The Histories: (Penguin Classics Deluxe Edition)

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Penguin Publishing Group, May 19, 2015 - History - 880 pages
“Unquestionably the best English translation of Herodotus to have appeared in the past half-century.” —The Times Literary Supplement

In Tom Holland’s vibrant translation, one of the great masterpieces of Western history springs to life. Herodotus of Halicarnassus—hailed by Cicero as the “Father of History”—composed his histories around 440 BC. The earliest surviving work of nonfiction, The Histories works its way from the Trojan War through an epic account of the war between the Persian empire and the Greek city-states in the fifth century BC, recording landmark events that ensured the development of Western culture and still capture our modern imagination. Beautifully packaged in a Penguin Classics Deluxe edition with a comprehensive array of tools to guide first-time readers and experts alike, this accessible translation makes Herodotus fresh and irresistible once more.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
 

Contents

Book One
3
Book Two
107
Book Three
189
Book Four
263
Book Five
337
Book Six
389
Book Seven
445
Book Eight
535
Book Nine
589
Notes
641
The World According to Herodotus
706
The Peloponnese
713
Southern Italy Crete
728
Further Reading
745
Phocis Boeotia and Attica 716
780
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About the author (2015)

Herodotus was the inventor of universal history. Often called the Father of History, his histories are divided into nine books named after the nine muses. A native of Halicarnassus on the coast of Asia Minor (modern Bodrum, Turkey), he traveled extensively, writing lively descriptions of the lands he saw and the peoples he encountered. Herodotus set out to relate the story of the conflict of the Greeks of his own time against the "barbarian" Asiatic empire of Achaemenid Persia. His long narrative, titled by modern convention The Histories, begins with the earliest traditions he believed reliable. It ends with a highly colored account of the defeat of the Persian emperor Xerxes and his immense army of slaves by a much smaller number of Greeks fighting to preserve their freedom. Herodotus wrote history, but his methods and assumptions were not those of a modern historian, and his work was unjustly rejected by his successor Thucydides as factually highly unreliable and full of inappropriate romance. By his own admission, Herodotus retold the stories of other peoples without necessarily believing them all. This allowed him total artistic freedom and control to create a picture of the world that corresponded entirely to his own view of it. The result is a picture of Herodotus's world that is also a picture of his mind and, therefore, of many other Greek minds during the period known as "late Archaic." During this period, the Greek mind was dominated by reason, the domain of the first philosophers and the observant and thoughtful medical theorists of the Hippocratic school. Traditional beliefs in the gods of Homer and in their Oracles, especially the Oracle at Delphi, also dominated during this period. The literary genius of Herodotus consisted in the art of the storyteller. The stories he chose to tell, and the order in which he told them, provide his readers with a total view of his world and the way in which the will of the gods and the ambitions of humans interacted to produce what is known as history. For this reason the ancient critic Longinus justly called Herodotus "the most Homeric of all authors." Like Homer, Herodotus strove to understand the world theologically---a goal that makes his work difficult for the reader to understand at first. But, in place of Homer's divine inspiration, Herodotus used his eyes and ears and wrote not poetry but prose. Rejecting what is commonly known as myth, he accepted instead "oral tradition" about remembered events. For example, although he believed that the Trojan War had been fought, he could not investigate it beyond what the poets had said. In his view this "ancient history" of the Greeks and the peoples of Asia was not like contemporary history, because the heroes of old who had created it were beings of a different and superior order who had had a different, direct, and personal relationship with the gods. In recognizing this distinction, Herodotus defined for all time the limits of the historian's discipline. TOM HOLLAND is the award-winning author of Rubicon, Persian Fire, and most recently In the Shadow of the Sword. He lives in London.

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