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Against the Loveless World: A Novel Paperback – November 2, 2021
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2021 Aspen Words Literary Prize Finalist
“Susan Abulhawa possesses the heart of a warrior; she looks into the darkest crevices of lives, conflicts, horrendous injustices, and dares to shine light that can illuminate hidden worlds for us.” —Alice Walker, Pulitzer Prize–winning author
In this “beautiful...urgent” novel (The New York Times), Nahr, a young Palestinian woman, fights for a better life for her family as she travels as a refugee throughout the Middle East.
As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she’s forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation. Nahr’s subversive humor and moral ambiguity will resonate with fans of My Sister, The Serial Killer, and her dark, contemporary struggle places her as the perfect sister to Carmen Maria Machado’s Her Body and Other Parties.
Written with Susan Abulhawa’s distinctive “richly detailed, beautiful, and resonant” (Publishers Weekly) prose, this powerful novel presents a searing, darkly funny, and wholly unique portrait of a Palestinian woman who refuses to be a victim.
- Print length400 pages
- LanguageEnglish
- Publication dateNovember 2, 2021
- Dimensions5.31 x 1 x 8.25 inches
- ISBN-101982137045
- ISBN-13978-1982137045
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“Susan Abulhawa possesses the heart of a warrior; she looks into the darkest crevices of lives, conflicts, horrendous injustices, and dares to shine light that can illuminate hidden worlds for us, who are too often oblivious. A major writer of our time, to read Abulhawa is to begin to understand not simply the misinformation we have received for decades about what has gone on in Palestine and the Middle East, but to come to terms with our own resistance to feeling the terror of our own fear of Truth.” -- Alice Walker, Pulitzer Prize–winning author of Taking the Arrow Out of the Heart
“Against the Loveless World is a masterpiece! As she does with every book, Susan Abulhawa paints stunningly beautiful and humanizing images of Palestinian women as they navigate the violence of settler-colonial oppression with dignity and agency. With this novel, she also forces us to wrestle with the complexities of love, freedom, struggle, and shame in ways that both inspire and challenge our very conceptions of what it means to be human. This is a major literary contribution that further cements Abulhawa’s status as one of the most important writers of our generation.” -- Marc Lamont Hill, award-winning author of Nobody
“A thrilling, defiant novel. Abulhawa’s latest novel reads as a riot act against oppression, misogyny, and shame.” -- Fatima Bhutto, author of The Runaways
“A powerful and expansive story of love, resistance, and the search for freedom. Abulhawa’s characters are raw, unapologetic, and unforgettable.” -- Saleem Haddad, author of Guapa
“Nahr is a wonderful creation, strong-willed, passionate, unapologetic, and adventurous. Her refusal to accept the subordination expected of her propels the story at a thrilling pace. Her determination to find love in a loveless world and her unquenchable spirit in adversity shines a ray of hope into some very dark places.” -- Michael Palin, actor and philanthropist
“A fearless work of imagination and documentary.” -- Ahdaf Soueif, author of In the Eye of the Sun
“[A]t its heart, Abulhawa’s novel is a love story . . . but this is a love story that cannot escape its geography, and Abulhawa elegantly crafts a world where the tension between desire and survival is laid bare.” ― New Yorker
“A meditation on love and alienation in a setting that is by nature political [. . .] Exhilarating and contemplative.” ― Los Angeles Review of Books
“Abulhawa has created a spirited protagonist who lives invisibly and in opposition to her ‘loveless world,’ telling her own story on her own terms.” ― New York Times Book Review
“The detailed explorations of a woman’s pain and desperate measures make this lush story stand out.” ― Publishers Weekly
“Through Nahr, Abulhawa seamlessly, affectingly parallels Palestine's brutal, occupied history during the last half-century, humanizing headlines with names, families, dates, memories that belong to people with whom readers can identity, believe, empathize, mourn and ultimately, albeit tentatively, celebrate.” ― Shelf Awareness
“In this moving and nuanced novel, Abulhawa takes a hard look at the inheritance of exile and the intersection of the political with the personal, as Nahr’s story reveals the complexity beneath the simple narratives told on both sides of a deep divide.” ― Booklist
“A remarkable story filled with lyrical prose and breathtaking humanity.” ― Book Reporter
“From the U.S. invasion of Iraq, which made her a refugee, to jilted love, poverty, prostitution, a trek through Jordan, and falling in love, Nahr’s life unfolds in twists and turns, told beautifully by the internationally bestselling author of Mornings in Jenin.” ― GMA.com
“This is one masterfully written story you won’t be able to put down.” ― CNN.com
“Palestinian-American writer and political activist Susan Abulhawa has given us another powerful novel, this one of a woman’s fight against misogyny and oppression to find hope and meaning in the darkest of times.” ― Ms. Magazine
“Against the Loveless World gives readers a lens that focuses on the experience of a woman trying to assimilate into Palestinian culture as she moves forward to find a better life, the one she always dreamed of.” ― Apartment Therapy
“Susan Abulhawa’s writing has the rare quality of allowing us to hear the sound, taste the flavor, smell the fragrance, and feel the pulse of Palestine. She offers a rare insight and we would be foolish not to accept it.” ― Mint Press News
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
THE CUBE, EAST
I LIVE IN the Cube. I write on its glossy gray cinder-block walls however I can—with my nails before, with pencils now that the guards bring me some supplies.
