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The Loveless
Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
July 13, 2015 "Please retry" | — | 1 | $22.99 | — |
DVD
April 24, 2007 "Please retry" | — | 3 | — | $7.99 |
DVD
July 1, 2016 "Please retry" | — | 1 |
—
| — | $20.04 |
Watch Instantly with | Rent | Buy |
Genre | Drama |
Format | Color, Multiple Formats, NTSC, Dolby, Widescreen |
Contributor | Robert Gordon, Willem Dafoe, Grafton Nunes, A. Kitman Ho, Kathryn Bigelow, J. Don Ferguson, Tina L'Hotsky, Monty Montgomery, Marin Kanter See more |
Language | English |
Runtime | 1 hour and 22 minutes |
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Product Description
Product Description
Willem Dafoe made his unforgettable movie debut as the leader of a 50s biker gang lost in a world of black leather, bad girls and sudden violence in the independent hit that marked the emergence of one of modern cinemas most important woman directors. Rockabilly icon Robert Gordon co-stars in this evocative drama co-written and co-directed by Kathryn Bigelow (NEAR DARK and POINT BREAK) and Monty Montgomery (producer of WILD AT HEART and TWIN PEAKS) with a too-cool soundtrack featuring original music by Robert Gordon and John Lurie.
Review
"An Incredible Rockabilly Score!" -- Village Voice
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 4 Ounces
- Item model number : Relay Time: 82 min
- Director : Kathryn Bigelow, Monty Montgomery
- Media Format : Color, Multiple Formats, NTSC, Dolby, Widescreen
- Run time : 1 hour and 22 minutes
- Release date : July 1, 2016
- Actors : Willem Dafoe, Marin Kanter, Robert Gordon, J. Don Ferguson, Tina L'Hotsky
- Producers : Grafton Nunes, A. Kitman Ho
- Language : English (Dolby Digital 2.0 Mono), English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), Unqualified (DTS ES 6.1)
- Studio : Blue Underground
- ASIN : B00030AZFM
- Number of discs : 1
- Best Sellers Rank: #145,288 in Movies & TV (See Top 100 in Movies & TV)
- #24,856 in Drama DVDs
- Customer Reviews:
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Top reviews from the United States
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Willem Dafoe exudes a surly raw sexuality in his first credited screen role as 'Vance,' a rough and tumble biker traveling the back roads of America with his gang during the 1950's. Vance establishes the duality of his character in the very first scene of the film: He is decent enough to come to the assistance of a lone woman driving along a deserted stretch of road by changing out her flat tire. However, when the woman offers Vance a grudging pittance for his time and trouble, he doesn't hesitate to reach through the car window, grab her purse and rifle through her wallet until he pulls out a more satisfactory sum. He then proceeds to plant a groping kiss on her as a bonus. How you react to this scene is probably a good indication of whether or not you will enjoy this movie. It is pretty over the top.
Vance and his motorcycle gang are on their way to Daytona Beach for the races when one of their motorcycles breaks down--forcing them to spend the day at a little out-of-the-way garage and cafe off U.S. Highway 17 until they complete the repairs. The locals are a mixture of the curious and the openly hostile. The movie tends to drift along rather aimlessly through the first two-thirds of the movie, and then it suddenly takes a rather dark turn, picking up momentum and interest after the introduction of a disturbingly pre-pubescent looking Sportster Debbie (Tina L'Hotsky), a wild child with an instant interest in Vance. Following close behind is Debbie's psychopathic and degenerate father, Tarver (J. Don Ferguson), precipitating a violent showdown with Vance and his gang.
The film was intentionally designed to look like a low budget 1970's biker film (a la Roger Corman), but it manages to transcend the genre. Dafoe does not always look completely comfortable in his first role. He does, however, demonstrate a real screen presence and visually commands whatever scene he is in. (Some of the other actors are not so lucky.)
Most of the sexuality in the film is implied rather than explicit (with two rather brief and slightly creepy sex scenes), and there is a surprising lack of profanity. The dialogue is rather stylized--with a great deal of period slang. Be advised, there is substantial "dead air" time (no one talking). Co-director Monty Montgomery wanted a Sergio Leone ("Once Upon a Time in the West") feel to the film--with the day drifting along in "real time." The camera often focuses on the scenery, watching the actors performing mundane tasks, and spends a lot of time on close-ups of the tattoos on the bikers' anatomy, wardrobe details and the period-authentic motorcycles. This is accompanied by a great deal of male posing and preening, giving the film a sensibility that is closer to Kenneth Anger's homoerotic "Scorpio Rising" than Marlon Brando's "The Wild One."
The cinematography and scorching soundtrack alone are worth the price of the DVD. The music features rockabilly icon Robert Gordon (who also has a small role in the film), John Lurie, and a brilliant but un-credited film score from Eddie Dixon. This is augmented by `50's standards from sultry Brenda Lee and Little Richard playing on the jukebox. (The title line of this review is taken from Gordon's opening credits song.)
Substance may take a back burner to this film's lush and gorgeous style with its `50's mixture of vintage motorcycles, black leather, ducktail haircuts, poodle skirts, roadside diners with Wurlitzer jukeboxes, ribbons of endless highway and, of course, bad boy bikers. "The Loveless" isn't just for gear heads and biker culture enthusiasts. The film had the odd effect of making me feel really nostalgic for a time I didn't live through.
Extras include a blended commentary track with Kathryn Bigelow, Willem Dafoe and Monty Montgomery; a gallery of still photos; the original posters for the film; the theatrical trailer and scene selection.
Forget about Captain America and Easy Rider. That's the romantic notion that everyone seems to think of when they talk about motorcycle movies. Think Danny Lyon instead. I rode from NYC to California and back with a friend, and we get together every year or so to watch this movie and laugh at Wilem DaFoe's lines. We both agree that this movie really captures the less glamorous side of going cross country on our sleds.
You also have to have watched the exploitation flicks and Roughies of the 60s to grasp the oeuvre that Bigelow is going for. Though the actors look way better than your average hog biker, they don't quite act, they just "go" through the movie. Of course, with a cast like Rockabilly star Robert Gordon (whom I have seen perform in NYC at his height), DaFoe, and a motley cast of dirty bikers, you are guaranteed an unpolished performance.
Also the turning of the tables in sexual objectification is a welcomed change, as men get ogled by the camera lens throughout the movie, as the view linger leisurely on their body parts, wearing fetishtically tight motorocycle leather gear, refusing to budge...making us become aware of what mainstream cinema has been doing for so many decades to women.
Top reviews from other countries
安く購入出来たのでラッキーでした!ウィレムデフォー好きな人には是非見といて欲しい作品ですねぇ〜STREETS OF FIREの役もバリバリのロッカーですけど、LOVELESS
もバリバリのロッカーのストーリーなので
是非見て欲しい作品ですね~
I duly watched the film, but as with most old films you see again after a few years, they are never as good as you remember them.
And thats how i feel about this film, its ok, its worth a look, but its not that great.
The bikes are nice,when you get to see them, but theres not much of a story line.
Basicly "It aint going nowhere fast", hehehe.