AFI|Catalog

The Truth About Husbands (1920)

Drama | 25 December 1920

Director:

Kenneth Webb

Writer:

Violet Clark

Production Designer:

Roy Webb

Production Company:

Whitman Bennett Productions
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HISTORY

This film was briefly titled The Profligate, after the 1889 play by Sir Arthur Wing Pinero upon which it was based. Referring to it by that name, the 21 August 1920 Wid’s Daily announced that principal photography was underway at producer Whitman Bennett’s studio in Yonkers, NY. As noted in the 11 September 1920 Camera, the picture was one of a three-film series of dramas “based on themes of intimate feminine interest” to be produced by Bennett for Associated First National Pictures, Inc. The scenario was written by Violet Clark.
       During production, Bennett revised the title to The Truth About Husbands, believing it more accurately described the film’s subject, according to an item in the 26 September 1920 [Lexington, KY] Lexington Herald-Leader. Shooting ended sometime before late November 1920.
       A general release date of 25 December 1920 was cited in the 1 January 1921 Motion Picture News. Prior to that, the film was scheduled to open on 12 December 1920 at the Strand Theatre in New York City, as stated in the 10 December 1920 Wid’s Daily.
       Paul Everton was named as a cast member in the 11 September 1920 Moving Picture World and 9 October 1920 Camera.
       According to the Library of Congress American Silent Feature Film Survival Database, The Truth About Husbands is extant. ...

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This film was briefly titled The Profligate, after the 1889 play by Sir Arthur Wing Pinero upon which it was based. Referring to it by that name, the 21 August 1920 Wid’s Daily announced that principal photography was underway at producer Whitman Bennett’s studio in Yonkers, NY. As noted in the 11 September 1920 Camera, the picture was one of a three-film series of dramas “based on themes of intimate feminine interest” to be produced by Bennett for Associated First National Pictures, Inc. The scenario was written by Violet Clark.
       During production, Bennett revised the title to The Truth About Husbands, believing it more accurately described the film’s subject, according to an item in the 26 September 1920 [Lexington, KY] Lexington Herald-Leader. Shooting ended sometime before late November 1920.
       A general release date of 25 December 1920 was cited in the 1 January 1921 Motion Picture News. Prior to that, the film was scheduled to open on 12 December 1920 at the Strand Theatre in New York City, as stated in the 10 December 1920 Wid’s Daily.
       Paul Everton was named as a cast member in the 11 September 1920 Moving Picture World and 9 October 1920 Camera.
       According to the Library of Congress American Silent Feature Film Survival Database, The Truth About Husbands is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
11 Sep 1920
p. 4
Camera
2 Oct 1920
p. 6
Camera
9 Oct 1920
p. 16
Camera
27 Nov 1920
p. 5
Camera
5 Feb 1921
p. 14
Exhibitors Trade Review
25 Dec 1920
pp. 285-86
Lexington Herald-Leader [Lexington, KY]
26 Sep 1920
p. 12
Los Angeles Times
28 Nov 1920
Section III, p. 15
Motion Picture News
16 Oct 1920
p. 3040
Motion Picture News
30 Oct 1920
p. 3413
Motion Picture News
11 Sep 1920
p. 246
Motion Picture News
11 Dec 1920
pp. 4396-97
Motion Picture News
25 Dec 1920
p. 265
Motion Picture News
1 Jan 1921
p. 452
Moving Picture World
11 Sep 1920
p. 230
Moving Picture World
25 Sep 1920
p. 504
Moving Picture World
25 Dec 1920
p. 1081
Wid's Daily
21 Aug 1920
---
Wid's Daily
10 Dec 1920
p. 2
Wid's Daily
19 Dec 1920
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCERS
WRITER
ART DIRECTOR
Art dir
SOURCES
LITERARY
Based on the play The Profligate by Sir Arthur Wing Pinero (London, 24 Apr 1889).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
25 December 1920
Premiere Information:
New York opening: 12 Dec 1920
Production Date:
ca. Aug--Oct or Nov 1920
Copyright Info
Claimant
Date
Copyright Number
Whitman Bennett
30 November 1920
LP15873
Physical Properties:
Silent
Black and White
Length(in feet):
6,979
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Socialite Leslie Brown, little more than an innocent schoolgirl, becomes engaged to wealthy playboy Dustan Renshaw who has broken his engagement with Janet Preece in order to marry a woman of breeding. After they are married, the Renshaws live abroad where one day, in her husband's absence, Leslie welcomes her friends the Stonehays as her guests, accompanied by their private secretary, Janet Preece. Janet's sudden illness compels her to remain with Leslie after her employers have departed, and the two women become fast friends. Leslie learns the story of Janet's betrayal by a man known to her only as "D. R.," and is shocked to learn upon Dustan's return that Janet's betrayer was none other than her own husband. Leslie leaves Dustan, but, with the passage of time, husband and wife are reunited at Janet's deathbed when Leslie learns to forgive her husband's ...

More Less

Socialite Leslie Brown, little more than an innocent schoolgirl, becomes engaged to wealthy playboy Dustan Renshaw who has broken his engagement with Janet Preece in order to marry a woman of breeding. After they are married, the Renshaws live abroad where one day, in her husband's absence, Leslie welcomes her friends the Stonehays as her guests, accompanied by their private secretary, Janet Preece. Janet's sudden illness compels her to remain with Leslie after her employers have departed, and the two women become fast friends. Leslie learns the story of Janet's betrayal by a man known to her only as "D. R.," and is shocked to learn upon Dustan's return that Janet's betrayer was none other than her own husband. Leslie leaves Dustan, but, with the passage of time, husband and wife are reunited at Janet's deathbed when Leslie learns to forgive her husband's past.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.