DuMont will make TV work: A TL | Page 13 | alternatehistory.com

DuMont will make TV work: A TL

Hey we’re finally into an era of TV I know about, via the detail stuffed Three Blind Mice by Ken Auletta.

If ABC is off the table I wonder if Capital Cities—assuming they still hook up with Warren Buffet—will make a play for CBS.
 
Well, looks like I called it: Turner nabs ABC after Coke's (mis)management of the network made it an incredibly easy target. In general, you have to really terrible at running TV/radio stations and/or be obviously corrupt in your business dealings to have the FCC even consider stripping your broadcast licenses, both IOTL and ITTL.

Of note, RKO General was slowly stripped of its broadcast holdings over the course of the 1980s IOTL for many of the same things that led to Coke selling ABC ITTL. The common thread between RKO General IOTL and ABC ITTL is the (watchful?) eye of Thomas O'Neill.
By 1985, Coke began to realize that there was nothing that it could do to head off what was coming and that sale of the ABC properties was going to be necessary to forestall having the FCC take away its licenses altogether. Fortunately for them, that happened to be about the time that Ted Turner failed in his quest to take over CBS. Almost no sooner than CBS fended off Turner’s advances did Coke agree to sell ABC television to him for $3.5 billion. In a separate deal, Coke sold ABC radio to Westwood One, as Turner had no interest in the radio property. Turner then converted the national feed of WTBS to a regular basic cable network and agreed to sell WTBS to a joint venture of Cox Enterprises and MCA/Universal, who changed that station’s calls to WCMA, reflective of their partnership.
Minor issue here, assuming this is the Cox Enterprises I'm familiar with (a major broadcast group IOTL and presumably ITTL), I'm not sure they would be legally able to even partially own the former WTBS, as Cox has long owned another Atlanta TV station, WSB-TV.
The FCC didn't allow a single entity to own two television stations in the same city (barring some very specific and extraordinary circumstances) until the late 1990s IOTL.

I'm sure Universal has more than enough money to buy the former WTBS on it's own though.
 
Well, looks like I called it: Turner nabs ABC after Coke's (mis)management of the network made it an incredibly easy target. In general, you have to really terrible at running TV/radio stations and/or be obviously corrupt in your business dealings to have the FCC even consider stripping your broadcast licenses, both IOTL and ITTL.

Of note, RKO General was slowly stripped of its broadcast holdings over the course of the 1980s IOTL for many of the same things that led to Coke selling ABC ITTL. The common thread between RKO General IOTL and ABC ITTL is the (watchful?) eye of Thomas O'Neill.

Minor issue here, assuming this is the Cox Enterprises I'm familiar with (a major broadcast group IOTL and presumably ITTL), I'm not sure they would be legally able to even partially own the former WTBS, as Cox has long owned another Atlanta TV station, WSB-TV.
The FCC didn't allow a single entity to own two television stations in the same city (barring some very specific and extraordinary circumstances) until the late 1990s IOTL.

I'm sure Universal has more than enough money to buy the former WTBS on it's own though.
It does, and Cox was only a bit player in their ultimate plans (that same consortium bought WOR-TV from RKO OTL when the FCC ordered them out, then Cox promptly pulled out when they had a disagreement with Universal about the running of the station) so it is easily retconnable.
 
Will usa still adopt ATSC standard for HD or might work with someone else ( europe? Japan?) For a better standard?
 
And when will Dumont get Solid Gold, Star Search with Ed McMahon and Lifestyles of the Rich & Famous with Robin Leach ITTL?
 
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Will usa still adopt ATSC standard for HD or might work with someone else ( europe? Japan?) For a better standard?
Depends on whether NHK STRL is still working on MUSE ITTL or not for its Hi-vision service. There's always every possible chance it could have stuck to use HLO-PAF (basically PAL but by frame instead of by line, making it similar to field-sequential systems like the old CBS color standard) as its analog satellite HDTV standard. In which case, there isn't much of a technological leap to make better color pictures work since all that's needed would be to improve on PAL itself, making it similar to an OTL 1980s BBC proposal (summary here) and then some.
 
