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Through the Valley of the Nest of Spiders Paperback – April 17, 2012
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In 2007, days before his seventeenth birthday, Eric Jeffers’ stepfather brings him to live with his mother, who works as a waitress in the foundering tourist town of Diamond Harbor on the Georgia coast. In the local truck stop restroom, on his first day, Eric meets nineteen-year-old Morgan Haskell, as well as half a dozen other gay men who live and work in the area. The boys become a couple, and for the next twenty years labor as garbage men along the coast, sharing their lives and their lovers, learning to negotiate a committed open relationship. For a decade they manage a rural movie theater that shows pornographic films and encourages gay activity among the audience. Finally, they become handymen for a burgeoning lesbian art colony on nearby Gillead Island, as America moves twenty years, forty years, sixty years into a future fascinating, glorious, andsometimesterrifying.
Review
Praise for Dark Reflections
"Samuel R. Delany is not only one of the most profound and courageous writers at work today, he is a writer of seemingly limitless range. Delany can populate alien worlds or hypothetical futures and he can, with equal skill, home in, as he does in Dark Reflections, on the extraordinary life of a single, outwardly ordinary man living right now in New York City. Delany gives us to understand that all worlds, including our own, are alien, and terrifying, and wondrous."--Michael Cunningham
"Dark Reflections is one of the most honest books I've ever read about the martyrdom of the writer in the contemporary world. Samuel Delany, who has entertained readers for decades with his rich fantasies, now gives us the truth and nothing but the truth. At certain points I wanted to put this down because it was so sad--but I couldn't because I was so engrossed by its spare beauty and its searing frankness."--Edmund White
"In previous books, Delany has shown himself to be comfortable with both gay and straight, black and white milieusnot to mention various literary formsbut the hero of this heartfelt, often funny book is triply alienated Dark Reflections, while harrowing and bleak, is mainly tendera loving rendition of a place that gentrification has all but obliterated, a spot-on portrait of the East Village artist as a gay black geek."--Andrew Holleran, writing in The Washington Post
Praise for Dhalgren
"I consider Delany not only one of the most important SF writers of the present generation, but a fascinating writer in general who has invented a new style." --Umberto Eco
"The very best ever to come out of the science fiction field... A literary landmark." --Theodore Sturgeon
About the Author
Born and raised in New York City’s Harlem in 1942, from 1988 to 1999 he was a professor of comparative literature at the University of Massachusetts at Amherst. After two years’ teaching in the SUNY Buffalo Poetics Program, since January 2000 he has been a professor of English and creative writing at Temple University, where he is Director of the Graduate Creative Writing Program.
His novels include Nova (1968), Dhalgren (1975), Trouble on Triton (1976), and The Mad Man (1995). He is author of the four-book series, Return to Nevèrÿon (1979’87), and the short novel Phallos (2004). His most recent novel, Dark Reflections (2008), won the 2008 Stonewall Book Award and was a runner up for that year’s Lambda Literary Award. His stories have been collected in Aye, and Gomorrah, and Other Stories (2002) and Atlantis: Three Tales (1995). His nonfiction volumes include The Jewel-Hinged Jaw (1977rev. 2009), About Writing: Seven Essays, Three Letters, and Five Interviews (2006), and Times Square Red, Times Square Blue (1998).
He was a judge on the fiction panel for the 2010 National Book Award. A collection of his interviews has appeared in the University of Mississippi Press’s prestigious Conversations with Writers Series, Conversations with Samuel R. Delany (2009), edited by Carl Freedman.
He lives in New York City.
- Print length625 pages
- LanguageEnglish
- PublisherMagnus Books
- Publication dateApril 17, 2012
- Dimensions6 x 2.25 x 9 inches
- ISBN-10193683314X
- ISBN-13978-1936833146
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Product details
- Publisher : Magnus Books; First Edition (April 17, 2012)
- Language : English
- Paperback : 625 pages
- ISBN-10 : 193683314X
- ISBN-13 : 978-1936833146
- Item Weight : 2.1 pounds
- Dimensions : 6 x 2.25 x 9 inches
- Best Sellers Rank: #3,543,087 in Books (See Top 100 in Books)
- #12,083 in LGBTQ+ Genre Fiction (Books)
- #128,431 in Literary Fiction (Books)
- #148,667 in American Literature (Books)
- Customer Reviews:
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About the author
Samuel R. Delany’s science fiction and fantasy tales are available in Aye and Gomorrah and Other Stories. His collection Atlantis: Three Tales and Phallos are experimental fiction. His novels include science fiction such as the Nebula-Award winning Babel-17 and The Einstein Intersection, as well as Nova (now in a Library of America anthology) and Dhalgren. His four-volume series Return to Nevèrÿon is sword-and-sorcery. Most recently, he has written the SF novel Through the Valley of the Nest of Spiders. His 2007 novel Dark Reflections won the Stonewall Book Award. Other novels include Equinox, Hogg, and The Mad Man. Delany was the subject of a 2007 documentary, The Polymath, by Fred Barney Taylor, and he has written a popular creative writing textbook, About Writing. He is the author of the widely taught Times Square Red / Times Square Blue, and his book-length autobiographical essay, The Motion of Light in Water, won a Hugo Award in 1989. All are available as both e-books and paperback editions. His website is: www.samueldelany.com.
