Roger Waters – Amused To Death
Tracklist
| 1 | The Ballad Of Bill Hubbard | 4:19 | |
| 2 | What God Wants, Part I | 6:00 | |
| 3 | Perfect Sense, Part I | 4:15 | |
| 4 | Perfect Sense, Part II | 2:50 | |
| 5 | The Bravery Of Being Out Of Range | 4:45 | |
| 6 | Late Home Tonight, Part I | 4:00 | |
| 7 | Late Home Tonight, Part II | 2:12 | |
| 8 | Too Much Rope | 5:47 | |
| 9 | What God Wants, Part II | 3:39 | |
| 10 | What God Wants, Part III | 4:08 | |
| 11 | Watching TV | 6:06 | |
| 12 | Thee Wishes | 6:50 | |
| 13 | It's A Miracle | 8:30 | |
| 14 | Amused To Death | 9:12 |
Companies, etc.
- Copyright © – Columbia Records
- Phonographic Copyright ℗ – Columbia Records
- Manufactured By – Analogue Productions
- Manufactured By – Sony Music Entertainment
- Recorded At – The Billiard Room
- Recorded At – Olympic Studios
- Recorded At – CTS Studios
- Recorded At – Angel Studios
- Recorded At – Abbey Road Studios
- Recorded At – Compass Point Studios
- Recorded At – Devonshire Studios
- Recorded At – Ameraycan Studios
- Recorded At – Evergreen Recording
- Recorded At – Johnny Yuma Recording
- Mixed At – Devonshire Audio Visual
- Mixed At – das boot recording
- Mastered At – das boot recording
- Glass Mastered At – Sony DADC – A0102486980-A911
- Glass Mastered At – Sony DADC – A0102486980-B911
Credits
- Art Direction – Deadskinboydesign*
- Co-producer, Recorded By – Nick Griffiths
- Engineer – Hayden Bendall*, Jerry Jordan, Stephen Mclaughlin*
- Engineer [Assistant 5.1 Surround Mix] – Joel Plante
- Engineer [Assistant Stereo Mix] – Joel Plante, Sean O'Dwyer
- Engineer [Assistant] – Andy Bradfield, Brian Burrows, Chris Brown (8), Dary Sulich, Jeremy Wheatley, John Lowson, Marc Moreau, Mike Bosley, Ross Donaldson, Roy Sweeting, Steve Heinke
- Engineer [DSD Authoring For SACD] – Gus Skinas
- Management – Kate Watkins, Mark Fenwick
- Mastered By – James Guthrie, Joel Plante
- Mixed By, Recorded By [Additional Recording] – James Guthrie
- Photography By [Additional] – Associated Press
- Photography By [Front Cover] – Sean Evans (4)
- Producer – Patrick Leonard, Roger Waters
- Tape Op [Assistant Tape Preparation And Restoration] – Andy Cook (8), Jason Elliott (4)
- Tape Op [Tape Preparation And Restoration 2013] – Chris Myring, James Guthrie
- Technician [Q-Sound] – Buzz Burrowes
- Written By – Roger Waters
Notes
New 2015 remix completed by James Guthrie.
Jeff Beck appears courtesy of Epic Records
Rita Coolidge appears courtesy of Attic Productions Ltd./Canada
N'Dea Davenport appears courtesy of Delicious Vinyl/Atlantic Recording Corp.
Don Henley appears courtesy of Geffen Records
Brian MacLeod appears courtesy of MCA Records Inc.
John Patitucci appears courtesy of GRP Records
Dedicated to private William Hubbard [1888-1917], Eight Battalion of the Royal Fusiliers, City of London Regiment.
This recording was mixed in Q-Sound™, a new audio technology producing a wider, more natural sound field.
Track durations are for the stereo programs. Some multichannel track durations are slightly different.
Disc made in Austria.
Jeff Beck appears courtesy of Epic Records
Rita Coolidge appears courtesy of Attic Productions Ltd./Canada
N'Dea Davenport appears courtesy of Delicious Vinyl/Atlantic Recording Corp.
Don Henley appears courtesy of Geffen Records
Brian MacLeod appears courtesy of MCA Records Inc.
John Patitucci appears courtesy of GRP Records
Dedicated to private William Hubbard [1888-1917], Eight Battalion of the Royal Fusiliers, City of London Regiment.
This recording was mixed in Q-Sound™, a new audio technology producing a wider, more natural sound field.
Track durations are for the stereo programs. Some multichannel track durations are slightly different.
Disc made in Austria.
Barcode and Other Identifiers
- Barcode (Text): 8 87654 78842 9
- Barcode (Scanned): 887654788429
- Pressing Plant ID (SACD layer): Sony DADC
- Matrix / Runout (SACD layer): A0102486980-A911 17 A00
- Mastering SID Code (SACD layer): IFPI L557
- Matrix / Runout (CD layer): A0102486980-B911 58
- Mastering SID Code (CD layer): IFPI L328
- Mould SID Code (Variant 1): IFPI 24A8
- Mould SID Code (Variant 2): IFPI 94A8
Other Versions (5 of 126)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Amused To Death (CD, Album) | Columbia | CK 47127 | US | 1992 | |||
Recently Edited | Amused To Death (2×LP, Album) | Columbia | 468761 0 | Europe | 1992 | ||
Recently Edited | Amused To Death = 死滅遊戯 (CD, Album) | Sony | SRCS 5913 | Japan | 1992 | ||
New Submission | Amused To Death (Cassette, Album) | Columbia | CT 47127 | Europe | 1992 | ||
New Submission | Amused To Death (Cassette, Album) | Columbia | CT 47127 | Canada | 1992 |
Recommendations
Released2011 — UK, Europe & USSACD —Hybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered
Released2022 — USSACD —Hybrid, Multichannel, Stereo, Album, Limited Edition, Reissue
Released2021 — USSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
Released2005 — EuropeSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
Released2013 — USSACD —Hybrid, Stereo, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition
Released2019 — USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
Released2011 — JapanSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
Released2019 — USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
Released2018 — USA & EuropeSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered
Released2019 — USSACD —Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition
Reviews
This is an absolutely stunning remaster of one of my all time favourite albums. The dynamic range of the original recording has (for once!) been preserved and the 5.1 SACD layer is truly excellent. The mix is sympathetic to the original Q sound recording but totally opens out the music. I've listened to the original CD release many times, but I keep hearing new things in the mix which I never noticed before. Earlier today, I was looking out at the field behind my house to see the cow I could hear... only to realise that it was on the album! For me, this sets the standard by which all remasters should be measured.
Release
For sale on Discogs
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