Does RKO the film studio still exist ITTL?

Are you planning on turning RKO General into a multimedia company?

If yes are they allowed to purchase an animation studio like Filmation?
 
Does RKO the film studio still exist ITTL?

Are you planning on turning RKO General into a multimedia company?

If yes are they allowed to purchase an animation studio like Filmation?
RKO General will be becoming a multimedia company. RKO Films was restarted OTL in 1981, and it will be soon ITTL as well, it will take a bit longer with the differing priorities and more complicated regulations around being a full-fledged network, but it’s definitely something that’s coming.
Any ideas on DuMont News bulletins and it's anchors?
That’s my next update, I plan on having it out tomorrow.
 
Just to state, if it hasn't already been stated (albeit, probably too late), but the Chief Engineer of DuMont was Goldsmith, not Goldstein.
 
Interlude: News
News was considered to be one of the cornerstones and most important aspects of network programming from the foundations of network television. The networks, although profit-seeking entities as all businesses are, loved to consider themselves guardians of the pubic trust, and the news bureaus by which they would inform and enlighten the viewing public were the primary way that they would accomplish that mission. DuMont, of course, was no exception. Though the news division of DuMont extends back to the formative years of the network, the culture of what DuMont News had become by the early 1980’s was shaped in large part by the partnership that Allen DuMont had forged with National Educational Television in the 1960’s. That partnership set the tone for the mission of News, as even moreso than the others at the time they would commit to a standard of journalistic independence and drive to shine light on problems in society that could be fixed when brought to the light.

One of the primary expressions of this was the flagship news magazine show of DuMont News, DuMont Journal. Journal was basically a direct carryover of NET Journal after NET had been forced out of existence and replaced by PBS. It continued that show’s mission of providing hard-hitting insight into societal problems of the day, now unfettered by the need to satisfy political actors that had been present during its time as a non-commercial program. Another news magazine that was launched at the end of the 70's was Lateline, launched originally as coverage of the Iran hostage crisis, but was able to stick especially because nobody else was doing news in the late-night after news slot. NBC had its dominant late-night comedy show, Johnny Carson's Tonight Show, and ABC was running reruns of Lawrence Welk and Hee Haw, while CBS had ceded the slot to affiliates.

DuMont’s evening newscast was titled DuMont Evening News, and dated back to the network’s third attempt to field an evening newscast in the 50’s. When Evening News was launched, the network lured radio announcer Morgan Beatty from NBC to anchor the program. He sat in the chair until 1968, when declining health would force him to retire. He was replaced by a procession of short-lived anchors until 1975 when James Day, the president of DuMont News who had joined the network from NET after assisting the launch of PBS, used his connections with that network to convince Jim Lehrer to come to DuMont and stabilize the anchor chair. Lehrer had made his name as a correspondent for PBS covering the Watergate scandal and the drawdown in Vietnam, and had parlayed that into a co-host position on Robert MacNeil’s evening news program there. His hiring helped make Evening News competitive with the other titans of network news then, CBS Evening News and NBC Nightly News, while ABC World News Tonight lagged behind.

Finally, DuMont launched a one-hour morning news show, the Early Show, in the mid-70’s that it had expanded to two hours by 1980. This was an era when all of the networks save NBC, whose venerable Today show had been running since 1952, were still experimenting and finding their footing around morning television. CBS had tried several morning formats that they had fit around their morning children’s show Captain Kangaroo, and ABC also struggled to find the right fit in the morning. DuMont, like CBS, also showed children’s programming in the mornings in this era, first with a collection of animated and live action shows and eventually settling on the WGN version of Bozo the Clown, until the early 80’s when Bozo and CBS’s Kangaroo would be cancelled due to children attending school earlier.
 
Tobor is going to be a very important character at some point, but that's not for a little while.
This version of Tobor was a pilot that didn't get picked up in 1956 which is about the same time that DuMont closed, so it makes sense that a DuMont that survived may pick it up to fill up their programming.
 
