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Merchanter's Luck (Dramatized Adaptation): Alliance-Union Universe: The Company Wars, Book 2 Audible Audiobook – Original recording
The classic sci-fi series, brought to life with a full cast, sound effects, and cinematic music!
The fateful meeting between the owner of a tramp star-freighter that flies the Union planets under false papers and fake names and a proud but junior member of a powerful starship-owning family leads to a record-breaking race to Downbelow Station - and a terrifying showdown at a deadly destination off the cosmic charts.
Performed by Karen Novack, Shravan Amin, Elena Anderson, Ryan Reid, Keval Shah, Lucy Symons, Holly Adams, Christopher Williams, Nazia Chaudhry, Robb Moreira, Christopher Walker, David Cui Cui, Julie Hoverson, Peter Holdway, Eric Messner, Colleen Delany, Niusha Nawab, Nora Achrati, Alejandro Ruiz, Bradley Foster Smith, and Yasmin Tuazon.
- Listening Length6 hours and 8 minutes
- Audible release dateJanuary 1, 2022
- LanguageEnglish
- ASINB09NQRFFVT
- VersionOriginal recording
- Program TypeAudiobook
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Product details
Listening Length | 6 hours and 8 minutes |
---|---|
Author | C.J. Cherryh |
Narrator | Christopher Walker, Holly Adams, Karen Novack, Nazia Chaudhry, Christopher Williams, Robb Moreira, Elena Anderson, Amin Shravan, Ryan Reid, Keval Shah, Lucy Symons |
Audible.com Release Date | January 01, 2022 |
Publisher | Graphic Audio LLC |
Program Type | Audiobook |
Version | Original recording |
Language | English |
ASIN | B09NQRFFVT |
Best Sellers Rank | #137,500 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #2,390 in Space Opera Science Fiction (Audible Books & Originals) #8,646 in Space Operas |
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The rest of the novel is about the lingering echoes of Sandor's family catastrophe, about how something resembling post-traumatic stress disorder can screw with a man's head the rest of his life, and about how hard it is to look past all of these things to find love and trust. It's a book about desperate love. In a few of Cherryh's trademark clipped, condensed paragraphs in the first pages, she paints a picture of a young man on the edge of life, scarred by a horrific tragedy in his youth, eking out a living in the shadow of the big players of Downbelow Station . That novel made a big splash in the early 80s, and I read it, but this story is the one that stuck in my mind for thirty years. I come back to it over and over because of the tone Cherryh puts into it, because of the way she expertly balances the yearning in Sandor against his fear of betrayal, his pride, his survivor's guilt, the secrets and ghosts (metaphorical) that are all he has left. Sandor is a victim who doesn't realize he's a victim, so he behaves like a hero and then is surprised when people say nice things about him.
Cherryh's typically compact and evocative prose supports a story which is perhaps too long on Merchanter/Alliance/Union politics and too short on the romance that fuels the story. Even though I was familiar with the referents, I didn't care. They were only window dressing for the real story, the love story. Cherryh set up a good one and didn't quite pull it off; the romance is lower-key than it needs to be to hold up a whole novel. While the ending felt rushed, it still managed to leave me with a feeling that matters had been resolved -- patched together, leaking, limping -- but resolved. It's a very human, realistic ending, not the neat, happily-ever-after ending of the conventional romance.
The taut, allusory prose, the simple and straightforward story structure, and the outstanding delineation of a very sympathetic main character make this a standout book, one of Cherryh's best. In the grand tradition of space opera, it swept me off my feet and kept me enthralled over three decades.
A backroom deal is quietly arranged; Sandor has no real choice. My only dissatisfaction with the book is that he terrifies his exec and crew with his paranoia. This psychological study forms the middle of the story. Any other author would have high-lighted the romantic elements, or the actions of adversaries.
Unlike Owner's Share (Trader's Tales from the Golden Age of the Solar Clipper Book 6) , this author did not foresee stationnet listings of cargo availability, use of pocket computers to monitor ship's computer or using solar winds like sailing ships of old. Yet the Lucy and her crew get by.
Toward the end of the trip, another layer of the plot exposes -again Sandor has no choice. These characters deserve a sequel.