Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Riley's guiding emotions— Joy, Fear, Anger, Disgust and Sadness—live in Headquarters, the control centre inside Riley's mind, where they help advise her through everyday life and tries to keep things positive, but the emotions conflict on how best to navigate a new city, house and school.
Amy Poehler Phyllis Smith Bill Hader Lewis Black Mindy Kaling Richard Kind Kaitlyn Dias Diane Lane Kyle MacLachlan Bobby Moynihan Paula Poundstone Paula Pell Dave Goelz Frank Oz Josh Cooley Flea John Ratzenberger Carlos Alazraqui Peter Sagal Rashida Jones Lori Alan Gregg Berger Veronika Bonell John Cygan Laraine Newman Mary Gibbs
Brian Boyd Mathieu Cassagne Paul Oakley Jordan Rempel Julien Schreyer Max Bickley Kathleen Cosby Mimia Arbelaez Emmanuel Maniez Charu Clark Katie Bickley Wen-Chin Hsu Jonathan Kiker Edward Xi Chen Magen Sara Farrar Sungyeon Joh Maria Powers Burt Peng
Ma-Hud-Sa-Jan-A-Rom-On-La-Weng, Intensamente, Intensa-mente, W głowie się nie mieści, Ters Yüz, Vice-versa, Sens dessus dessous, Del revés, Tərs Üz, 头脑特工队, 玩轉腦朋友, Del revés (Inside Out), Головоломка, V hlavě, V hlave, Alles steht Kopf, הקול בראש, Agymanók, Divertida-Mente, Inderst inde, Insidan ut, Binnenstebuiten, 인사이드 아웃, قلبا وقالبا, Τα Μυαλά που Κουβαλάς, Išvirkščias pasaulis, Отвътре навън, มหัศจรรย์อารมณ์อลเวง, Думками навиворіт, ظاهر و باطن, Inside Out - mielen sopukoissa, Întors pe dos, インサイド・ヘッド, Inn og út, Innsiden ut, Divertida Mente, Intensa-Mente, Tapmaca, 腦筋急轉彎, Pahupidi, У мојој глави, Izvrnuto obrnuto, Prāta spēles, Вэрхал у галаве, Masuk Keluar, Những Mảnh Ghép Cảm Xúc, Vrvež v moji glavi, თავდაყირა
France
Cannes Film Festival
USAPG
Seattle International Film Festival
AustraliaPG
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Taormina International Film Festival
UKU
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Argentina
Australia
Azerbaijan
Bangladesh
Belarus
Belgium
Bolivarian Republic of Venezuela
Bolivia
Brazil
Bulgaria
Cambodia
Canada
Chile
China
Colombia
Croatia
Cyprus
Czechia
Denmark
Dominican Republic
Egypt
El Salvador
Estonia
Finland
France
Georgia
Germany
Greece
Hong Kong
Hungary
India
Indonesia
Ireland
Israel
Italy
Japan
Jordan
Kazakhstan
Kenya
Kuwait
Latvia
Lebanon
Lithuania
Malaysia
Mexico
Morocco
Netherlands
New Zealand
North Macedonia
Norway
Pakistan
Panama
Paraguay
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Singapore
Slovenia
South Africa
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98/100
WOW.
At one point, this film felt so truthful and achingly arresting that I wanted to reach out and become one with the screen. Being in a darkened theatre wasn't enough, I wanted to live within the realm of tenderness and majesty that Inside Out radiated. Pixar has just stolen my heart and opened a door to another world in a way that showcases the limitless possibilities of cinema.
Pete Docter's Inside Out is a masterpiece. Visually scrumptious, wonderfully conceptual, brilliantly crafted, and heartbreakingly emotional; Pixar's latest film is their finest outing and a masterclass in supremely detailed storytelling.
With a story beginning from the minds of Pete Docter and Ronaldo Del Carmen (who is also co-director), Inside Out…
A perfect movie. For my money, the best Pixar’s ever been, the thesis of all their work, and a perfect example of what fantasy can be: not just a hero’s journey, but a stunning, expansive metaphor. A vessel for complex storytelling with a complex and unpredictable resolution.
Don’t think I’ve seen this since the theater release, and both times I found that beginning sequence far more emotional than anything else. Bing Bong does very little for me, but Riley breaking up her parents’ argument with paper hockey really chokes me up. I started telling Cheyenne about it as it was coming and I still started crying! Really wish I knew why! Wonderful thing.
Best kids movie ever.
Will relieve countless stresses of parents and children for generations.
Be considerate of your feelings.
Also, bing bong.
Creativity overload, in a good way. The story isn't great and the plot holes are pretty problematic but this movie's so engaging and fun that it doesn't matter. There are so many funny, expressive, heartfelt moments and characters that make this film an absolute Joy to revisit. It's not one of Pixar's absolute best, but it's pretty close.
I would like to point out that Sadness and Joy have the same color hair. Why you may ask? I would argue that their blue hair symbolizes that the two share a special connection. A huge theme in the movie is that emotions are not single shades but rather a mixture. This is most notable in that without Sadness, we cannot properly appreciate Joy... both as characters and as emotions. They work hand in hand and it is important to express both emotions in life.
The comparison between this Pixar film's basic concept — a look inside an 11-year-old girl's head, where her emotions push for dominance — and the 1980s sitcom Herman's Head has been made many times. But it's not the concept, it's what Pixar vet and Up director Pete Docter and his team do with it. This is a speedy, often hilariously funny action-adventure, but it's also a mighty empathetic, sweet attempt to understand what sadness means, and why it's an important part of life, and how emotions interact with behavior. It's a smart film, and sometimes a tear-jerkingly emotional one, and it's so much better than the trailers suggest.
