the Sky (1943) on Blu-ray from the Warner Archive Collection.

Note that we have lots more new disc reviews on the way, so be sure to watch for them. Also here at The Bits today, we’ve posted a significant update of our 4K Ultra HD Release List with lots of new 4K UHD titles and Amazon links.

And for our Patreon supporters, we’ve recently shared our thoughts on Ron Moore’s Battlestar Galactica and how well the series holds up some fifteen years after it ended its run on the Sci-Fi Channel, along with some preliminary commentary on changes that are brewing within the home entertainment industry, as well as Stephen’s thoughts on the ethics of film alteration and the challenges in determining how films should look on Blu-ray and especially 4K. Supporting The Bits on Patreon is a great way to help us continue our work in service of physical media, and we surely do appreciate it. [Read on here...]

Published in My Two Cents

We’re rounding out the week here at The Bits with a few more new disc reviews, and some release news as well, including word of new 4K catalog titles, and updates on a title or two that we’ve talked about here previously in recent weeks. But first those reviews...

I’ve posted my thoughts on Wim Wenders’ stunning Wings of Desire (1987) which is now available in 4K Ultra HD from Curzon Film in the UK. The 4K remaster, which was done by the Wim Wenders Foundation, is absolutely stunning. Fans of the film may not realize this, but by the time the film was completed and being shown in theaters back in ‘87, the version we all experienced then was fully six generations away from original camera negative. But now, every inch of this film—save for the little bit of historical and newsreel footage that appears within it—is first-generation right off the negative. And it makes a huge difference, even over the previous Criterion Blu-ray. So if you’re a fan, this 4K release is definitely worth a look.

I’ve also reviewed Jack Ryan: Season Two on 4K Ultra HD, which was released last month on the format by Paramount (along with Season One which we’ve reviewed here). Season Three of the series recently dropped on Amazon Prime and we have word that it’s coming to both Blu-ray and 4K as well later this year.

Also today, Stephen has turned in his thoughts on Adam Rifkin’s The Invisible Maniac on 4K Ultra HD from Vinegar Syndrome.

And we have more reviews on the way as well. I’m personally working on Shout! Factory’s recent WarGames and HBO’s House of the Dragon: Season One, both in 4K Ultra HD. I hope to post those reviews over the weekend or early next week. And the rest of the review team is working on new titles as well, so be sure to watch for them. [Read on here...]

Published in My Two Cents
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