‘You could never tire of looking at this’; Pam Hogg on When Forms Come Alive

‘You could never tire of looking at this’; Pam Hogg on When Forms Come Alive

Pam Hogg a woman with blond hair wearing dark sunglasses looks at Tunnel Boring Machine, a sculpture by Teresa Solar Abboud at When Forms Come Alive in the Hayward Gallery

‘It was like walking into a Dalí landscape.’

Bold. Fresh. Playful. Three words that apply not only to the sculptures of our 2024 Hayward Gallery exhibition, When Forms Come Alive, but also to the creations of fashion designer Pam Hogg, whose vibrant clothes have adorned artists such as Paula Yates, Siouxsie Sioux and Debbie Harry.

We invited the designer to visit When Forms Come Alive to get her response to its undulating sculptures, and discover her three favourite works from among the sculptures of 21 different contemporary international artists.

Those that duly caught Hogg’s eye were Tunnel Boring Machine, 2021, by Teresa Solar Abboud – ‘it’s so fresh and new and futuristic, all at the one time’; Untitled, 2022, by Phyllida Barlow – ‘you feel it’s actually going to come and speak to you; your imaginary friend’; and Vaisseaux Verseurs, 2022, by Jean-Luc Moulene – ‘I just loved it instantly, I felt it stood out in the whole room’.

Pam Hogg a woman with blond hair wearing dark sunglasses looks at Vaisseaux Verseurs, a brightly coloured sculpture by the artist by Jean-Luc Moulene at When Forms Come Alive in the Hayward Gallery

‘Every angle is just glorious, you could never tire of looking at this, because from every angle it says something else.’

Pam Hogg on Vaisseaux Verseurs, 2022, Jean-Luc Moulene.
A sculpture made of green pipes on the roof of the Hayward Gallery
Installation view of Holly Hendry, When Forms Come Alive (7 February — 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.
When Forms Come Alive

When Forms Come Alive was at Hayward Gallery, 7 February – 6 May, 2024. Enjoy more articles and videos connected to this exhibition, below.

Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood.
Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood. 69 3/4 x 23 5/8 x 23 5/8 in. (177 x 59.9 x 59.9 cm). Courtesy of the artist. Photo: Claire Dorn.
Art & exhibitions at the Southbank Centre

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