Light comes through the small glass-block window high on the wall, reached only by the many-legged crawling creatures that also reside here. I am fond of the spiders and ants, which have set up separate dominions and manage to avoid each other in our shared nine-square-meter universe. The light of a world beyond, with a sun and moon and stars, or maybe just fluorescent bulbs—I can’t be sure—streams through the window in a prism that lands on the wall in red, yellow, blue, and purple patterns. The shadows of tree branches, passing animals, armed guards, or perhaps other prisoners sometimes slide across the light.
I once tried to reach the window. I stacked everything I had on top of the bed—a bedside table, the small box where I keep my toiletries, and three books the guards had given me (Arabic translations of Schindler’s List, How to Be Happy, and Always Be Grateful). I stretched as tall as I could on the stack but only reached a cobweb.
When my nails were strong and I weighed more than now, I tried to mark time as prisoners do, one line on the wall for each day in groups of five. But I soon realized the light and dark cycles in the Cube do not match those of the outside world. It was a relief to know, because keeping up with life beyond the Cube had begun to weigh on me. Abandoning the imposition of a calendar helped me understand that time isn’t real; it has no logic in the absence of hope or anticipation. The Cube is thus devoid of time. It contains, instead, a yawning stretch of something unnamed, without present, future, or past, which I fill with imagined or remembered life.
Occasionally people come to see me. They carry on their bodies and speech the climate of the world where seasons and weather change; where cars and planes and boats and bicycles ferry people from place to place; where groups gather to play, eat, cry, or go to war. Nearly all of my visitors are white. Although I can’t know when it’s day or night, it’s easy to discern the seasons from them. In summer and spring, the sun glows from their skin. They breathe easily and carry the spirit of bloom. In winter they arrive pale and dull, with darkened eyes.
There were more of them before my hair turned gray, mostly businesspeople from the prison industry (there is such a thing) coming to survey the Cube. These smartly dressed voyeurs always left me feeling hollow. Reporters and human rights workers still come, though not as frequently anymore. After Lena and the Western woman came, I stopped receiving visitors for a while.
The guard allowed me to sit on the bed instead of being locked to the wall when the Western woman, who looked in her early thirties, came to interview me. I don’t remember if she was a reporter or a human rights worker. She may have been a novelist. I appreciated that she brought an interpreter with her—a young Palestinian woman from Nazareth. Some visitors didn’t bother, expecting me to speak English. I can, of course, but it’s not easy on my tongue, and I don’t care to be accommodating.
She was interested in my life in Kuwait and wanted to talk about my “sexuality.”
Product details
- Publisher : Washington Square Press (November 2, 2021)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 1982137045
- ISBN-13 : 978-1982137045
- Item Weight : 11.2 ounces
- Dimensions : 5.31 x 1 x 8.25 inches
- Best Sellers Rank: #18,047 in Books (See Top 100 in Books)
- #73 in Political Fiction (Books)
- #110 in Cultural Heritage Fiction
- #1,694 in Literary Fiction (Books)
- Customer Reviews:
About the author
susan abulhawa is novelist, poet, essayist, scientist, human and animal rights activist, and mother. Her debut novel, Mornings in Jenin, was translated into 30 languages and is considered a classic in Palestinian literature. Her most recent, Against the Loveless World, likewise received literary acclaim and was lauded as a "masterpiece." The number of books sold and linguistic reach of her books have made abulhawa the most widely read Palestinian author of all time.
In 2001, abulhawa founded Playgrounds for Palestine, an international children's NGO upholding the Right to Play for Palestinian children. She is also the Executive Director of the 'Palestine Writes Literature Festival.'
Other works by abulhawa include The Blue Between Sky and Water (Bloomsbury, 2015), My Voice Sought the Wind (poetry, Just World Books, 2013), and several anthologies.
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Five stars are not enough. How about 10, 50, 100?
In other words: masterpiece. Against the Loveless World is that rarest of treasures, a bona fide masterpiece. The kind that comes along ever so seldom. The kind of novel that you don't merely read, but are privileged to enter and live inside for a few precious hours, and the kind of novel that you then can't stop thinking about, for many more hours, for days, for weeks. For the rest of your life.
