PUNTUACIÓN EN IMDb
7,9/10
74 mil
TU PUNTUACIÓN
Cuando el exmarido de una mujer rica y un reportero de tipo sensacionalista aparecen justo antes de su planeado nuevo matrimonio, ella comienza a conocer la verdad sobre sí misma.Cuando el exmarido de una mujer rica y un reportero de tipo sensacionalista aparecen justo antes de su planeado nuevo matrimonio, ella comienza a conocer la verdad sobre sí misma.Cuando el exmarido de una mujer rica y un reportero de tipo sensacionalista aparecen justo antes de su planeado nuevo matrimonio, ella comienza a conocer la verdad sobre sí misma.
- Ganó 2 premios Óscar
- 5 premios y 5 nominaciones en total
King Baggot
- Wedding Guest
- (sin acreditar)
Hillary Brooke
- Main Line Society Woman
- (sin acreditar)
Veda Buckland
- Elsie
- (sin acreditar)
Lita Chevret
- Manicurist
- (sin acreditar)
Russ Clark
- John - Chauffeur
- (sin acreditar)
Sally Cleaves
- Party Guest
- (sin acreditar)
- Dirección
- Guión
- Donald Ogden Stewart
- Philip Barry
- Waldo Salt(sin acreditar)
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesThe film was shot in eight weeks, and required very few retakes. During the scene where James Stewart hiccups when drunk, you can see Cary Grant looking down and grinning. Since the hiccup wasn't scripted, Grant was on the verge of breaking out laughing and had to compose himself quickly. Stewart (apparently spontaneously) thought of hiccuping in the drunk scene, without telling Grant. When he began hiccuping, Grant turned to Stewart, saying, "Excuse me." The scene required only one take.
- PifiasAs Connor and Tracy exit the library, the boom mic is reflected on the windshield of Tracy's car.
- Citas
Tracy Lord: The time to make up your mind about people is never.
- Versiones alternativasAlso available in a computer colorized version.
- ConexionesEdited into Hollywood: The Dream Factory (1972)
- Banda sonoraLydia, the Tattooed Lady
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Performed by Virginia Weidler (vocal and piano)
Reseña destacada
Dictating her own comeback
After Katharine Hepburn was one of a group of stars dictated "box office poison" by the ruling moguls of Hollywood she went east and scored a complete triumph on stage with The Philadelphia Story. But our Kate was the shrewd one, she had the foresight to buy the film rights from author Philip Barry and peddle them to the studio that would guarantee her repeating her stage role and giving her creative control.
On stage she had co-starred with Joseph Cotten, Van Heflin, and Shirley Booth all of whom became movie names later on, but meant nothing to Hollywood in 1940. She had the choice of leading men and cast in their places, Cary Grant, James Stewart and Ruth Hussey.
This was Grant's fourth and final appearance on screen with Hepburn. It's a typical Cary Grant part, witty and urbane, with a touch of the rogue in him. He's Hepburn's ex-husband, still very much in love with his ex-wife, but she's marrying stuffed shirt John Howard.
Reporter James Stewart and photographer Ruth Hussey are covering Hepburn's wedding for Spy Magazine, the National Enquirer of the day. Through a little judicious blackmail they're invited to this premier society wedding, but both feel out of place and used.
After The Philadelphia Story, Katharine Hepburn was a movie name the rest of her long life. Even with an occasional clinker no one ever questioned her about being box office poison.
James Stewart won the Best Actor Oscar in probably the most romantic he was ever on the screen. A lot felt it was a consolation Oscar for not winning it for Mr. Smith Goes to Washington in 1939. Stewart himself proclaimed to all who'd listen that he voted for good friend Henry Fonda in the Academy Sweepstakes for The Grapes of Wrath. I've always felt that when Stewart talked about those hearth fires banked down low to Hepburn, he was really talking about himself. He's a cynical fellow at first and his romantic side comes as a surprise to him more than even the audience.
The Philadelphia Story has become such a classic that even the musical remake High Society doesn't try to copy it, it just presents a softer musical alternative. But I'd kind of liked to have seen Hepburn do this with her original cast as well. Oscars were in the future for Van Heflin and Shirley Booth and Joseph Cotten the following year made his debut in the biggest film of all.
On stage she had co-starred with Joseph Cotten, Van Heflin, and Shirley Booth all of whom became movie names later on, but meant nothing to Hollywood in 1940. She had the choice of leading men and cast in their places, Cary Grant, James Stewart and Ruth Hussey.
This was Grant's fourth and final appearance on screen with Hepburn. It's a typical Cary Grant part, witty and urbane, with a touch of the rogue in him. He's Hepburn's ex-husband, still very much in love with his ex-wife, but she's marrying stuffed shirt John Howard.
Reporter James Stewart and photographer Ruth Hussey are covering Hepburn's wedding for Spy Magazine, the National Enquirer of the day. Through a little judicious blackmail they're invited to this premier society wedding, but both feel out of place and used.
After The Philadelphia Story, Katharine Hepburn was a movie name the rest of her long life. Even with an occasional clinker no one ever questioned her about being box office poison.
James Stewart won the Best Actor Oscar in probably the most romantic he was ever on the screen. A lot felt it was a consolation Oscar for not winning it for Mr. Smith Goes to Washington in 1939. Stewart himself proclaimed to all who'd listen that he voted for good friend Henry Fonda in the Academy Sweepstakes for The Grapes of Wrath. I've always felt that when Stewart talked about those hearth fires banked down low to Hepburn, he was really talking about himself. He's a cynical fellow at first and his romantic side comes as a surprise to him more than even the audience.
The Philadelphia Story has become such a classic that even the musical remake High Society doesn't try to copy it, it just presents a softer musical alternative. But I'd kind of liked to have seen Hepburn do this with her original cast as well. Oscars were in the future for Van Heflin and Shirley Booth and Joseph Cotten the following year made his debut in the biggest film of all.
útil•7213
- bkoganbing
- 12 nov 2005
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Detalles
Taquilla
- Presupuesto
- 944.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 404.524 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 258.994 US$
- 18 feb 2018
- Recaudación en todo el mundo
- 411.663 US$
- Duración1 hora 52 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Historias de Filadelfia (1940) officially released in India in English?
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