Photo by Alex Lozupone (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons.
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I don't want to get into long-winded, adjective laden descriptions and testimonies of why I love this book because it's too close to me. It's such a part of my life now that in trying to describe why I love it my praise never sounds quite right; it rings hollow. Yes this book is beautiful, laugh-out-loud funny, gloriously raunchy, and intellectually stimulating--and yes, these are all fantastic reasons to check out this book. However, if I want to be as honest as possible, I think you should check out this book because I want you to hopefully experience what I did...I want you to meet these characters, I want you to grow attached to them, learn from them, and I want them to be an integral part of your life like they are for me.
This is the raunchiest book I've ever read. So raunchy that I wasn't sure I could stomach it. Like, I literally felt abdominal discomfort, at first, reading some of the passages (specifically the smegma scenes…)
I set the book down. I read something else. But then, I found myself missing the characters. I picked it back up.
This book is cheesy (both in the smegma sense, and narratologically) but there's also a… wholesomeness to it? An innocence? Which sounds absurd, being applied to a book so raunchy my stomach hurt.
It's long. You get to spend a lot of time with the characters. And I found that I came to love their presence in my life. I missed them when they were gone.
GIVE ALL YOUR THANKS TO FELLOW DELANY FAN Kevin Donaker-Ring, who compiled Delany errata AT ONERINGCIRCUS.COM
I'M SUCH A DELANY FAN THAT AFTER WAITING FOR ALMOST TWO YEARS FOR THIS BOOK (A SHUTTERED PUBLISHING HOUSE IS JUST ONE OF ITS TROUBLES)I BOUGHT BOTH THE PRINT AND KINDLE EDITION. I AM CURRENTLY READING THROUGH BOTH OF THEM.
This is not an easy read, but life is not often easily lived, and the pay-off is the beauty of Delany's language - his eye for the odd but telling detail and the social comment ever-present but never didactic.
Delany is our Wolff, our Joyce (and sometimes our Sacher-Masoch) and this is a truly memorable, even epic, ride.
The science fiction is almost in the background; the "future" that happens is presented mostly as it affects our protagonists, who are far from the center of society.
Top reviews from other countries
Ma ho letto questo libro quasi due anni fa, e da allora non faccio che pensarci.
Non tutti i libri mi fanno questo effetto. Anzi.
E' un romanzo difficile, faticoso, talvolta disturbante.
Eppure eppure eppure.
C'è qualcosa di eminentemente letterario in questa scrittura che cerca di riprodurre la forma stessa della memoria (al di là di Proust): una memoria lenta, accuratissima dell'infanzia, che via via si fa più veloce, sclerotizzata, quasi disattenta. E se il libro inizia a un certo punto a saltare anni su anni come se non avessero lasciato traccia nel protagonista è perché i nostri ricordi sono fatti così (e certo un po' di Alzheimer non aiuta...).
C'è qualcosa di estremamente vero in questa descrizione dell'amore che esclude ogni forma di narratività perché esclude il conflitto - e se il conflitto c'è, è intimo, personale; non crea labirinti sentimentali, ma solo dubbi esistenziali - e non è solo sesso, e non si oppone al sesso, ma lo compenetra, lo esaurisce.
C'è qualcosa di intimo, riconoscibile, in questo futuro immediato, appena immaginato, tracciato con poche semplici, quasi invisibili linee, in cui ci saranno più diritti per i gay, ma anche nuovi attentati terroristici e qualche problema ambientale.
Nel leggerlo ho avuto voglia di piangere, voglia di ridere.
E a ripensarci ho voglia di rileggerlo.
O di rileggermi l'Etica di Spinoza, che in qualche modo - di nascosto - occhieggia dietro ogni pagina del libro, moltiplicando e confondendo i mille piani di lettura.
Excise the sex scenes and you'd have an elegant novella...
Um... It's probably brilliant. It's certainly affecting; the last third constantly made me want to weep (not cool when reading during smoke breaks at work).
A 70 year gay love story. Beautifully written prose, utterly real and absorbing.
Side note of irritation: if Delaney can write this why can't he write the once-promised sequel to Stars in my Pocket like Grains of Sand?
Reviewed in the United Kingdom on June 15, 2020