I've read only a handful of such novels in my life. Beloved by Toni Morrison. Song of Solomon by Toni Morrison. Just Above My Head by James Baldwin. At Swim, Two Boys by Jamie O'Neill. The Castle Cross the Magnet Carter by Kia Corthron. Mrs. Dalloway by Virginia Wolff. Affinity by Sarah Waters. Death of a River Guide by Richard Flanagan. The Color Purple by Alice Walker. Cloudsplitter by Russell Banks. Cantoras by Carolina de Robertis. And now this. Now Against the Loveless World. What do these novels, my own personal pantheon of literary masterworks, have in common? Each one is about something, about something that matters. By which I mean it's not what I think of as a kitchen-table novel, one with a narrow focus on the domestic details of a life or two, in particular a white bourgeois or petit-bourgeois life or two. All too many, most, fictions foisted on us by the literary establishment inside the U.S. restrict themselves to such a focus. Constrict our reading to such a narrow perspective. They reflect and uphold the status quo. Well of course they do, because the perspective of the capitalist ruling class is the only one through which we're supposed to view the world. The great novels that break out of these bounds, the novels that draw the reader in to a story that resists, defies, rejects the racist gaze, the imperialist gaze, the colonialist gaze, the cis heterosexist male gaze--a story that exists beyond the bounds of bourgeois literary respectability—these are the novels that matter.
Against the Loveless World matters. It matters because of its key portrayals, three of them as I see it. The first two are characters: the protagonist Nahr, and the six or so most important secondary characters. The third: Palestine.
The characterizations are complex, deeply drawn. Nahr above all, a Palestinian woman whose life unfolds in unexpected directions. Imperialism, invasion, occupation, colonialism, racism, sexism, class are the context of her life. Abulhawa shows this skillfully, artfully, as Nahr guides us through her story. But context is not everything, and the portrayal of Nahr herself, her individuality, character, personality—her quirks and flaws and mistakes as much as her beauty intelligence fierceness devotion loyalty tenderheartedness courage—is exquisite, making her one of the most memorable main characters I’ve ever encountered. Making me love her, feel with her, ache for her, laugh and love with her. With the character of Nahr the reader is afforded the privilege of inhabiting the consciousness of one of the most multilayered, complex, thinking, feeling, fully fleshed protagonists I've ever encountered
For lack of time I’m not going to write about the secondary characters but take my word for it: they are deep and they are real and they are every bit as remarkable creations as the central character Nahr. It is a crime both literary and political that it’s noteworthy when a novel published in this country draws the reader in to identify with, care about, Palestinians. How awful, how absurd, how criminal that simply showing the humanity of Palestinians should be noteworthy! But such is the literary and political landscape in this country. Because U.S. imperialism is so invested in the Zionist colonialist settler state, the bourgeois literary establishment does its bidding by locking out Palestinian voices. So when a work featuring such voices manages to break through, it’s cause for celebration and should be made known far and wide. This is such a work. Read it and you will understand the Palestinian experience a little better.
Central to that experience, the third key portrayal I mentioned, is Palestine itself. In a way Palestine is itself a character in this story. Palestine the nation. Palestine the land. Palestine the food. Palestine the music. Palestine the language. Palestine the dance, the dress, the traditions. Palestine the flowers, the hills, the sky, the wind. Palestine the goats and sheep. Palestine the figs, the almonds. Palestine the olive trees. Palestine the lush, the beloved.
Palestine the stolen. The invaded. The occupied. The exiled. The tortured, the assassinated, the imprisoned. Palestine the never defeated. Palestine the people who fight, who fight, who fight, who fight on in whatever way they can.
All this Abulhawa depicts with the utmost skill, with stunningly gorgeous writing, with a page-turning plot, with un-put-down-able momentum that engages the reader intellectually, emotionally and politically. For those who know little of Palestinian stories, it will be an eye opener. For those of us who already know which side we’re on, it is a gift.
In my opinion, all great art is born of suffering. Great art engages with love and loss and pain, with struggle and solidarity. Against the Loveless World is great art.
This is a beautiful, wrenching, soaring, searing novel. It will move you to tears. Let it also move you to action.
Long live Palestine!
Thank you Susan Abulhawa.
governance. However it is beautifully written and something we should know about. We recently talked to a Palestinian refugee in Canada. He told us some stories from his family's experience which mirrored what Susan described. I will not forget Against the Loveless World.
Top reviews from other countries
The story telling is raw and captivating at the same time. You feel like are living the story with Nahr as she makes you feel the emotions she is going through and especially the outrage of the injustice her and her family had to go through. While some parts are difficult to read due to the atrocities described, this book is also full of love and a humanity.