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Collected Poems Gebundene Ausgabe – 1. April 1989

Englisch Ausgabe von Philip Larkin (Autor)

4,7 441 Sternebewertungen

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A collection of many published and previously unpublished works of the English poet

Sprache

Englisch
Herausgeber

Farrar Straus & Giroux
Erscheinungstermin

1. April 1989
Abmessungen

15.24 x 2.54 x 21.59 cm
ISBN-10

0374126232
ISBN-13

978-0374126230
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Produktinformation

Herausgeber ‏ : ‎ Farrar Straus & Giroux (1. April 1989)
Sprache ‏ : ‎ Englisch
ISBN-10 ‏ : ‎ 0374126232
ISBN-13 ‏ : ‎ 978-0374126230
Abmessungen ‏ : ‎ 15.24 x 2.54 x 21.59 cm

Amazon Bestseller-Rang: Nr. 2,792,151 in Bücher (Siehe Top 100 in Bücher)
- Nr. 4,553 in Lyrik - Anthologien
- Nr. 1,720,783 in Fremdsprachige Bücher

Kundenrezensionen:
4,7 441 Sternebewertungen

Über die Autoren

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Philip Larkin
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Anthony Thwaite
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Spitzenbewertungen aus Deutschland

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Franziska Schmidt

Buch in einwandfreiem Zustand

Rezension aus Deutschland vom 31. Mai 2023

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Besondere Überraschung: Es wurde ausgesondert aus der College Bibliothek Bath, hübscher Stempel drin.

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Bücherkeule

No, I have never found the place...

Rezension aus Deutschland vom 28. März 2010

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Philip Larkin is one of the most widely read and best-loved poets of the English speaking world. This may be due to the accessibility of his poems which, in spite of their metrical intricacies and subtle construction, often appear colloquial and do not shun even strong language. A thought entrusted to a friend or lover at night, a witty if dejected remark about life in a pub just before curfew - such are the scenes, in which the poems could be placed.

A recurrent theme of many poems is the uneasiness of being: The astonishing fact that man finds it hard to define his place in life (Ignorance), the difficulty of finding a place that could rightfully be called home (Places, Loved Ones), the strong wish to be alone (Wants). Profound sadness cloaks much of Larkin's oeuvre, and wisdom springing from defeat is at the heart of the poem's sad profundity.

Philip Larkin is a master of many lyrical forms. Formal constructions like sonnets (e.g. Spring) or quatrains in couplets (Money, Cut Grass) alternate with less well defined but usually rhymed forms.

Philip Larkin's slender and yet encompassing oeuvre is one of the must reads in poetry. It is one of the collections of poems I frequently turn to for consolation.

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Amazon Kunde

"Collected poems - Larkin

Rezension aus Deutschland vom 20. Juni 2019

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Buch früh erhalten. In sehr gutem Zusatand! Sehr zufrieden!

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Manuel Haas

Larkin will make you love poetry

Rezension aus Deutschland vom 19. Juli 2000

Philip Larkin once remarked that he felt the poet should take the reader by the hand and lead them right into the poem. Maybe that is just another way of saying that his poems are accessible and will touch you even when reading them for the first time.
Yes, Larkin does embody the somewhat grumpy spirit of post-war Britain, but like all good poetry they are about the something that seems to be missing in our lives. There are some feelings no writer has ever put more precisely. Formally rather conservative (rhyme, no daring metaphors), the vocabulary is utterly down to earth. "Talking in bed should be easiest," Larkin begins, only to find out that with the lengthening of the silence "It becomes stil more difficult to find / Words at once true and kind, / Or not untrue and not unkind."
The feelings expressed may not always be nice, nor is this much of a self-help book, so it is utterly opposed to the spirit of our times, but this "old-type natural fouled up-guy" will make you love poetry if you are not yet sure about whether your do ("to prove our almost-instinct almost true: / What will survive of us is love.") Get this European poet looking at himself as if he were a complete stranger as a contrast to you confessional poets!

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Nützlich

David Waugh

Chronologically compiled collection of Larkin's verse.

