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Fire in the Bones: Bill Mason and the Canadian Canoeing Tradition Paperback – January 1, 1996
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- Length
300
Pages
- Language
EN
English
- PublisherHarperCollins
- Publication date
1996
January 1
- ISBN-100002553953
- ISBN-13978-0002553957
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Product details
- Publisher : HarperCollins; First Edition (January 1, 1996)
- Language : English
- Paperback : 300 pages
- ISBN-10 : 0002553953
- ISBN-13 : 978-0002553957
- Item Weight : 1.4 pounds
- Best Sellers Rank: #4,604,528 in Books (See Top 100 in Books)
- #265 in Canadian Biographies
- #7,932 in Artist & Architect Biographies
- #20,865 in Traveler & Explorer Biographies
- Customer Reviews:
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The Bill Mason that emerges so clearly from Raffan's book is not a saint, not even blessed, but the complicated external reality of a man whose life was frustrated in many particular ways: by a stifled upbringing, hormones, bureaucracy, philistinism, and finally cancer. It is not the picture of a heroic martyr triumphing through art or faith, but instead is that of a really talented and spirited guy who always did what he wanted to do--but who also ironically, in a way, never got to do what he wanted to do. It must have been frustrating for Raffan, too, to try to capture the essence of a man whose essence in at least one determinative way never came to fruition.
And yet Raffan clearly shows a guy who made the world a better place--through his art, his enthusiasm, and his faith. Bill Mason was a man worthy of biography--almost, I think, of a gospel--and Raffan has given us the Good News along with the Passion.
I can't be the only person who learned to paddle an open Canoe by reading this book. With a library copy stuck in a plastic bag and resting on the hull, I bruised my knees and my ego trying to make 16ft of uncooperative fibre glass do the things in the diagrams. If it hadn't been for the photographs that equated canoeing with stunning wilderness scenery and beautiful campsites in remote places, I would probably have thrown the book away and retreated to my Kayak.
Bill mason did more to popularise the Open canoe than anyone else. His position is unique, since there is no one with a comparative influence on the art of kayaking. When he died, the British canoe union dedicated a chapter of its hand book to him, a film festival and scholarship were set up in his memory in Canada, and even now, when modern writers of books on the sport of open canoe paddling, like Slim Ray, disagree with what he said, they do so with a with a genial reverence that is rarely found in paddling circles.
Since Mason was such an important figure in my private mythology, I approached Bill Ruffan's biography with mixed feelings. To deal with myths is a difficult task, and Mason was many things to many people: the Author of Path of the Paddle, the maker of other films that were successful, a husband , father and friend.
The dust jacket and subtitle seemed to suggest that Raffan had taken the logical course and chosen to use Mason the paddler and his relationship with the tradition he came to embody as the unifying theme.
Instead the book is a rather logical and thorough attempt to cover everything. Ruffan, as Biographer, has used Mason's career as a film maker to hold his narrative together, and the result is a book that reads like an extended portfolio of a film maker's life. While those films were highly praised, and at least six of them are "about" canoeing, there is precious little about Mason the paddler. And outside of Canada, Bill Mason will be remembered most as the man who paddled rivers in an open canoe and indirectly taught thousands to follow him.
At the end of the book I did not know what it was like to go down a river with him. There are almost no stories about Mason as river traveler from someone else's perspective. There is nothing from the students he worked with on camp. There is little from Paul Mason on what it was like to be the very competent son of a paddling legend. I was not expecting to finish the book relatively ignorant of where Mason got his style and terminology from: it's mentioned briefly, but this subject, Bill Mason's position in terms of the tradition he came to represent, which the book's subtitle claims the book is about, is brushed over quickly.
All in all a disappointment. And an education. Watters couldn't find a publisher for his life of Blackadar: Never turn back. Yet "Never turn back" is a far better biography than Fire in the Bones
Top reviews from other countries
The kindle digital version needs a bit of work. Many small typos in the text. And, I'm not sure if there are any photos in the hard copy, but there are none in the digital version. Had I known I would have bought a hard copy.
I hate to complain and wasn’t going to but it just threw the story off so many times trying to understand what the author was saying that I had to mention it in hopes that someone would edit the book, correct these silly mistakes and post a final product.