Ikue Mori – One Hundred Aspects Of The Moon
Label: | Tzadik – TZ 7055 |
---|---|
Series: | Composer Series |
Format: | CD, Album |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Abstract, Experimental, Synth-pop |
Tracklist
1 | The Moon And The Abandoned Old Woman | 2:41 | |
2 | A Buddhist Monk Receives Cassia Seeds On A Moonlit Night | 2:06 | |
3 | Monkey Music Moon | 3:06 | |
4 | Musashi Plain Moon | 4:12 | |
5 | How Noisy The Sound Of Insects Calling In The Meadow, As For Me, I Make No Sound But Think Of Love | 2:50 | |
6 | Moon Of The Lonely House | 2:10 | |
7 | Cloth-Beating Moon | 2:38 | |
8 | Dawn Moon And Tumbling Snow | 1:38 | |
9 | Joganden Shooting Moon | 0:32 | |
10 | Lunacy | 1:13 | |
11 | Received Back Into Moon Palace | 3:00 | |
12 | Like A Reflection In The Moon | 3:33 | |
13 | Glimpse Of The Moon | 4:30 | |
14 | The Moon's Inner Vision | 1:22 | |
15 | Mountain Moon After Rain | 2:47 | |
Bonus Track | |||
16 | Birthdays | 7:37 |
Companies, etc.
- Copyright © – Tzadik
- Phonographic Copyright ℗ – Tzadik
- Recorded At – Avatar Studios
- Recorded At – Roulette, New York, NY
- Recorded At – Speed of Sound, New York, NY
- Mixed At – Avatar Studios
- Mixed At – Frank Booth
- Mastered At – Foothill Digital
- Glass Mastered At – Nimbus – D6430
Credits
- Artwork [Ukiyoe Prints] – Tsukioka Yoshitoshi
- Bass – Kato Hideki
- Cello – Erik Friedlander
- Drum Machine [Drum Machines], Composed By, Producer, Design – Ikue Mori
- Executive-Producer – John Zorn
- Executive-Producer [Associate] – Kazunori Sugiyama
- Mastered By – Allan Tucker
- Mixed By [Live Recording] – Jamie Saft
- Piano, Organ – Anthony Coleman
- Recorded By [Live Recording] – Jim Staley
- Recorded By, Mixed By – Dan Gellert
- Violin – Eyvind Kang
- Vocals – Theo Bleckmann
Notes
This piece was inspired by "One Hundred Aspects Of The Moon", a series of woodblock prints by the last master of Japanese Ukiyoe, Yoshitoshi. Fifteen of his one hundred scenes were excerpted in various ways to bring out different aspects of the images. Although each piece has its own musical style, they are all connected to create a world whose energy is released by the same kind of culture clash that made Yoshitoshi's work so distinctive.
Commissioned by Roulette with funds provided by the Mary Flagler Cary Charitable Trust.
Recorded and mixed at Avatar, NYC, March & September 1999.
Live recording at Roulette, NYC, December 1989.
Live recording mixed at Frank Booth, Brooklyn, November 1999.
Track 16 recorded at Speed of Sound, Brooklyn, April 1999.
Mastered at Foothill Digital, NYC.
Commissioned by Roulette with funds provided by the Mary Flagler Cary Charitable Trust.
Recorded and mixed at Avatar, NYC, March & September 1999.
Live recording at Roulette, NYC, December 1989.
Live recording mixed at Frank Booth, Brooklyn, November 1999.
Track 16 recorded at Speed of Sound, Brooklyn, April 1999.
Mastered at Foothill Digital, NYC.
Barcode and Other Identifiers
- Barcode (on obi): 7 02397 70552 9
- Matrix / Runout (Mirrored): D6430 TZ 7055 1:0 [Nimbus logo]
- Mastering SID Code (Written twice, mirrored): IFPI L123
- Mould SID Code: ifpi 2311
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