Rezension aus Deutschland vom 21. Mai 2000

Philip Larkin's weltschmertz and English dreariness were too much for most Brits to swallow, so it's understandable that his modest literary fame never extended outside of the UK. The poems here are arranged in chronological order, which allow the reader to see when the solitary Hull librarian began to make a linguistic departure in his poems.
Critics and casual readers alike have often remarked at Larkin's blatant use of obscenities, particularly in 'This Be the Verse', which begins 'They f#@k you up, your mum and dad, they don't mean to, but they do'. Larkin viewed his use of vulgarity as tying in with the language of the time, to the talk and behaviour that were especially rapid, exciting and unavoidable during the counter-culture zeitgeist of the late '60's and early '70's. The sudden 'f@#k' and 'crap' with which Larkin begins some poems from this epoch often contrast with the elevated diction and stately rhythms of the poems' final stanzas. For example, 'This Be the Verse' ends with 'Man hands on misery to man. It deepens like a coastal shelf, get out as early as you can, and don't have any kids yourself'. This gap in diction between the beginning and the end of 'This Be the Verse', as well as most of the poems on 'High Windows' is a generation gap. Larkin was a man who felt estranged when he saw two sixteen-year-olds necking in public, and one of the ways he reacts in that poem is to move into, and then out from under, their language.
Larkin does this again in the poem, and my personal favourite, 'High Windows', which begins 'When I see a couple of kids, and guess he's f@#king her and she's wearing a diaphragm, I know this is paradise'. The word 'f@#cking' in 'High Windows' sounds aggressive, like a smear on the girl and perhaps also on the boy in the poem. But this pejorative effect is reversed when, further into the poem, the word gets reclassified as high praise :'I know this is paradise'. What sounds early on like simple resentment or jealousy modulates into jealous admiration. And, like 'This Be the Verse', the poem's denouement is a complete deviation in diction from the opening stanza's 'Rather than words comes the thought of high windows: The sun-comprehending glass, and beyond it, the deep blue air, that shows nothing, and is nowhere, and is endless'. Just like 'This Be the Verse', its ending is more traditionally 'poetic'. The subcultural indicators, then, can only be part of the force.
Also recommended is Andrew Motion's biography of the petulant poet.

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B

Lovely, melancholy Larkin

Rezension aus Deutschland vom 17. März 2000

Philip Larkin's poems are never bright and cheerful--but that's okay. Whether sad, poignant, or wickidly funny, his poems speak directly to you--you feel like he is someone with whom you have a lot in common. He is also, of course, a true poetic genius, a virtuoso with sound--for proof of that, look no further than the trochaic rhythms of "The Explosion", one of his few non-personal poems. There are gems all through this book. Read them a few at a time, to savor them.

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Alex

faulty

Rezension aus Deutschland vom 13. August 2012

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This book is missing some of his poems.
Also, the description (240 poems) is wrong.
There seems to be quite a chaos with Philip Larkin books here on amazon.

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Marion

Philip Larkin's collected poems is a gift for which I am grateful

Rezension aus den Vereinigten Staaten vom 21. November 2023

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Philip Larkin was of my generation and his poetry always spoke to me with a remarkable clarity. I own various editions of his poetry as it was published; however, having the definitive collected poems is a wonderful gift.

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Frank 9

Captain Beefheart's favourite poet?

Rezension aus dem Vereinigten Königreich vom 11. August 2023

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Larkin dignifies a number of the most difficult and sometimes embarrassing aspects of life with some of the most sharp, concise and precise language in poetry. It's a remarkable skill that can organise into such demanding forms language which reads so naturally as to often be almost colloquial while exploring experience with ruthless, investigative clarity.

Captain Beefheart said, "Poetry is scary to me. I think Philip Larkin may be the best poet I've ever read."

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Anshu Dhamiwal

My friend was happy!

Rezension aus Indien vom 4. Juni 2019

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:)

Rezensionen auf Deutsch übersetzen

Howard Hilton

complete poems

Rezension aus Australien vom 30. August 2019

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perfect if you like Larkin

Rezensionen auf Deutsch übersetzen

海原泰山

☆「難解には、陥らない戦後の現代詩人」－フィリップ・ラーキン氏

Rezension aus Japan vom 22. Mai 2019

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　フィリップ・ラーキンと言う人。意外な事に、「オックスフォード現代英英辞典」のＤＶＤ－ＲＯＭにも、載っているんですね。
　フィリップ・ラーキン氏は、「難解には陥らない現代詩」を書いた人です。日本で言うと、草野心平さんみたいな感じです。
　何も、フィリップ・ラーキン氏、すなわちイコール草野心平さんではありませんが。平明ななかにも、ひょうひょうとしており、ある種のポピュラリティーが、有る。そうして、読み手を、安心させる、アスピリン的効果が、ありますよ。
　もし、英語圏で、戦後の現代詩人を、１０人、選ぶとしたらば、フィリップ・ラーキン氏は、その内の１人に、入るだろうなー。

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Den Autoren folgen

Collected Poems Gebundene Ausgabe – 1. April 1989

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Produktinformation

Über die Autoren

Philip Larkin

Anthony Thwaite

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