News was considered to be one of the cornerstones and most important aspects of network programming from the foundations of network television. The networks, although profit-seeking entities as all businesses are, loved to consider themselves guardians of the pubic trust, and the news bureaus by which they would inform and enlighten the viewing public were the primary way that they would accomplish that mission. DuMont, of course, was no exception. Though the news division of DuMont extends back to the formative years of the network, the culture of what DuMont News had become by the early 1980’s was shaped in large part by the partnership that Allen DuMont had forged with National Educational Television in the 1960’s. That partnership set the tone for the mission of News, as even moreso than the others at the time they would commit to a standard of journalistic independence and drive to shine light on problems in society that could be fixed when brought to the light.

One of the primary expressions of this was the flagship news magazine show of DuMont News, DuMont Journal. Journal was basically a direct carryover of NET Journal after NET had been forced out of existence and replaced by PBS. It continued that show’s mission of providing hard-hitting insight into societal problems of the day, now unfettered by the need to satisfy political actors that had been present during its time as a non-commercial program. Another news magazine that was launched at the end of the 70's was Lateline, launched originally as coverage of the Iran hostage crisis, but was able to stick especially because nobody else was doing news in the late-night after news slot. NBC had its dominant late-night comedy show, Johnny Carson's Tonight Show, and ABC was running reruns of Lawrence Welk and Hee Haw, while CBS had ceded the slot to affiliates.

DuMont’s evening newscast was titled DuMont Evening News, and dated back to the network’s third attempt to field an evening newscast in the 50’s. When Evening News was launched, the network lured radio announcer Morgan Beatty from NBC to anchor the program. He sat in the chair until 1968, when declining health would force him to retire. He was replaced by a procession of short-lived anchors until 1975 when James Day, the president of DuMont News who had joined the network from NET after assisting the launch of PBS, used his connections with that network to convince Jim Lehrer to come to DuMont and stabilize the anchor chair. Lehrer had made his name as a correspondent for PBS covering the Watergate scandal and the drawdown in Vietnam, and had parlayed that into a co-host position on Robert MacNeil’s evening news program there. His hiring helped make Evening News competitive with the other titans of network news then, CBS Evening News and NBC Nightly News, while ABC World News Tonight lagged behind.

Finally, DuMont launched a one-hour morning news show, the Early Show, in the mid-70’s that it had expanded to two hours by 1980. This was an era when all of the networks save NBC, whose venerable Today show had been running since 1952, were still experimenting and finding their footing around morning television. CBS had tried several morning formats that they had fit around their morning children’s show Captain Kangaroo, and ABC also struggled to find the right fit in the morning. DuMont, like CBS, also showed children’s programming in the mornings in this era, first with a collection of animated and live action shows and eventually settling on the WGN version of Bozo the Clown, until the early 80’s when Bozo and CBS’s Kangaroo would be cancelled due to children attending school earlier.
Don't forget that DuMont can tap MBS for their news programming.
 
Great move by DuMont by poaching Jim Lehrer from PBS, and it sounds like overall DuMont's news operation is holding its own against CBS and NBC while ABC remains a near-afterthought when it comes to news. (ABC's network news operations generally ran a distant third behind CBS and NBC IOTL before the late 1970s when the network overhauled and expanded their news offerings under the management of Roone Arlidge, who of course is running DuMont ITTL.)

DuMont, like CBS, also showed children’s programming in the mornings in this era, first with a collection of animated and live action shows and eventually settling on the WGN version of Bozo the Clown, until the early 80’s when Bozo and CBS’s Kangaroo would be cancelled due to children attending school earlier.
It's only natural that it's WGN's version of Bozo that gets aired nationally ITTL - that was the case IOTL as well thanks to WGN's superstation status; that along with the show's long run (it lasted until the late 1990s!) made WGN's Bozo the most well-known iteration of the franchise IOTL (and a Chicago broadcasting landmark in its own right)
 
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