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The Empty Family Taschenbuch – 31. Dezember 2035

3,9 3,9 von 5 Sternen 478 Sternebewertungen

From the internationally celebrated author of Brooklyn and The Master, and winner of the International IMPAC Dublin Literary Award, comes a stunning new book of fiction.

In the captivating stories that make up
The Empty Family, Colm Tóibín delineates with a tender and unique sensibility, lives of unspoken or unconscious longing, of individuals often willingly cast adrift from their history. From the young Pakistani immigrant who seeks some kind of permanence in a strange town, to the Irish woman reluctantly returning to Dublin and discovering a city that refuses to acknowledge her long absence, each of Tóibín's stories manage to contain whole worlds: stories of fleeing the past and returning home, of family threads lost and ultimately regained.

Like Tóibín's celebrated novels, and his previous short story collection,
Mothers and Sons, reviewed on the front page of the New York Times Book Review, The Empty Family will further confirm Tóibín's status as "his generation's most gifted writer of love's complicated, contradictory power." (Los Angeles Times)


From the Hardcover edition.
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Produktbeschreibungen

Pressestimmen

A Globe and Mail Best Book

Praise for Mothers and Sons:
"Brilliant. . . . A book to be offered to anyone who savors some of the most accomplished and nuanced soundings contemporary fiction has to offer. . . . Tóibín's craft is immaculate." 
— Pico Iyer,
New York Times Book Review

"It's truly remarkable that a writer of Tóibín's great felicity, immense seriousness and general large awareness - a writer so naturally gifted as a novelist - can deliver short stories of such subtle empathy and brilliance. He's dazzling." 
— Richard Ford


From the Hardcover edition.

Über den Autor und weitere Mitwirkende

COLM TÓIBÍN is the award-winning author of six internationally acclaimed novels, most recently The Blackwater Lightship, The Master, winner of the International IMPAC Dublin Literary Award, Le prix du meilleur livre étranger, and the Los Angeles Times Book Prize for Fiction, and Brooklyn, winner of the Costa Novel Award. Tóibín's previous book of short fiction was the #1 national bestseller Mothers and Sons. He lives in Dublin, Ireland.


From the Hardcover edition.

Produktinformation

  • Herausgeber ‏ : ‎ Emblem Editions (31. Dezember 2035)
  • Sprache ‏ : ‎ Englisch
  • Taschenbuch ‏ : ‎ 224 Seiten
  • ISBN-10 ‏ : ‎ 0771084072
  • ISBN-13 ‏ : ‎ 978-0771084072
  • Kundenrezensionen:
    3,9 3,9 von 5 Sternen 478 Sternebewertungen

Informationen zum Autor

Folge Autoren, um Neuigkeiten zu Veröffentlichungen und verbesserte Empfehlungen zu erhalten.
Colm Tóibín
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Colm Toíbín, 1955 in Enniscorthy/Irland geboren, ist einer der wichtigsten irischen Autoren der Gegenwart. Er lebt in Dublin und New York, wo er an der Columbia University unterrichtet. Sein literarisches Werk wurde vielfach ausgezeichnet, u.a. mit dem internationalen IMPAC-Preis. Sein Roman ›Brooklyn‹ wurde erfolgreich verfilmt, das Drehbuch schrieb Nick Hornby.

Kundenrezensionen

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3,9 von 5
478 weltweite Bewertungen

Spitzenbewertungen aus Deutschland

Es liegen 0 Rezensionen und 3 Bewertungen aus Deutschland vor

Spitzenrezensionen aus anderen Ländern

Alle Rezensionen ins Deutsche übersetzen
M.D.
5,0 von 5 Sternen Perfect!
Rezension aus dem Vereinigten Königreich vom 14. Mai 2020
I love Colm Toibin’s work & this little book is perfect. His phrasing & language is beautiful and linger in your mind. Perfect to dip in & out of - the stories are best savoured little & often! Lovely gift or treat!
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H. Williams
5,0 von 5 Sternen A terrific collection of great stories filled with moving situations and memorable characters (except maybe that title story)
Rezension aus den Vereinigten Staaten vom 7. Dezember 2015
The book discussion group read this collection of stores in December 2015. We had a fairly small group (which is great for discussion), who most enthusiastically liked or loved the book.

The first story, "Silence," is a rather ornate return to the Henry James period and approach that Toibin used in "The Master," a novel that we genuinely loved when we read it in the group. The rest of the stories in the collection, however, are contemporary and many are much more sexually explicit. So, while this is a very fine story, it might be a bit of a false start for the collection.

The stories (including the first, anomalous story) revolve around familial relationships, uncovering how families interact, and often exploring troubled or failed relationships. Many of the major characters are lonely and alienated from their families. They long to return to their families, usually in Ireland. Physically returning home is a common theme. In the final story ("The Street"), the statement "...my real family is you," sums up the families that number of the characters create for themselves.

One of the things that separates short stories from novels is the tight number of characters in short stories. Toibin creates vivid and memorable characters: a flinty older art director ("Two Women"); two young men who had an affair years ago and meet again later, with one of them married to a woman journalist ("The Pearl Fishers"); a young man and his first lover, whom he loses ("Barcelona, 1975"); a gay man raised by his very opinionated but loving aunt ("The Color of Shadows"), a "bad" communist and her controlling mother ("The New Spain"), and the two Pakistani men who find each other under difficult circumstances ("The Street").

Another point is that novels are often processes and involve multiple changes, but stories are built around a single image, and the stronger the image appears in the story, the stronger the story seems. Images in these stories include a conversation between two women in a pub ("Two Women"); three characters having dinner in a fancy restaurant and one of the characters walking home alone ("The Pearl Fishers"); a gay orgy in a warren of rooms ("Barcelona, 1975"), an old sea-side home with tourist cottages built nearby, as well as a refrigerator chained shut ("The New Spain"), and finally a free concert filled with young Pakistani men, and later, two Pakistani men, one older and one younger, walking along the beach ("The Street").

I couldn't get a grasp on the title story, "The Empty Family." While full of beautiful imagery, I could never figure out the relationships between the characters or tell what had happened before the story began.

A few too many of the stories use a dying parent or guardian as the central conceit of the story ("One Minus One", "The New Spain," and "The Colour of Shadows"). But I'm just pointing out quibbles. The stories are uniformly beautiful and sensuous and memorable. Colm Toibin is fabulous.
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Oker
5,0 von 5 Sternen Brilliant!
Rezension aus Spanien vom 5. August 2016
I really enjoyed it, just as much as I usually enjoy everything Colm Tóibin writes. If you've missed it, get it now.
Ann Gleeson
4,0 von 5 Sternen Beautiful writing but disturbing content
Rezension aus dem Vereinigten Königreich vom 13. April 2015
The Empty Family is beautifully written but the content is disturbing. The writing persuades the reader that a homosexual lifestyle will be acceptable to all and bring happiness to those who choose that life style, but it is not so. There is an unbearable sadness, yearning and emptiness in the characters who want to live fulfilled lives and are unable to do so. Some of the scenes in the book are sexually explicit.
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F. Tyler B. Brown
4,0 von 5 Sternen Love Ceaselessly Beckons
Rezension aus den Vereinigten Staaten vom 26. Januar 2011
In a hyper-connected world, where friends, family, and even people we hardly know are only a text, Skype, email, Poke, Tweet, Re-tweet, IM, or call away, there is something about willed isolation, the desire to remain cut-off and removed from the heartbeat of anything resembling a loving community that is all the more chilling.

Colm Toibin, in this collection of short fiction, has managed a masterful array of stories, and a collage of characters that unveil with melancholic ardor the pain, loss, and empty hearts of people who have refused, run away from, or been denied love. Love lingers in their lives like an open wound, borne from an encounter decades ago.

Toibin- like with "Brooklyn" and "The Master" - in these works displays deft restraint. His prose is terse and powerful. His characters' pain is the simple product of a series of wrong turns- that combined and compounded into something more. Central to almost every character in these stories is a lack of reconciliation with the past. Toibin's characters are running- from pain, love lost, truth, loneliness, confusion, time.

With each passing decade, the onion adds layers. Toibin gives readers of "The Empty Family" first the mature, ripe onion- followed by a series of glimpses into its core. In this way, the structure of Toibin's stories mimic the rhythm and construction of memory. Nothing is more detailed than now. But the emotion of the past, we cannot escape. The impact of moments, whose importance only grow with age, become more clear, and sometimes painful, in the repeating now. The past emerges to the surface like the first, petite bubbles in a pot of stovetop water that is about to turn over into a violent boil.

Frances, in "Two Women", is in the twilight of her life and career. She is a woman "that did not allow herself to feel pain." Frances, on a trip for work to Ireland, is reminded of her 12-year love affair with a man named Luke. "Besides her career, nothing interested her now except her house and her own mind." But for Frances, like so many characters in these stories, the house and mind are not a place of growth and expansion, but rather of retreat. It is a place Frances goes to hide. She resigns from the vulnerability of love in the familiar and routine machinations of her work. Luke was a big decision in her life that she fumbled; and now it haunts her.

Through the pain and loss that Toibin orchestrates with the touch of a puppeteer in these stories, through the absence of love, we are given perhaps the most powerful testament of its presence. Love ceaselessly beckons through the void. "The Empty Family" unveils, in all its subtle splendors, this tug of war between the safeness and isolation of a life without love versus the allure and vulnerability of one where love is present. Toibin offers us a powerful portrait of the ruinous effects of a hardened heart on the soul; and in so doing, champions the importance of an open and ever mindful heart.
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